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The Bamboo Blonde (1946)

 -  Musical | War | Romance  -  15 July 1946 (USA)
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Ratings: 5.9/10 from 182 users  
Reviews: 7 user | 4 critic

A pilot of a B 29 meets Louise Anderson, a singer in a New York nightclub. He falls in love with her, but he had to leave next day for action in the Pacific. He lets paint her picture on ... See full summary »


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Title: The Bamboo Blonde (1946)

The Bamboo Blonde (1946) on IMDb 5.9/10

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Complete credited cast:
Louise Anderson
Eddie Clark
Russell Wade ...
Patrick Ransom, Jr.
Iris Adrian ...
Montana Jones
Richard Martin ...
Jim Wilson
Eileen Sawyer
Glen Vernon ...
Shorty Parker (as Glenn Vernon)
Paul Harvey ...
Patrick Ransom, Sr.
Regina Wallace ...
Mrs. Ransom
Jean Brooks ...
Art Department (as Tom Noonan)
Dorothy Vaughan ...


A pilot of a B 29 meets Louise Anderson, a singer in a New York nightclub. He falls in love with her, but he had to leave next day for action in the Pacific. He lets paint her picture on his bomber, the "Bamboo Blonde" and becomes a hero with his crew sinking a Japanese battleship and shooting down a Japanese fighter wing. Back in New York, he leaves his fiancée and engages him to Louise. Written by Stephan Eichenberg <>

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Plot Keywords:



Musical | War | Romance


Approved | See all certifications »




Release Date:

15 July 1946 (USA)  »

Also Known As:

The Bamboo Blonde  »

Company Credits

Production Co:

Show detailed on  »

Technical Specs


Sound Mix:

(RCA Sound System)|

Aspect Ratio:

1.37 : 1
See  »

Did You Know?


Featured in Gauchos of El Dorado (1941) See more »


Dreaming out Loud
Written by Mort Greene and Lew Pollack
Sung by Frances Langford
See more »

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User Reviews

A wonderful piece of WWII fluff
25 August 2004 | by (Olympia, WA) – See all my reviews

Okay, this movie isn't Citizen Kane. But it is an hour of so of zippy well-produced entertainment -- and I think you have to say it is one of the most perfectly typical movies of its time. I mean, it has every stereotypical character, traditional plot device and normal production touch you might expect in a light comedy produced during wartime. We have a fast-talking and slightly corrupt nightclub promoter. We have an adorable torch singer with a heart of gold. And we have a somewhat naive leading man who nevertheless possesses the sterling qualities that will make him a war hero. Oh, and don't let me forget -- we also have a beautiful and manipulative woman, the sort who doesn't like to lose.

The plot is your basic boy-meets-girl stuff. It concerns a man who meets a nightclub singer -- very cutely, of course. They have a nice long chat over dinner and fall deeply in like. The fellow goes to war the very next day. Boy and girl secretly pine for each other, even though each of them knows they really don't have a right to do so. The girl's lovely face gets painted on the nose of our hero's B-29. The plane and crew becomes famous for heroic exploits (which consist mainly of surviving) and then hero and torch singer are reunited for a bond tour. They have to pretend to be lovers. The problem here is that the hero's rich-bitch fiancé intrudes. She doesn't love the guy at all, but now that he's a war hero, she demands that the big lunk go through with the ceremony.

You can kind of guess how this one ends. Can't you? Oh, please. And there's a big twist at the end, when we find out about the fellow's family background -- but if you don't see this one coming a half-hour in advance, you probably haven't seen enough thirties and forties movies.

Naturally the lovely Miss Langford has some elaborate production numbers, with a wonderful big-band soundtrack.

Now, this sort of summary might make this movie sound like the oldest and tritest story ever filmed. But the fact is that every now and then someone produces a movie that so perfectly encapsulates every convention of its genre that you stop seeing a lack of originality as a flaw. Instead you can marvel at its perfection, the way you can admire a perfectly cut diamond. Nothing original about a perfectly cut stone, is there? But it sure looks purty.

So of course the boy and girl fall in love. Of course they conquer all. Of course Frances Langford gets to wear skimpy outfits and sing her lungs out. No wonder Bob Hope took her on so many USO tours.

I gather that Anthony Mann's involvement is one of the reasons this movie works so well. He became a noted director in the years after this film was made, and while I can't count myself as one of those who is obsessed with his work, I know that there are many who are. Suffice it to say that some directors might have made a mess of a movie like this one, but Mann keeps it moving right along, and the level of acting is pretty much what it ought to be.

Okay, so maybe the critics were right when they called this movie clichéd and hackneyed. But there was a reason for those clichés: Sometimes they actually worked. Next time this one shows up on cable, put your feet up, put your mind on hold and let yourself enjoy the darned thing.

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