IMDb > Anna and the King of Siam (1946)
Anna and the King of Siam
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Anna and the King of Siam (1946) More at IMDbPro »

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7.1/10   1,540 votes »
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Up 14% in popularity this week. See why on IMDbPro.
Talbot Jennings (screenplay) and
Sally Benson (screenplay) ...
View company contact information for Anna and the King of Siam on IMDbPro.
Release Date:
11 August 1946 (UK) See more »
In 1862, a young Englishwoman becomes royal tutor in Siam and befriends the King. Full summary » | Add synopsis »
Plot Keywords:
Won 2 Oscars. Another 2 wins & 4 nominations See more »
User Reviews:
Fine Adaption of Classic See more (23 total) »


  (in credits order) (verified as complete)

Irene Dunne ... Anna Owens

Rex Harrison ... King Mongkut

Linda Darnell ... Tuptim

Lee J. Cobb ... Kralahome

Gale Sondergaard ... Lady Thiang
Mikhail Rasumny ... Alak
Dennis Hoey ... Sir Edward
Tito Renaldo ... Prince Chulalongkorn (as a boy)
Richard Lyon ... Louis Owens
rest of cast listed alphabetically:

John Abbott ... Phya Phrom (uncredited)
Aristophanes ... An Elephant (uncredited)
Victor Bach ... Midget Page Boy (uncredited)
Cha Bing ... Wife of King (uncredited)
Jan Bryant ... Wife of King (uncredited)
Chabing ... Wife of King (uncredited)
Oie Chan ... Old Woman (uncredited)
Si-Lan Chen ... Dance Director (uncredited)
Maxine Chevelier ... Wife of King (uncredited)
Dorothy Chung ... Amazon Guard (uncredited)
Buff Cobb ... Wife of King (uncredited)
Evelyne de Luzuriaga ... Wife of King (uncredited)
Rico De Montez ... Guard (uncredited)
Rosa Del Rosario ... Wife of King (uncredited)
Blacky Dittars ... Snake (uncredited)
Marjorie Eaton ... Miss MacFarlane (uncredited)
William Edmunds ... Moonshee (uncredited)
Sandra Foloway ... Wife of King (uncredited)

Joe Garcio ... Whipper (uncredited)
Helena Grant ... Mrs. Cortwright (uncredited)
Ted Hecht ... Judge (uncredited)
Aram Katcher ... Guard (uncredited)
Connie Leon ... Beebe (uncredited)
Sydney Logan ... Wife of King (uncredited)
Laurette Luez ... Wife of King (uncredited)
Stanley Mann ... Mr. Cortwright (uncredited)
Cissy Marr ... Wife of King (uncredited)
Cecilia Meagher ... Wife of King (uncredited)
Luisita Mendoza ... Wife of King (uncredited)
Lillian Molieri ... Wife of King (uncredited)
Harry Monty ... Midget Page Boy (uncredited)
Neyle Morrow ... Phra Palat (uncredited)
Miguel Padilla ... Midget Page Boy (uncredited)
Marianne Quon ... Wife of King (uncredited)
Toni Raimando ... Wife of King (uncredited)
Pedro Regas ... Guide (uncredited)
Addison Richards ... Captain Orton (uncredited)
Julian Rivero ... Government Clerk (uncredited)
Yvonne Rob ... Lady Son Klin (uncredited)
Constantine Romanoff ... Whipper (uncredited)
Mickey Roth ... Prince (uncredited)
Hazel Shon ... Slave (uncredited)
Leonard Strong ... Interpreter (uncredited)
Diane Van der Ecker ... Princess Fa-Ying (uncredited)
Saturnino Villanueva ... Midget Page Boy (uncredited)
Chet Voravan ... Siamese Guard (uncredited)

Ben Welden ... Third Judge (uncredited)
Jean Wong ... Amazon Guard (uncredited)

Directed by
John Cromwell 
Writing credits
Talbot Jennings (screenplay) and
Sally Benson (screenplay)

Margaret Landon (based upon the biography by)

Produced by
Louis D. Lighton .... producer
Original Music by
Bernard Herrmann 
Cinematography by
Arthur C. Miller (director of photography) (as Arthur Miller)
Film Editing by
Harmon Jones (film editor)
Art Direction by
William S. Darling  (as William Darling)
Lyle R. Wheeler  (as Lyle Wheeler)
Set Decoration by
Thomas Little 
Costume Design by
Bonnie Cashin (costumes)
Makeup Department
Ben Nye .... makeup artist
Second Unit Director or Assistant Director
Paul Wurtzel .... assistant director (uncredited)
Art Department
Frank E. Hughes .... associate set decorations
Sound Department
Bernard Freericks .... sound
Roger Heman Sr. .... sound (as Roger Heman)
Special Effects by
Edwin Hammeras .... transparency projection shots (uncredited)
Ralph Hammeras .... miniatures (uncredited)
Edward Snyder .... transparency projection shots (uncredited)
J.O. Taylor .... transparency projection shots (uncredited)
Visual Effects by
Fred Sersen .... special photographic effects
Camera and Electrical Department
Paul Lockwood .... second camera (uncredited)
Costume and Wardrobe Department
Sam Benson .... wardrobe (uncredited)
Eugene Joseff .... costume jeweller (uncredited)
Editorial Department
Lyman Hallowell .... apprentice editor (uncredited)
Music Department
Bernard Herrmann .... orchestrator (uncredited)
Murray Spivack .... music mixer (uncredited)
Other crew
Darryl F. Zanuck .... presenter
Louis Bernardi .... technical advisor: food scenes (uncredited)
Miss Poonsabaya Graiyond .... technical advisor (uncredited)
Philip A. Huffman .... head of technical staff (uncredited)
Eddie Jones .... technical advisor (uncredited)
Margaret Landon .... technical advisor (uncredited)
Sawasdi Nitibhon .... technical advisor (uncredited)
Enrico Ricardi .... singing coach: Irene Dunne (uncredited)
Frances C. Richardson .... research director (uncredited)
Louis Van der Ecker .... technical advisor (uncredited)
Chet Voravan .... technical advisor (uncredited)
Helen Webb .... assistant research director (uncredited)
Crew verified as complete

Production CompaniesDistributors

Additional Details

Also Known As:
128 min
Aspect Ratio:
1.37 : 1 See more »
Sound Mix:
Mono (Western Electric Recording)
Australia:G | Canada:G (video rating) | Finland:K-16 | Germany:12 | Netherlands:12 | Spain:T | Sweden:15 | UK:A (original rating) | UK:12 (re-rating) (2006) | UK:12 (re-rating) (2006) (cut) | UK:A (1946) (cut) | USA:Approved (PCA #11572, General Audience)

Did You Know?

Olivia de Havilland, Myrna Loy and Irene Dunne lobbied for the role of Anna.See more »
Anachronisms: The banquet scene includes a performance of Siamese theatrical dance. However, the music which accompanies this performance is unmistakably Balinese gamelan, not Siamese. Furthermore, it's "gong kebyar" style, which hadn't been invented yet in the 1860s.See more »
Anna Owens:[Anna, thinking the king is a barbarian, is about to leave. The Kralahome has had her brought to his office at night to reason with her. She is outraged] How dare you treat me in this manner. I demand an explanation, and I warn you...
Kralahome:[Calmly] Be quiet, sir.
Anna Owens:...that I'm a British subject.
Kralahome:That is nor reason you are safe. I could have you killed if that would serve my purpose. Such things are simple here.
[Walks across room]
Kralahome:Sir, did you enjoy your triumph about your house? Because you shall now enjoy greater triumph. I have something to ask of you. Not demand, but ask. It is that you shall Stay in Siam. You may enjoy yourself if you like, sir
Anna Owens:No matter what you ask, I wouldn't do it.
Kralahome:If you do not stay in Siam, where will you go?
Anna Owens:I don't know.
Kralahome:Have you other place to put your life?
See more »
Movie Connections:
Referenced in The Making of 'My Fair Lady' (1995) (V)See more »
Alphabet Song for ToddlersSee more »


Where is Siam?
How much sex, violence, and profanity are in this movie?
Is it possible to read Anna Leonowens' memoir online?
See more »
14 out of 16 people found the following review useful.
Fine Adaption of Classic, 11 July 2000
Author: Mitch-38 from Houston, Texas

Very enjoyable tale of Governess teaching Siam Ruler's children, then butting heads with the deified king over issues of culture and custom.

Irene Dunne and Rex Harrison star, and they work well together, from the frosty start, to the begrudging respect into the romantic overtones that develop. Their chemistry is the key to holding the film together - and it works. The sets are marvelous, and the supporting cast (Gale Sondergaard, Lee J. Cobb [yes-I said Lee J. Cobb!] et al) are quite good.

There's been much ado about comparing this movie with THE KING AND I. Margaret Langdon did not write a musical about her experiences there, she wrote a book. Rodgers and Hammerstein wrote the musical, based on the book. The two are certainly two different entities, and should be based on their singular merits and faults. It's about as silly as trying to link REBEL WITHOUT A CAUSE and GREASE!

Yes, Anna's character is a tad dowdy, if not prudish; yet these are values from the 1860's, not Woodstock in the 1960's. It's really not fair to judge the characters motivations by our present standards or perceptions of morality. True, it would have been better to cast an Asian actor as Mongkut, yet these were not the realities of 1940's Hollywood; and we well know this.

Overall, we watch cinema to be entertained and escape, and ANNA AND THE KING OF SIAM provide more than ample reward for the viewer, in that regard.

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