Anna and the King of Siam (1946)

Director:

John Cromwell

Writers:

Talbot Jennings (screenplay) and
Sally Benson (screenplay) ...
(more)

Release Date:

11 August 1946 (UK)

Genre:

Biography | Drama | Romance

Plot:

In 1862, a young Englishwoman becomes royal tutor in Siam and befriends the King.

Plot Keywords:

King | Siam | Children | Widow | 1860s

Awards:

Won 2 Oscars. Another 3 nominations

Cast

Irene Dunne	...	Anna Owens
Rex Harrison	...	King Mongkut
Linda Darnell	...	Tuptim
Lee J. Cobb	...	Kralahome
Gale Sondergaard	...	Lady Thiang
Mikhail Rasumny	...	Alak
Dennis Hoey	...	Sir Edward
Tito Renaldo	...	Prince as a Man
Richard Lyon	...	Louis Owens
rest of cast listed alphabetically:
John Abbott	...	Phya Phrom (uncredited)
Aristophanes	...	An Elephant (uncredited)
Victor Bach	...	Midget Page Boy (uncredited)
Cha Bing	...	Wife of King (uncredited)
Jan Bryant	...	Wife of King (uncredited)
Chabing	...	Wife of King (uncredited)
Oie Chan	...	Old Woman (uncredited)
Si-Lan Chen	...	Dance Director (uncredited)
Maxine Chevelier	...	Wife of King (uncredited)
Dorothy Chung	...	Amazon Guard (uncredited)
Buff Cobb	...	Wife of King (uncredited)
Evelyne de Luzuriaga	...	Wife of King (uncredited)
Rico De Montez	...	Guard (uncredited)
Rosa Del Rosario	...	Wife of King (uncredited)
Blacky Dittars	...	Snake (uncredited)
Marjorie Eaton	...	Miss MacFarlane (uncredited)
William Edmunds	...	Moonshee (uncredited)
Sandra Foloway	...	Wife of King (uncredited)
Joe Garcia	...	Whipper (uncredited)
Helena Grant	...	Mrs. Cortwright (uncredited)
Ted Hecht	...	Judge (uncredited)
Aram Katcher	...	Guard (uncredited)
Connie Leon	...	Beebe (uncredited)
Sydney Logan	...	Wife of King (uncredited)
Laurette Luez	...	Wife of King (uncredited)
Stanley Mann	...	Mr. Cortwright (uncredited)
Cissy Marr	...	Wife of King (uncredited)
Luisita Mendoza	...	Wife of King (uncredited)
Lillian Molieri	...	Wife of King (uncredited)
Harry Monty	...	Midget Page Boy (uncredited)
Neyle Morrow	...	Phra Palat (uncredited)
Miguel Padilla	...	Midget Page Boy (uncredited)
Marianne Quon	...	Wife of King (uncredited)
Toni Raimando	...	Wife of King (uncredited)
Pedro Regas	...	Guide (uncredited)
Addison Richards	...	Captain Orton (uncredited)
Julian Rivero	...	Government Clerk (uncredited)
Yvonne Rob	...	Lady Son Klin (uncredited)
Constantine Romanoff	...	Whipper (uncredited)
Mickey Roth	...	Prince as a Boy (uncredited)
Hazel Shon	...	Slave (uncredited)
Leonard Strong	...	Interpreter (uncredited)
Diane Van der Ecker	...	Princess Fa-Ying (uncredited)
Saturnino Villanueva	...	Midget Page Boy (uncredited)
Chet Voravan	...	Siamese Guard (uncredited)
Ben Welden	...	Third Judge (uncredited)
Jean Wong	...	Amazon Guard (uncredited)

Directed by
John Cromwell

Writing credits
Talbot Jennings		(screenplay) and
Sally Benson		(screenplay)
Margaret Landon		(based upon the biography by)

Produced by
Louis D. Lighton	....	producer

Original Music by
Bernard Herrmann		(music)

Cinematography by
Arthur C. Miller		(director of photography) (as Arthur Miller)

Film Editing by
Harmon Jones		(film editor)

Art Direction by
William S. Darling		(art direction) (as William Darling)
Lyle R. Wheeler		(art direction) (as Lyle Wheeler)

Set Decoration by
Thomas Little

Costume Design by
Bonnie Cashin		(costumes)

Makeup Department
Ben Nye	....	makeup artist

Second Unit Director or Assistant Director
Paul Wurtzel	....	assistant director (uncredited)

Art Department
Frank E. Hughes	....	associate set decorations

Sound Department
Bernard Freericks	....	sound
Roger Heman Sr.	....	sound (as Roger Heman)

Special Effects by
Fred Sersen	....	special photographic effects
Edwin Hammeras	....	transparency projection shots (uncredited)
Ralph Hammeras	....	miniatures (uncredited)
Edward Snyder	....	transparency projection shots (uncredited)
J.O. Taylor	....	transparency projection shots (uncredited)

Camera and Electrical Department
Paul Lockwood	....	second camera (uncredited)

Costume and Wardrobe Department
Sam Benson	....	wardrobe (uncredited)
Eugene Joseff	....	costume jeweller (uncredited)

Editorial Department
Lyman Hallowell	....	apprentice editor (uncredited)

Music Department
Bernard Herrmann	....	orchestrator (uncredited)
Murray Spivack	....	music mixer (uncredited)

Other crew
Darryl F. Zanuck	....	presents
Louis Bernardi	....	technical advisor: food scenes (uncredited)
Miss Poonsabaya Graiyond	....	technical advisor (uncredited)
Philip A. Huffman	....	head of technical staff (uncredited)
Eddie Jones	....	technical advisor (uncredited)
Margaret Landon	....	technical advisor (uncredited)
Sawasdi Nitibhon	....	technical advisor (uncredited)
Enrico Ricardi	....	singing coach: Irene Dunne (uncredited)
Frances C. Richardson	....	research director (uncredited)
Louis Van der Ecker	....	technical advisor (uncredited)
Chet Voravan	....	technical advisor (uncredited)
Helen Webb	....	assistant research director (uncredited)

Production Companies

• Twentieth Century Fox Film Corporation (as Twentieth Century-Fox Film Corporation)

Distributors

• Twentieth Century Fox Film Corporation (1946) (USA) (theatrical) (as Twentieth Century-Fox Film Corporation)
• 20th Century Fox (1947) (France) (theatrical)
• M.P.E.A. (1947) (Austria) (theatrical)
• 20th Century Fox Home Entertainment (2003) (USA) (VHS)
• Twentieth Century Fox Home Entertainment (2005) (USA) (DVD)

Also Known As:

Runtime:

128 min

Country:

USA

Language:

English

Color:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (Western Electric Recording)

Certification:

UK:12 (re-rating) (2006) | UK:A (original rating) | UK:12 (re-rating) (2006) (cut) | UK:A (1946) (cut) | Netherlands:12 | Canada:G (video rating) | Finland:K-16 | Spain:T | Sweden:15 | USA:Approved (PCA #11572, General Audience)

Filming Locations:

Los Angeles County Arboretum & Botanic Garden - 301 N. Baldwin Avenue, Arcadia, California, USA

Company:

Twentieth Century Fox Film Corporation

Trivia:

While most of the Caucasian actors playing Asians in this film wore dark make-up, Gale Sondergaard was allergic to the make-up being used. Instead, through several weeks of cautious sunbathing, she acquired a deep enough tan to compensate.

Goofs:

Anachronisms: The banquet scene includes a performance of Siamese theatrical dance. However, the music which accompanies this performance is unmistakably Balinese gamelan, not Siamese. Furthermore, it's "gong kebyar" style, which hadn't been invented yet in the 1860s.

Quotes:

Kralahome:[the Kralahome has just arrived to tell King Mongkut of the loss of Cambodia. Anna, meanwhile, continues to press the King about the issue of a private residence, to the point where even the King's staff members are singing "Home, Sweet Home"] Your Majesty! It has begun, Toongramon. We've lost Cambodia. Our governor of Cambodia has made a treaty with the French government. They have recognized Cambodia as independent of Siam, placed it under their "protection," and this governor of ours still protests his loyalty to Your Majesty.
King Mongkut:So, a camel's nose is in the tent. The partition of Siam, it has begun.
Kralahome:For a long time, we've said this hour must come. Now it is no longer talk. It is upon us. What do we do?
King Mongkut:Nothing. We shall do nothing whatever in this matter... because there is nothing we can do.
Kralahome:Your father took such a man once and burned out both his eyes, hung him in the sun in a cage over cool running water, until he went mad.
King Mongkut:[Heartbroken, yes resigned] We have not the right to waste ourselves on something which cannnot be changed. We shall save what strength and cunning we may have to hold together what is left of Siam. And if we cannot save all that is left, we shall save what we can.
Kralahome:[after a long pause] Tell me something Toongramon. A long time ago, I came to you and asked you to leave a life of peace, and to be King. If I could ask you now to make that choice, what would your answer be? Think well before you answer that. Think what this can mean to you.
King Mongkut:You feel great responsibility for me, don't you, Chow Koon?
Kralahome:You might still be living peacefully at the monastery if I had not persuaded you. Perhaps it is not too late to return. Think well on that. The monastery instead of this place, where you have only enemies and danger. Well, you know this is not the end. The ships of Europe will crowd thicker on our seas, greedy for conquest. They have the power... and the cunning. They know how to set your nobles against you, how to buy and threaten them. How can you hope to hold Siam together against enemies without and within? All that it can mean to you is that, in the end, you will die in a lost cause.
[pause]
[...]

Movie Connections:

Referenced in The Making of 'My Fair Lady' (1995) (V)

Soundtrack:

Home Sweet Home

Elegantly produced,superbly acted.Ij

In reading the comments about "Anna and the King of Siam,"I was especially drawn to the harsh political commentaries by your reviewers.When I was saw the film in the summer of 1946,the war was over only eleven months,and I was feeling generally upbeat.Consequently,watching this film,I felt upbeat about it,too.I thought then,and I still do(seeing it on tv),that it was a beautifully produced picture.One thing I noted at the time of its release,was that movie reviewers universally criticized Twentieth Century-Fox for not filming it in Technicolor.(Fox didn't repeat their mistake in their musical production with Yul Brynner and Deborah Kerr.)Their 1946 film garnered the Oscars for black and white cinematography, and black and white art direction, and interior decoration.(Costume design nominations didn't arrive until 1948--"Hamlet,"b&w,and "Joan of Arc,"color,won).If costume design had been a factor in 1946, I'm dead sure "Anna and the King of Siam" would have been a shoo-in.The musical version in 1956 did get the prize.Irene Dunne had a spate of fine film from 1936 to 1948,and this was leader among them.I can't imagine another actor living in 1946 playing the king.(Mr.Brynner appeared on the scene in the stage production around 1950.After that,he went to Hollywood).Gale Sondergaard received an Oscar nomination for Best Supporting Actress.John Cromwell's direction was as artful as his work with "Since You Went Away."in 1944.For this film:A rating of A.