IMDb > Anna and the King of Siam (1946)
Anna and the King of Siam
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Anna and the King of Siam (1946) More at IMDbPro »

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Overview

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7.1/10   1,344 votes »
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Up 24% in popularity this week. See why on IMDbPro.
Director:
Writers:
Talbot Jennings (screenplay) and
Sally Benson (screenplay) ...
(more)
Contact:
View company contact information for Anna and the King of Siam on IMDbPro.
Release Date:
11 August 1946 (UK) See more »
Genre:
Plot:
In 1862, a young Englishwoman becomes royal tutor in Siam and befriends the King. Full summary » | Add synopsis »
Plot Keywords:
Awards:
Won 2 Oscars. Another 1 win & 4 nominations See more »
User Reviews:
Touching film See more (22 total) »

Cast

  (in credits order) (verified as complete)

Irene Dunne ... Anna Owens

Rex Harrison ... King Mongkut

Linda Darnell ... Tuptim

Lee J. Cobb ... Kralahome

Gale Sondergaard ... Lady Thiang
Mikhail Rasumny ... Alak
Dennis Hoey ... Sir Edward
Tito Renaldo ... Prince Chulalongkorn (as a boy)
Richard Lyon ... Louis Owens
rest of cast listed alphabetically:

John Abbott ... Phya Phrom (uncredited)
Aristophanes ... An Elephant (uncredited)
Victor Bach ... Midget Page Boy (uncredited)
Cha Bing ... Wife of King (uncredited)
Jan Bryant ... Wife of King (uncredited)
Chabing ... Wife of King (uncredited)
Oie Chan ... Old Woman (uncredited)
Si-Lan Chen ... Dance Director (uncredited)
Maxine Chevelier ... Wife of King (uncredited)
Dorothy Chung ... Amazon Guard (uncredited)
Buff Cobb ... Wife of King (uncredited)
Evelyne de Luzuriaga ... Wife of King (uncredited)
Rico De Montez ... Guard (uncredited)
Rosa Del Rosario ... Wife of King (uncredited)
Blacky Dittars ... Snake (uncredited)
Marjorie Eaton ... Miss MacFarlane (uncredited)
William Edmunds ... Moonshee (uncredited)
Sandra Foloway ... Wife of King (uncredited)

Joe Garcio ... Whipper (uncredited)
Helena Grant ... Mrs. Cortwright (uncredited)
Ted Hecht ... Judge (uncredited)
Aram Katcher ... Guard (uncredited)
Connie Leon ... Beebe (uncredited)
Sydney Logan ... Wife of King (uncredited)
Laurette Luez ... Wife of King (uncredited)
Stanley Mann ... Mr. Cortwright (uncredited)
Cissy Marr ... Wife of King (uncredited)
Luisita Mendoza ... Wife of King (uncredited)
Lillian Molieri ... Wife of King (uncredited)
Harry Monty ... Midget Page Boy (uncredited)
Neyle Morrow ... Phra Palat (uncredited)
Miguel Padilla ... Midget Page Boy (uncredited)
Marianne Quon ... Wife of King (uncredited)
Toni Raimando ... Wife of King (uncredited)
Pedro Regas ... Guide (uncredited)
Addison Richards ... Captain Orton (uncredited)
Julian Rivero ... Government Clerk (uncredited)
Yvonne Rob ... Lady Son Klin (uncredited)
Constantine Romanoff ... Whipper (uncredited)
Mickey Roth ... Prince (uncredited)
Hazel Shon ... Slave (uncredited)
Leonard Strong ... Interpreter (uncredited)
Diane Van der Ecker ... Princess Fa-Ying (uncredited)
Saturnino Villanueva ... Midget Page Boy (uncredited)
Chet Voravan ... Siamese Guard (uncredited)
Ben Welden ... Third Judge (uncredited)
Jean Wong ... Amazon Guard (uncredited)
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Directed by
John Cromwell 
 
Writing credits
Talbot Jennings (screenplay) and
Sally Benson (screenplay)

Margaret Landon (based upon the biography by)

Produced by
Louis D. Lighton .... producer
 
Original Music by
Bernard Herrmann 
 
Cinematography by
Arthur C. Miller (director of photography) (as Arthur Miller)
 
Film Editing by
Harmon Jones (film editor)
 
Art Direction by
William S. Darling  (as William Darling)
Lyle R. Wheeler  (as Lyle Wheeler)
 
Set Decoration by
Thomas Little 
 
Costume Design by
Bonnie Cashin (costumes)
 
Makeup Department
Ben Nye .... makeup artist
 
Second Unit Director or Assistant Director
Paul Wurtzel .... assistant director (uncredited)
 
Art Department
Frank E. Hughes .... associate set decorations
 
Sound Department
Bernard Freericks .... sound
Roger Heman Sr. .... sound (as Roger Heman)
 
Special Effects by
Edwin Hammeras .... transparency projection shots (uncredited)
Ralph Hammeras .... miniatures (uncredited)
Edward Snyder .... transparency projection shots (uncredited)
J.O. Taylor .... transparency projection shots (uncredited)
 
Visual Effects by
Fred Sersen .... special photographic effects
 
Camera and Electrical Department
Paul Lockwood .... second camera (uncredited)
 
Costume and Wardrobe Department
Sam Benson .... wardrobe (uncredited)
Eugene Joseff .... costume jeweller (uncredited)
 
Editorial Department
Lyman Hallowell .... apprentice editor (uncredited)
 
Music Department
Bernard Herrmann .... orchestrator (uncredited)
Murray Spivack .... music mixer (uncredited)
 
Other crew
Darryl F. Zanuck .... presenter
Louis Bernardi .... technical advisor: food scenes (uncredited)
Miss Poonsabaya Graiyond .... technical advisor (uncredited)
Philip A. Huffman .... head of technical staff (uncredited)
Eddie Jones .... technical advisor (uncredited)
Margaret Landon .... technical advisor (uncredited)
Sawasdi Nitibhon .... technical advisor (uncredited)
Enrico Ricardi .... singing coach: Irene Dunne (uncredited)
Frances C. Richardson .... research director (uncredited)
Louis Van der Ecker .... technical advisor (uncredited)
Chet Voravan .... technical advisor (uncredited)
Helen Webb .... assistant research director (uncredited)
 
Crew verified as complete


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Additional Details

Also Known As:
Runtime:
128 min
Country:
Language:
Aspect Ratio:
1.37 : 1 See more »
Sound Mix:
Mono (Western Electric Recording)
Certification:
Australia:G | Canada:G (video rating) | Finland:K-16 | Netherlands:12 | Spain:T | Sweden:15 | UK:A (original rating) | UK:12 (re-rating) (2006) | UK:12 (re-rating) (2006) (cut) | UK:A (1946) (cut) | USA:Approved (PCA #11572, General Audience)

Did You Know?

Trivia:
Rex Harrison's first American movieSee more »
Goofs:
Revealing mistakes: In order to remind the King about his promise to give Anna a house of her own (to which the King continually refuses to honour) she leaves many reminders about his broken promise around the palace, in particular an English china cottage which has "made in England" on the underside and the inscription over the door of the cottage "Honor Thy Promise". In 1868 England (as today), 'honour' was not spelt "honor". Minor error, but a spelling mistake non-the-less.See more »
Quotes:
Anna Owens:[Anna, thinking the king is a barbarian, is about to leave. The Kralahome has had her brought to his office at night to reason with her. She is outraged] How dare you treat me in this manner. I demand an explanation, and I warn you...
Kralahome:[Calmly] Be quiet, sir.
Anna Owens:...that I'm a British subject.
Kralahome:That is nor reason you are safe. I could have you killed if that would serve my purpose. Such things are simple here.
[Walks across room]
Kralahome:Sir, did you enjoy your triumph about your house? Because you shall now enjoy greater triumph. I have something to ask of you. Not demand, but ask. It is that you shall Stay in Siam. You may enjoy yourself if you like, sir
Anna Owens:No matter what you ask, I wouldn't do it.
Kralahome:If you do not stay in Siam, where will you go?
Anna Owens:I don't know.
Kralahome:Have you other place to put your life?
[...]
See more »
Movie Connections:
Referenced in The Making of 'My Fair Lady' (1995) (V)See more »
Soundtrack:
Home Sweet HomeSee more »

FAQ

How does the movie end?
What is this movie about?
How much sex, violence, and profanity are in this movie?
See more »
1 out of 1 people found the following review useful.
Touching film, 24 March 2013
Author: atlasmb from United States

I grew up with the story and the music of the musical, The King and I, in our household. It is a wonderful production. It would be a mistake to compare that musical to Anna and the King of Siam. They are of different genres. This story is taken from the writings of the real Anna and they provide a glimpse into nineteenth century times, when changes in world politics and communications produced stresses that would alter the map and the future of the world.

I found the acting in this movie wonderful. Rex Harrison, in his first American production, really brings the complexities of the Siamese king to life. He is a man torn between the traditions of the past and the necessities of change, which he embraces with open arms, even if his mind, from habit, is partially closed. Comparing his performance to that in My Fair Lady allows one to really see how he used his voice effectively in portraying the king.

One must give credit to those who took this narrative and later produced the musical, amending the story to create a vehicle more suitable to music and humor. But Anna and the King of Siam deserves kudos as a believable story that evokes real feelings for its characters. You may need a few hankies.

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