The WW II romance set in Grosvenor square aka Eisenhower's home wherethe GIs stayed in London. Neagle loves Harrison. There arrives patriot GI Dean Jagger to rouse things up in the square. ... See full summary »
This movie shows the idealized career of the singer Al Jolson, a little Jewish boy who goes against the will of his father in order to be in showbiz. He becomes a star, falls in love with a... See full summary »
Alfred E. Green
Ann Williams, secretary to eccentric drama critic Frederick Skeates, is persuaded to alter a ruinous review of Shakespearean actor Edmund Davey by Davey's wife Barbara. Davey's 'Othello' ... See full summary »
Matt Denant, ex-RAF flier, sentenced to three years in Dartmoor for striking and accidentally killing a detective who was attempting to arrest a lady of the evening to whom Denant had been ... See full synopsis »
Joseph L. Mankiewicz
Adapted from the prize-winning Broadway play that featured two people and a four-poster bed, in which the couple enacts their marriage, from its day in 1897, until he dies, some time after ... See full summary »
In 1862, young English widow Anna Owens accepts the job of teaching the royal children of Siam. On her arrival in Bangkok, culture clash is immediate. The king respects Anna for standing up to him, though this appalls his courtiers. In due course, she becomes the king's confidant and diplomatic advisor; their relationship endures through many trials. Written by
Rod Crawford <firstname.lastname@example.org>
Rex Harrison and John Cromwell had a disagreement over what accent the actor used. Harrison used an Asian accent, while the director wanted him to speak in his normal voice. The conflict over the matter was such that Harrison had to get studio head Darryl F. Zanuck to intervene on his behalf and back him up. To his surprise and delight, Zanuck supported him. However, it ended up causing a rift with Cromwell. According to Harrison, the director didn't speak to him again afterwards. See more »
When the King is dying the paper is not under his pillow in one scene and then magically it is there when he takes it out to be read. See more »
[the Kralahome has just arrived to tell King Mongkut of the loss of Cambodia. Anna, meanwhile, continues to press the King about the issue of a private residence, to the point where even the King's staff members are singing "Home, Sweet Home"]
Your Majesty! It has begun, Toongramon. We've lost Cambodia. Our governor of Cambodia has made a treaty with the French government. They have recognized Cambodia as independent of Siam, placed it under their "protection," and this governor of ours still ...
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I grew up with the story and the music of the musical, The King and I, in our household. It is a wonderful production. It would be a mistake to compare that musical to Anna and the King of Siam. They are of different genres. This story is taken from the writings of the real Anna and they provide a glimpse into nineteenth century times, when changes in world politics and communications produced stresses that would alter the map and the future of the world.
I found the acting in this movie wonderful. Rex Harrison, in his first American production, really brings the complexities of the Siamese king to life. He is a man torn between the traditions of the past and the necessities of change, which he embraces with open arms, even if his mind, from habit, is partially closed. Comparing his performance to that in My Fair Lady allows one to really see how he used his voice effectively in portraying the king.
One must give credit to those who took this narrative and later produced the musical, amending the story to create a vehicle more suitable to music and humor. But Anna and the King of Siam deserves kudos as a believable story that evokes real feelings for its characters. You may need a few hankies.
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