It's 1945, Burma, the day the war is over! For many this means they've survived and will be going home. But not for everyone. A Scottish soldier, Corporal Lachlan "Lachie" MacLachlan is the... See full summary »
Soldier Joe Allen is on a two-day leave in New York, and there he meets Alice. She agrees to show him the sights and they spend the day together. In this short time they find themselves ... See full summary »
A New York City detective, traveling by train between New York and Baltimore, tries to foil an on-board plot to assassinate President-elect Abraham Lincoln before he reaches Baltimore to give a major pre-Inauguration speech in 1861.
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Angie Evans, fast-rising nightclub singer, interrupts her career to marry struggling songwriter Ken Conway. When Ken lucks into a career as chart-topping radio crooner, Angie is forced into... See full summary »
Robert Wilson leads safaris on the Kenyan savanna. On this occasion, he takes Mr. and Mrs. Macomber out to hunt buffalo. The obnoxious ways of Margaret Macomber make the three of them get ... See full summary »
In 1862, young English widow Anna Owens accepts the job of teaching the royal children of Siam. On her arrival in Bangkok, culture clash is immediate. The king respects Anna for standing up to him, though this appalls his courtiers. In due course, she becomes the king's confidant and diplomatic advisor; their relationship endures through many trials. Written by
Rod Crawford <email@example.com>
In a scene early in the film, Anna is seen walking through an open-air market. While this scene was being filmed, an airplane passed over the set, creating a low hum on the soundtrack. Composer Bernard Herrmann was instructed to compose an accompanying score that would obscure the airplane motor. He used low gongs. See more »
The banquet scene includes a performance of Siamese theatrical dance. However, the music which accompanies this performance is unmistakably Balinese gamelan, not Siamese. Furthermore, it's "gong kebyar" style, which hadn't been invented yet in the 1860s. See more »
[the Kralahome has just arrived to tell King Mongkut of the loss of Cambodia. Anna, meanwhile, continues to press the King about the issue of a private residence, to the point where even the King's staff members are singing "Home, Sweet Home"]
Your Majesty! It has begun, Toongramon. We've lost Cambodia. Our governor of Cambodia has made a treaty with the French government. They have recognized Cambodia as independent of Siam, placed it under their "protection," and this governor of ours still ...
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I grew up with the story and the music of the musical, The King and I, in our household. It is a wonderful production. It would be a mistake to compare that musical to Anna and the King of Siam. They are of different genres. This story is taken from the writings of the real Anna and they provide a glimpse into nineteenth century times, when changes in world politics and communications produced stresses that would alter the map and the future of the world.
I found the acting in this movie wonderful. Rex Harrison, in his first American production, really brings the complexities of the Siamese king to life. He is a man torn between the traditions of the past and the necessities of change, which he embraces with open arms, even if his mind, from habit, is partially closed. Comparing his performance to that in My Fair Lady allows one to really see how he used his voice effectively in portraying the king.
One must give credit to those who took this narrative and later produced the musical, amending the story to create a vehicle more suitable to music and humor. But Anna and the King of Siam deserves kudos as a believable story that evokes real feelings for its characters. You may need a few hankies.
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