This movie shows the idealized career of the singer Al Jolson, a little Jewish boy who goes against the will of his father in order to be in showbiz. He becomes a star, falls in love with a... See full summary »
Alfred E. Green
An adventuresome young man goes off to find himself and loses his socialite fiancée in the process. But when he returns 10 years later, she will stop at nothing to get him back, even though she is already married.
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Maj. Pete Sandidge is a very able pilot who seems to have a streak of luck as far as flying goes. World War II is raging and Pete has come out of it pretty so far. He even has a beautiful ... See full summary »
In 1862, young English widow Anna Owens accepts the job of teaching the royal children of Siam. On her arrival in Bangkok, culture clash is immediate. The king respects Anna for standing up to him, though this appalls his courtiers. In due course, she becomes the king's confidant and diplomatic advisor; their relationship endures through many trials. Written by
Rod Crawford <email@example.com>
In order to remind the King about his promise to give Anna a house of her own (to which the King continually refuses to honour) she leaves many reminders about his broken promise around the palace, in particular an English china cottage which has "made in England" on the underside and the inscription over the door of the cottage "Honor Thy Promise". In 1868 England (as today), 'honour' was not spelt "honor". Minor error, but a spelling mistake non-the-less. See more »
[Anna, thinking the king is a barbarian, is about to leave. The Kralahome has had her brought to his office at night to reason with her. She is outraged]
How dare you treat me in this manner. I demand an explanation, and I warn you...
Be quiet, sir.
...that I'm a British subject.
That is nor reason you are safe. I could have you killed if that would serve my purpose. Such things are simple here.
[Walks across room]
Sir, did you enjoy your triumph about your house? Because you shall now ...
[...] See more »
Like other reviewers on here, I knew the musical The King and I, which I have always enjoyed, before I finally saw this movie. And, as others have said, they are two different things, each with their own merits.
What I enjoyed most about this very fine movie was the particularly fine performance of Irene Dunne. I've seen her in other movies where she delivers a nuanced and understated performance, which is true of this movie as well, and in spades. There are times when just watching how she plays various emotions across her face is fascinating by itself. Other times she lets us see hints of emotions that her character then suppresses. Harrison is good as the King, though he plays him with broader strokes, as the script calls him to do. Anna is a complex individual, however, and Dunne does full justice to all its complexity.
I just watched this movie again tonight, and I was struck, again, by Dunne's fine, understated performance, but also by the intelligence of the script and the pacing. The main characters are all three-dimensional, in an era when it would have been easy to do caricatures of the Siamese characters. Things move along at an unhurried pace, but it is never too slow.
It's really one very fine movie.
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