Larry and Kitty are two middle-class suburbanites who find themselves growing bored with their lives and respective marriages. Although each always found the other grating in manner, they ... See full summary »
Two nuns from a French convent arrive in a small New England town with a plan to build a children's hospital. They enlist the help of several colorful characters in achieving their dream ... See full summary »
Dead World War II bomber pilot, Maj. Pete Sandidge, becomes guardian angel to another pilot, Capt. Ted Randall, guiding Ted through battle and helping him to romance his old girlfriend, despite her excessive devotion to Sandidge's memory.
In 1862, young English widow Anna Owens accepts the job of teaching the royal children of Siam. On her arrival in Bangkok, culture clash is immediate. The king respects Anna for standing up to him, though this appalls his courtiers. In due course, she becomes the king's confidant and diplomatic advisor; their relationship endures through many trials. Written by
Rod Crawford <firstname.lastname@example.org>
Rex Harrison was appalled at the studio's lack of interest in the film and how unhelpful 'Darryl F. Zanuck was to him. He recalled - "This lackadaisical attitude was not at all what I'd expected and I began feeling pretty desperate. Everything was so slow; I wasn't geared to relaxing around pools and drinking all day. I'd been used all my life to working hard, and now suddenly I was in a hot bath, growing weaker and weaker. The sets were only just being constructed, so there was no hope of beginning for weeks, and in the meantime there was nobody I could talk to constructively about how I was to tackle this frightfully difficult role, for which I was far too young and two feet too tall." See more »
A calendar with the months of May and June is shown to demonstrate how long Anna has waited for her audience with the King. June 1st to June 9th is crossed out and half of May is crossed out as well. But it is May 1st to 16th that is crossed out and May 17th to 31st is untouched. It should have been just the opposite. See more »
[Anna, thinking the king is a barbarian, is about to leave. The Kralahome has had her brought to his office at night to reason with her. She is outraged]
How dare you treat me in this manner. I demand an explanation, and I warn you...
Be quiet, sir.
...that I'm a British subject.
That is nor reason you are safe. I could have you killed if that would serve my purpose. Such things are simple here.
[Walks across room]
Sir, did you enjoy your triumph about your house? Because you shall now ...
[...] See more »
This has always been my favorite version of this story.
Why? Not just because it was done first (1946); that is, before the King and I (Play-1951; Film-1956), does it make it better. Not because the original story was a drama rather a lively Broadway musical. Not even because the story was written by a woman about a woman and not about a man as was shifted later by Brynner.
The performances by Irene Dunne, Rex Harrison, the production values, the direction are all done at such a fine intimate level. The true nuance of the hardship that Anna went through in her dealings with this imperial king is felt throughout. The musical never depicts this which such finely-wrought detail and care.
With our 21st century sensibilities we might think that there is something goofy about Rex's performance. Does anyone really know what life was in 19th Century Siam? I believe this even after reading about the difficulty Harrison had with the depiction of this role. There is nothing Charlie Chan-ish about this performance. The strictness and order of the Asian mindset does create a cultural chasm at times for us in the West. The Asian languages are structured differently than our Western languages. The use of articles is almost non-existent, therefore the sometimes stilted manner of vocal delivery may sound staccato. The Asian vocal chords are sometimes different from Western vocal chords. There exists a predominance of higher pitched voices. And so what of it? Was the King and I more real than this movie? The only thing that can be said about Brynner is that he is physically more imposing than Harrison and Brynner has a rather slight Mongolian aspect to him which brings more authenticity to his appearance.
Finally and besides my objections above, ANNA AND THE KING OF SIAM is movie full of heart and compassion. Each turn of events is handled with care and not given a Hollywood finish and sheen. ANNA is recommended hands down.
The finale, though some jaded observers would dismiss as formulaic, is indeed a grand and quiet moment not to be missed.
20 of 26 people found this review helpful.
Was this review helpful to you?