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Anna and the King of Siam (1946)

Approved | | Biography, Drama, Romance | 11 August 1946 (UK)
In 1862, a young Englishwoman becomes royal tutor in Siam and befriends the King.

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Writers:

(screenplay), (screenplay) | 1 more credit »
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Won 2 Oscars. Another 1 win & 5 nominations. See more awards »
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Cast

Complete credited cast:
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...
...
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Mikhail Rasumny ...
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Tito Renaldo ...
Richard Lyon ...
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Storyline

In 1862, young English widow Anna Owens accepts the job of teaching the royal children of Siam. On her arrival in Bangkok, culture clash is immediate. The king respects Anna for standing up to him, though this appalls his courtiers. In due course, she becomes the king's confidant and diplomatic advisor; their relationship endures through many trials. Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Plot Synopsis


Certificate:

Approved | See all certifications »

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Details

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Release Date:

11 August 1946 (UK)  »

Also Known As:

Anna und der König von Siam  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Rex Harrison called producer Louis D. Lighton "a highly intelligent man who had difficulty in articulating his thoughts. He talked in riddles, so abstruse that I used to sit in his office and try in vain to make out their meaning." See more »

Goofs

When the King is dying the paper is not under his pillow in one scene and then magically it is there when he takes it out to be read. See more »

Quotes

King Mongkut: Now always best time.
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Connections

Referenced in The Making of 'My Fair Lady' (1995) See more »

Soundtracks

Home Sweet Home
(1823) (uncredited)
from "Clari, The Maid of Milan"
Music by H.R. Bishop
Lyrics by John Howard Payne
Sung by the King's children and played often in the score
Sung a cappella a bit by Mikhail Rasumny
See more »

Frequently Asked Questions

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User Reviews

 
Fine Adaption of Classic
11 July 2000 | by (Houston, Texas) – See all my reviews

Very enjoyable tale of Governess teaching Siam Ruler's children, then butting heads with the deified king over issues of culture and custom.

Irene Dunne and Rex Harrison star, and they work well together, from the frosty start, to the begrudging respect into the romantic overtones that develop. Their chemistry is the key to holding the film together - and it works. The sets are marvelous, and the supporting cast (Gale Sondergaard, Lee J. Cobb -I said Lee J. Cobb!] et al) are quite good.

There's been much ado about comparing this movie with THE KING AND I. Margaret Langdon did not write a musical about her experiences there, she wrote a book. Rodgers and Hammerstein wrote the musical, based on the book. The two are certainly two different entities, and should be based on their singular merits and faults. It's about as silly as trying to link REBEL WITHOUT A CAUSE and GREASE!

Yes, Anna's character is a tad dowdy, if not prudish; yet these are values from the 1860's, not Woodstock in the 1960's. It's really not fair to judge the characters motivations by our present standards or perceptions of morality. True, it would have been better to cast an Asian actor as Mongkut, yet these were not the realities of 1940's Hollywood; and we well know this.

Overall, we watch cinema to be entertained and escape, and ANNA AND THE KING OF SIAM provide more than ample reward for the viewer, in that regard.


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