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Anna and the King of Siam (1946)

7.2
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Ratings: 7.2/10 from 1,357 users  
Reviews: 22 user | 12 critic

In 1862, a young Englishwoman becomes royal tutor in Siam and befriends the King.

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(screenplay), (screenplay), 1 more credit »
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Title: Anna and the King of Siam (1946)

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Won 2 Oscars. Another 1 win & 4 nominations. See more awards »
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Cast

Complete credited cast:
...
...
...
...
...
Mikhail Rasumny ...
Dennis Hoey ...
Tito Renaldo ...
Richard Lyon ...
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Storyline

In 1862, young English widow Anna Owens accepts the job of teaching the royal children of Siam. On her arrival in Bangkok, culture clash is immediate. The king respects Anna for standing up to him, though this appalls his courtiers. In due course, she becomes the king's confidant and diplomatic advisor; their relationship endures through many trials. Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Add Synopsis


Certificate:

Approved | See all certifications »

Parents Guide:

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Details

Country:

Language:

Release Date:

11 August 1946 (UK)  »

Also Known As:

Anna und der König von Siam  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The music and dancers seen during the formal dinner party are not Siamese, but Balinese. The music is in the style known as "gong kebyar", not yet known in the 1860's, but developed later in Bali. See more »

Goofs

The banquet scene includes a performance of Siamese theatrical dance. However, the music which accompanies this performance is unmistakably Balinese gamelan, not Siamese. Furthermore, it's "gong kebyar" style, which hadn't been invented yet in the 1860s. See more »

Quotes

Anna Owens: [Anna, thinking the king is a barbarian, is about to leave. The Kralahome has had her brought to his office at night to reason with her. She is outraged] How dare you treat me in this manner. I demand an explanation, and I warn you...
Kralahome: [Calmly] Be quiet, sir.
Anna Owens: ...that I'm a British subject.
Kralahome: That is nor reason you are safe. I could have you killed if that would serve my purpose. Such things are simple here.
[Walks across room]
Kralahome: Sir, did you enjoy your triumph about your house? Because you shall now ...
[...]
See more »

Connections

Version of Anna and the King (1999) See more »

Soundtracks

Home Sweet Home
(1823) (uncredited)
from "Clari, The Maid of Milan"
Music by H.R. Bishop
Lyrics by John Howard Payne
Sung by the King's children and played often in the score
Sung a cappella a bit by Mikhail Rasumny
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Fine Adaption of Classic
11 July 2000 | by (Houston, Texas) – See all my reviews

Very enjoyable tale of Governess teaching Siam Ruler's children, then butting heads with the deified king over issues of culture and custom.

Irene Dunne and Rex Harrison star, and they work well together, from the frosty start, to the begrudging respect into the romantic overtones that develop. Their chemistry is the key to holding the film together - and it works. The sets are marvelous, and the supporting cast (Gale Sondergaard, Lee J. Cobb -I said Lee J. Cobb!] et al) are quite good.

There's been much ado about comparing this movie with THE KING AND I. Margaret Langdon did not write a musical about her experiences there, she wrote a book. Rodgers and Hammerstein wrote the musical, based on the book. The two are certainly two different entities, and should be based on their singular merits and faults. It's about as silly as trying to link REBEL WITHOUT A CAUSE and GREASE!

Yes, Anna's character is a tad dowdy, if not prudish; yet these are values from the 1860's, not Woodstock in the 1960's. It's really not fair to judge the characters motivations by our present standards or perceptions of morality. True, it would have been better to cast an Asian actor as Mongkut, yet these were not the realities of 1940's Hollywood; and we well know this.

Overall, we watch cinema to be entertained and escape, and ANNA AND THE KING OF SIAM provide more than ample reward for the viewer, in that regard.


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