A homely maid and a scarred ex-GI meet at the cottage where she works and where he was to spend his honeymoon prior to his accident. The two develop a bond and agree to marry, more out of ... See full summary »
Ann Williams, secretary to eccentric drama critic Frederick Skeates, is persuaded to alter a ruinous review of Shakespearean actor Edmund Davey by Davey's wife Barbara. Davey's 'Othello' ... See full summary »
When the Germans march into Prague, armour-plating inventor Dr Bomasch flees to England. His daughter Anna escapes from arrest to join him, but the Gestapo manage to kidnap them both back ... See full summary »
Elizabeth Kenny, as a young nurse out in the Australian bush discovers an effective treatment for polio, but can't get official recognition or sanction for her techniques and theories. For ... See full summary »
In 1862, young English widow Anna Owens accepts the job of teaching the royal children of Siam. On her arrival in Bangkok, culture clash is immediate. The king respects Anna for standing up to him, though this appalls his courtiers. In due course, she becomes the king's confidant and diplomatic advisor; their relationship endures through many trials. Written by
Rod Crawford <email@example.com>
In order to remind the King about his promise to give Anna a house of her own (to which the King continually refuses to honour) she leaves many reminders about his broken promise around the palace, in particular an English china cottage which has "made in England" on the underside and the inscription over the door of the cottage "Honor Thy Promise". In 1868 England (as today), 'honour' was not spelt "honor". Minor error, but a spelling mistake non-the-less. See more »
[the Kralahome has just arrived to tell King Mongkut of the loss of Cambodia. Anna, meanwhile, continues to press the King about the issue of a private residence, to the point where even the King's staff members are singing "Home, Sweet Home"]
Your Majesty! It has begun, Toongramon. We've lost Cambodia. Our governor of Cambodia has made a treaty with the French government. They have recognized Cambodia as independent of Siam, placed it under their "protection," and this governor of ours still ...
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In reading the comments about "Anna and the King of Siam,"I was especially drawn to the harsh political commentaries by your reviewers.When I was saw the film in the summer of 1946,the war was over only eleven months,and I was feeling generally upbeat.Consequently,watching this film,I felt upbeat about it,too.I thought then,and I still do(seeing it on tv),that it was a beautifully produced picture.One thing I noted at the time of its release,was that movie reviewers universally criticized Twentieth Century-Fox for not filming it in Technicolor.(Fox didn't repeat their mistake in their musical production with Yul Brynner and Deborah Kerr.)Their 1946 film garnered the Oscars for black and white cinematography, and black and white art direction, and interior decoration.(Costume design nominations didn't arrive until 1948--"Hamlet,"b&w,and "Joan of Arc,"color,won).If costume design had been a factor in 1946, I'm dead sure "Anna and the King of Siam" would have been a shoo-in.The musical version in 1956 did get the prize.Irene Dunne had a spate of fine film from 1936 to 1948,and this was leader among them.I can't imagine another actor living in 1946 playing the king.(Mr.Brynner appeared on the scene in the stage production around 1950.After that,he went to Hollywood).Gale Sondergaard received an Oscar nomination for Best Supporting Actress.John Cromwell's direction was as artful as his work with "Since You Went Away."in 1944.For this film:A rating of A.
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