James Brodie (Robert Newton) is the only hatter in a small area in Scotland. Ruthless in business as well as at home, he is a tyrant to his family and intimidating to everyone he knows. But... See full summary »
It's 1939 in the small English town of Penny Green and events in Poland are about to change lives. Mark Sabre, a writer of school text books, has married Mabel "on the rebound", after his ... See full summary »
A group of conscripts are called up into the infantry during WWII. At first they appear a hopeless bunch but their sergeant and Lieutenant have faith in them and mould them into a good team... See full summary »
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Determined, independent Bridie Quilty comes of age in 1944 Ireland thinking all Englishmen are devils. Her desire to join the IRA meets no encouragement, but a German spy finds her easy to recruit. We next find her working in a pub near a British military prison, using her sex appeal in the service of the enemy. But chance puts a really vital secret into her hands, leading to a chase involving Bridie, a British officer who's fallen for her, a German agent unknown to them both, and the police...paralleled by Bridie's own internal conflicts. Written by
Rod Crawford <firstname.lastname@example.org>
The film was to have featured Basil Radford and Naunton Wayne as their characters Charters and Caldicott. However the actors demanded more screen-time than the producers were prepared to give them. The roles played by Garry Marsh (Goodhusband) and Tom Macaulay (Spanswick) are thinly disguised versions of Charters and Caldicott. See more »
In Devon in June 1944, sunset would be after 10 pm (Double Summer Time), and indeed when the clock strikes 9 and Bridie suddenly ends her date with David we see them moving against a daytime sky. Yet in the prisoner scene occurring simultaneously, it's fully dark. See more »
Manx Hotel Manageress:
I hope this doesn't mean that someone has escaped from the internment camp and is staying at the hotel.
If the food I've had here is anything to go by, they're more likely to escape from the hotel and beat it for the internment camp.
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Deborah Kerr is an Irish country lass brought up on her father's romanticised view of his heroic struggle against the English.
She leaves home for Dublin, where she wants to join the IRA, but is recruited by the Germans.
She gets entangled with Trevor Howard, a British officer, and conflicting loyalties ensue for both.
It's a classy piece, finely acted, atmospherically shot. There's suspense, humour, romance, and a strong plot. Kerr lives up to the three-dimensional role, and the rest of the cast give sterling support.
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