Boisterous nightclub entertainer Buzzy Bellew was the witness to a murder committed by gangster Ten Grand Jackson. One night, two of Jackson's thugs kill Buzzy and dump his body in the lake... See full summary »
American GI Ernie Williams, admittedly weak-kneed, has an uncanny resemblance to British Colonel MacKenzie. Williams, also a master of imitation and disguise, is asked to impersonate the ... See full summary »
An illiterate stooge in a traveling medicine show wanders into a strange town and is picked up on a vagrancy charge. The town's corrupt officials mistake him for the inspector general whom ... See full summary »
Loring "Red" Nichols is a cornet-playing country boy who goes to New York in the 1920s full of musical ambition and principles. He gets a job playing in Wil Paradise's band, but quits to ... See full summary »
Barbara Bel Geddes,
Jack Martin (Danny Kaye), an American entertainer working cabarets on the French Riviera, does an impersonation of philandering industrialist Henri Duran (Kaye, again) so convincingly that ... See full summary »
Linda Vickers gets mixed up with gambler Marty Fain. One of Fain's henchmen uses her car in a killing, and the police come around asking questions. Linda decides to indulge in a bit of ... See full summary »
Richard L. Bare
Boisterous nightclub entertainer Buzzy Bellew was the witness to a murder committed by gangster Ten Grand Jackson. One night, two of Jackson's thugs kill Buzzy and dump his body in the lake at Prospect Park in Brooklyn. Buzzy comes back as a ghost and summons his bookworm twin, Edwin Dingle, to Prospect Park so that he can help the police nail Jackson. Written by
Daniel Bubbeo <email@example.com>, corrected by firstname.lastname@example.org
The giant vases in the set of the Pelican Club were a last-minute inspiration of art director Ernst Fegté. He had originally commissioned legendary sculptor Tony Duquette to do large statues for the set, but producer Samuel Goldwyn, who'd approved the sketches of Duquette's sculptures, decided he didn't like them once they were actually built. Eventually Fegte arranged to sell Duquette's sculptures to MGM and thought of using the giant vases to replace them. See more »
I don't want to go to Brooklyn. You can't make me. I don't *want* to go to Brooklyn.
None of us want to, bud, but we all gotta go sooner or later.
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Closing credits: "This is overseas program no. 913 To Families and Friends of Servicemen and Women: Pictures exhibited in this theatre are given to the armed forces in combat areas around the world. WAR ACTIVITIES COMMITTEE MOTION PICTURE INDUSTRY" See more »
Despite the confusing name of this movie, this is actually a top notch ghost story with a twin brother who gets killed and then has to use his living brother to finish his earthly business. Kaye is in top form as he portrays two different characters. As some sort of precursor to Quantum Leap, Kaye is visited by the ghost of his brother who only he can see and hear. Forced out of his rigid and safe world of libraries and research, he has to enter his brother's world of drinking, performing and gangsters. The clashes and confusion of style are much of the humor as lovely Virginia Mayo shifts from loving him to hating him to worrying about him. The somewhat out-dated comedy bits and entertainment peices still work today as does the little mystery story that hides on the background. The movie ends up with Kaye turning an opera upside down with his unusual style for flair, timing and nimbleness. It's still a very wonderful movie for anyone to see.
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