Sherlock Holmes investigates when young women around London turn up murdered, each with a finger severed off. Scotland Yard suspects a madman, but Holmes believes the killings to be part of a diabolical plot.
When the fabled Star of Rhodesia diamond is stolen on a London to Edinburgh train and the son of its owner is murdered, Sherlock Holmes must discover which of his suspicious fellow passengers is responsible.
During WWII several murders occur at a convalescent home where Dr. Watson has volunteered his services. He summons Holmes for help and the master detective proceeds to solve the crime from ... See full summary »
When a Nazi saboteur jeeringly predicts to the nation new depredations, via their radio 'Voice of Terror', the Intellegence Inner Council summons Sherlock Holmes (Basil Rathbone) to help in... See full summary »
Holmes and Watson investigate a series of bizarre and apparently unconnected murders, and the death of a possible suspect. The trail leads to a society of hypnotists and a mysterious, glamoruos woman. The fiendish Dr Moriarty, though reported hanged in Montevideo, is belived to be involved. Written by
Michael Crew <firstname.lastname@example.org>
The Breen Office ordered two cuts from the original script. First, the victims were supposed to be young girls. That was ordered to be changed to young women although Dr. Simnell's bizarre doll fetish may be a leftover from the initial concept. In addition, during the scene in the Mesmer Club, Watson was supposed to take off his pants, not just roll up his pant leg. See more »
At the end of the film, a supposedly hynpnotised Holmes is walking on the terrace wall above the street. Although it is shown to be of a basically brick construction, his footsteps make a hollow sound, which leads to the conclusion that the wall is made of material other than brick or concrete. Similarly, the whole of the scene taking place on the terrace has an echoing sound, indicating that it's studio bound. See more »
Inspector Gregson of Scotland Yard:
I won't forget that morning, not if I live to be a hundred. I counted the men as they marched out of the yard; they'd hardly slept for weeks. We of the CID had slept even less, but the nightmare that kept us awake was all the same nightmare. That's why we weren't surprised when the commissioner asked us up to the conference room for a bit of a talk. He'd talked to us plenty, we knew that, but it didn't help any to know what was ahead of us.
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In the cast list at the end, Professor Moriarty's name is misspelled as professor Moriarity. See more »
One of the Best of the Sherlock Holmes Adventures with Leads Well-Acted
"The Woman in Green" (1945) as directed by Roy William Neill is an unusually intelligent and satisfying thriller. Reliable Bertram Millhauser wrote the original screenplay, adding elements from several of Arthur Conan Dyle's stories including "The Empty House" to an interesting but rather gruesome mystery. The plot-line involves murders of young woman from whom a finger has been surgically removed after they have died. Enter Sherlock Holmes, asked to help by Inspector Gregson, who along with his Scotland Yard colleagues is being pressed by their Boss to get results on this series of disturbing killings. Gregson takes the murders of vulnerable young women hard, adding to the seriousness of their number and frequency. Sherlock Holmes, the world's first consulting detective, is moved also and suspect his old nemesis in the matter--except that the man has been reportedly executed in Montevideo. The solution to the case end by involving Holmes with one of the suspects who turns out to have been a victim, the man's daughter, a lethal mastermind, threats against Holmes's companion Dr. Watson's life, and a sinister climax that finds Holmes walking a tightrope between life and death as his friends hasten to rescue him. Director Niell has made few errors here, and makes clever use of shots from several stories high to set up an effective climactic scene As Holmes, Basil Rathbone is unusually heroic and effective throughout. Nigel Bruce is given a rather peripheral role with low-grade comedic bits that he does flawlessly. Henry Daniell is his thoroughly professional self as the mastermind, especially when he invades Holmes's Baker Street apartments for a eerie discussion with his chief adversary. Paul Cavanagh and Hilary Brooke are each given varying moods to play and do them very well indeed. Others in the case have smaller parts and vary in their effectiveness. I find two errors in the handling of a logical storyline. One comes when Maude Fenwick, daughter of a victimized father, is given no reaction to the discovery that he is involved in the series of murders; the other is the static nature of he shots in a nightclub-restaurant that might have been handled by panning with Holmes and the Inspector. Apart from these cavils, I suggest that this is an entertaining trip into mystery, mayhem and mesmerism. One worth more than one study as it is perhaps one of the best of the Rathbone-Bruce Sherlock Holmes series of adventures.
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