Diana Leslie is rescued from drowning by reporter Chris Williams. The latter believes it is an attempted murder rather than the suicide indicated by a note, since the girl had made an ... See full summary »
Conceited war correspondent Steve Kimball, desperate to get back to the USA from occupied Paris, reluctantly agrees to chaperone a troupe of stranded, teenaged hepcat entertainers. Plus ... See full summary »
In the 21st century Ray Peterson, reporter for the Interplanetary News, is assigned to write a story aboard a space station. Tension mounts between Peterson and the station commander, who ... See full summary »
Rik Van Nutter,
Among the terrified refugees jamming the roads out of Paris in 1940 are Kitty de Mornay, a rich American divorced from her French husband, and her companion Emmyline (Emmy) Quayle. A German... See full summary »
Royalty from a small European principality come to New York City to arrange for a loan to prop up their country's troubled finances. While the queen mother attends to the negotiations, ... See full summary »
Salty owes money to Doc Baxter; he and his pal Smitty have one month to pay up. They get a race horse and a disbarred jockey, Johnny Cates, who must fake his identity to race. Johnny and ... See full summary »
It's 1890s New York, and a rich society woman is scandalized that her niece is planning on a show-business career; not only that, but her first engagement is to be singing and dancing in a ... See full summary »
Diana Leslie is rescued from drowning by reporter Chris Williams. The latter believes it is an attempted murder rather than the suicide indicated by a note, since the girl had made an appointment to meet him at the dock. The story is told in flashback as Williams visits the people who know Diana. The parents feel responsible as, against their wishes, Diana had accompanied musician Jimmie Lobo to the Kitten Club and had gotten a job as a singer but they had not seen her following an argument when she came home that ended with her being slapped by her brother Ted. One of the Kitten Club showgirls, Flo tells Chris that when Diane came to the club for an audition, she incurred the wrath of the heavy-drinking featured singer Marianne Mason and club owner Steve Raymond delegated her to the hostess ranks of girls whose job was to steer customers to the illegal gambling. This led to a couple of suckers, Wilbur Harris and Ed Blake, losing heavily in the crooked game with Harris committing ... Written by
Les Adams <firstname.lastname@example.org>
Why Girls Leave Home does, in fact, exist. It isn't shown much, but it is, assuredly, not lost. I know of (and have seen) a 16mm print of it, currently in the hands of a private collector in Pennsylvania. The print was made shortly after the film's theatrical release, probably for the rental market. Quite likely there are others around as well, and it may also have turned up on early television. As far as the quality of the film itself: It's a tough, pretty well-paced little movie, with above-average production values for this studio. Livingston and Evans's Oscar-nominated song is very entertaining and, not surprisingly, the cast is filled with pros. Pamela Blake is more than adequate (if a shade mature) as the innocent heroine, Virginia Brissac (who played mother roles in, seemingly, thousands of movies) gets one of her biggest parts here, and Sheldon Leonard, Elisha Cook and, especially, Lola Lane are better than good. (Lane has a great scenery-chewing moment in the homestretch.) Too bad that it's so little-seen today, because it's definitely one of the best PRC efforts.
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