Anything can happen during a weekend at New York's Waldorf-Astoria: a glamorous movie star meets a world-weary war correspondent and mistakes him for a jewel thief; a soldier learns that ... See full summary »
A young female escapee from a reform school joins a pickpocket academy in Paris. She is caught red-handed on her first attempt at stealing by an upper class man. He recruits her to do him a... See full summary »
Self-absorbed Dr. Lee Johnson enlists with the Army medical corps during World War II, more out of a feeling that it's "the thing to do" rather than deep-seated patriotism. On his first day... See full summary »
A drunken college student invites a dance hostess to the big college dance and then forgets he asked her. When she shows up at school, he tries to get rid of her, but she won't leave. ... See full summary »
Small town Kansas girl, Lily James, is the latest model working for the Thomas Callaway Agency in New York City. Despite her small town roots, Lily is street-wise because of her tough ... See full summary »
Anything can happen during a weekend at New York's Waldorf-Astoria: a glamorous movie star meets a world-weary war correspondent and mistakes him for a jewel thief; a soldier learns that without an operation he'll die and so looks for one last romance with a beautiful but ambitious stenographer; a cub reporter tries to get the goods on a shady man's dealing with a foreign potentate. And it all happens in the opulent, grandiose New York landmark hotel as a sort of tongue-in-cheek take-off on the classic movie Grand Hotel. Written by
In the rooftop restaurant scene an extra directly behind Lana Turner is wearing a white evening gown with a beaded laurel leaf pattern. This gown was designed for Joan Crawford and featured in the film "Reunion in France." See more »
Before Chip goes to sleep, he pushes chairs against the door. Later, Irene pushes the door open about 8 inches and gives up. But in the morning, the chairs are back against the door, when they should be 8 inches away! See more »
As in many movies made toward the end of World War Two, this film deals with some of the unpleasant effects on the personalities of those veterans who were part to the fighting. In this case, Captain James Hollis (Van Johnson) is amalgam of the troubled soldier: he needs an operation because of a fragment of shrapnel near his heart, he has no family, his friends were all killed in the war, and he is suffering from battle fatigue. This is all complicated in that he is seen as not having the "will to live." He is a hero looking for a long rest, hounded by a war correspondent. These images are quite different from those one finds in the propaganda films of 1940-1943. With victory in sight in 1945, the walking wounded needed help since battle shock was being recognized as a malady of warfare. As a film this is a fairly classy production, with good writing and a host of respectable actors in solid roles. Best of all, the film contrasts glamour on the homefront with the agony of soldiering. Week-ends may be short, but the lasting effect of this "Week-end at the Waldorf" echoes through the decades.
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