Japan has just invaded the Phillipines and the US Army attempts a desperate defence. Thirteen men are chosen to blow up a bridge on the Bataan peninsula and keep the Japanese from ... See full summary »
The story of men at war and that of the esteemed Pulitzer prize winning war correspondent Ernie Pyle. Soon after the U.S. entry into World War II, Pyle joined C Company, 18th Infantry in ... See full summary »
William A. Wellman
An aircraft carrier is sent on a decoy mission around the Pacific, with orders to avoid combat, thus lulling Japanese alertness before the battle of Midway. All the men have their ... See full summary »
This is the story of the crew of a downed bomber, captured after a run over Tokyo, early in the war. Relates the hardships the men endure while in captivity, and their final humiliation: ... See full summary »
An American tanker is sunk by a German U-boat and the survivors spend eleven days at sea on a raft. They're next assigned to the liberty ship "Sea Witch" bound for Murmansk through the sub-stalked North Atlantic.
In the 1943 invasion of Italy, one American platoon lands, digs in, then makes its way inland to blow up a bridge next to a fortified farmhouse, as tension and casualties mount. Unusually realistic picture of war as long quiet stretches of talk, punctuated by sharp, random bursts of violent action whose relevance to the big picture is often unknown to the soldiers. Written by
Rod Crawford <email@example.com>
The song at the end of the movie reads on the screen differently than it is sung: the first line reads "It's the walk", but is sung "It's that walk"; the third line reads "And it hits", but is sung "And hits"; the sixth line reads "It's the old", but is sung "It's that old". See more »
You ever think you'll live to make corporal?
Baby, I just want to live long enough to make civilian.
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The beginning shows an unseen male narrator grabbing a book from a shelf and the cast and crew are set out in the pages of a book. See more »
The 'fog of war' as seen by an WW2 American infantryman
Hardly many war films are like this, nothing really happens here but it's still exciting. American infantry platoon lands at Salerno, Italy in 1943 and has orders to capture and hold a farmhouse some miles ahead. The men don't know nothing about what is waiting for them. Will the enemy open fire right at the beach and kill all of them? Will there be mines? Who is their enemy anyway, Germans or Italians? Will they get strafed by enemy aircraft of will 'our boys' control the skies? These are questions that a regular infantryman may ask from himself. They don't know what is waiting for them and they try to guess what the overall situation is. The movie is lots of talking, waiting and walking by the Italian countryside. The soldiers must be alert at all times and there may be false alarms too. Action comes suddenly and is also quickly committed.
This is another of those war movies that can be called 'realistic'. In many post-modern war movie realism is seen as a synonym of lots of blood and dying soldiers yelling 'mommy' and such. I don't call that realism - these men know exactly how to deal with disturbing things that war contains. They ignore things that they cannot emotionally handle and this must also be the way those things were handled in real war. This may well be seen as a dull movie, but it also shows the war as it really was. There is no pathos at all in this movie and that is why many people like it.
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