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Mary Rafferty comes from a poor family of steel mill workers in 19th Century Pittsburgh. Her family objects when she goes to work as a maid for the wealthy Scott family which controls the mill. Mary catches the attention of handsome scion Paul Scott, but their romance is complicated by Paul's engagement to someone else and a bitter strike among the mill workers. Written by
Daniel Bubbeo <firstname.lastname@example.org>
"The Screen Guild Theater" broadcast a 60 minute radio adaptation of the movie on May 17, 1951 with Greer Garson reprising her film role. See more »
[Mary is upset over her father's stubbornness and begins crying. Paul leads her to a bluff overlooking Pittsburgh's steel mills]
You can see all of Pittsburgh from here, but Pittsburgh can't see you. Why don't you sit down and cry it out?
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Greer Garson, with a terrific Irish brogue, earned still another Oscar nomination. With the exception of 1940, Miss Garson was nominated for best actress from 1939-1945, a Hollywood record.
The film depicts the old problem of wealth vs. poverty. A pretty and pert Greer goes to work for the family of Gregory Peck. They are lovely, unpretentious people. Her dad, played by the irascible Lionel Barrymore, is a hot head if ever there were. His hot-headedness will ultimately lead to his downfall as the film goes on.
We see wealth and snobbery associated with it, especially by Peck's wife, brilliantly played by a young Jessica Tandy. In a change of pace, veteran movie mother, Gladys Cooper, comes off as a wonderfully, kind sort of matriarch married to the indomitable Donald Crisp.
The ending is great. All I can say is that fairness triumphs over snobbery. Class distinctions just seem to go away.
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