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The Valley of Decision (1945)

Passed  -  Drama  -  June 1945 (USA)
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Ratings: 7.5/10 from 1,109 users  
Reviews: 29 user | 6 critic

Mary Rafferty comes from a poor family of steel mill workers in 19th Century Pittsburgh. Her family objects when she goes to work as a maid for the wealthy Scott family which controls the ... See full summary »



(screen play), (screen play), 1 more credit »
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Title: The Valley of Decision (1945)

The Valley of Decision (1945) on IMDb 7.5/10

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Nominated for 2 Oscars. Another 1 win. See more awards »


Cast overview, first billed only:
William Scott
Pat Rafferty
Preston Foster ...
Jim Brennan
Constance Scott
Clarissa Scott
Dan Duryea ...
William Scott Jr.
Louise Kane
Barbara Everest ...
Ted Scott
Geraldine Wall ...
Kate Shannon
Evelyn Dockson ...
Mrs. Callahan
John Warburton ...


Mary Rafferty comes from a poor family of steel mill workers in 19th Century Pittsburgh. Her family objects when she goes to work as a maid for the wealthy Scott family which controls the mill. Mary catches the attention of handsome scion Paul Scott, but their romance is complicated by Paul's engagement to someone else and a bitter strike among the mill workers. Written by Daniel Bubbeo <>

Plot Summary | Add Synopsis

Plot Keywords:

strike | immigrant | union | maid | steel mill | See more »




Passed | See all certifications »




Release Date:

June 1945 (USA)  »

Also Known As:

The Valley of Decision  »

Box Office


$2,160,000 (estimated)

Company Credits

Production Co:

Show detailed on  »

Technical Specs


Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
See  »

Did You Know?


Despite her youthful appearance, Greer Garson was twelve years older than her leading man, Gregory Peck. See more »


Paul Scott: [Mary is upset over her father's stubbornness and begins crying. Paul leads her to a bluff overlooking Pittsburgh's steel mills] You can see all of Pittsburgh from here, but Pittsburgh can't see you. Why don't you sit down and cry it out?
See more »


Referenced in Hollywood Hist-o-Rama: Gregory Peck (1962) See more »


Molly Baun
Traditional Irish Ballad
Sung a cappella by Greer Garson
Also played a bit in the score
See more »

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User Reviews

An Irish Lass's Love Affair With A Wealthy Family . . .
16 March 2004 | by (New York, N.Y.) – See all my reviews

In Pittsburgh in 1873, plucky Irish immigrant Greer Garson accepts a position as a servant in the mansion of steel magnate Donald Crisp, though her father was crippled in his mill. Inevitably, Greer and Gregory Peck (as the principled second son of the family) find themselves drawn to each other despite class differences, and surprisingly, his parents spprove. But a series of dramatic events -- a steelworkers' strike, three violent killings, a spite marriage, a natural death and a surprising bequest -- all conspire to keep Greer and Greg apart while the audience is left to wonder when and how they can get together.

In a way we don't care since these mismatched stars have no chemistry together. In only his third screen role, Gregory Peck is always competent and is sometimes better than that, but his cool, placid demeanor works against this tale of romance thwarted for over a decade. For her part, Greer Garson was never one to suggest sexual attraction or romantic passion, and she has the further handicap of looking much older than Peck and seeming too old to play her character in the early parts of the film. But by the end, when her character's age has caught up to her, Garson's usual poise and authority seem just right.

If the lack of fireworks between the stars seems like a drawback, it somehow isn't because the narrative is really about the love affair an unhappy woman has with a warm, charismatic family. And here, the producer and the director Tay Garnett make sure the film is enlivened with a talented and varied supporting cast including Donald Crisp, Gladys Cooper, Lionel Barrymore (a hambone as usual), Dan Duryea, Preston Foster, Reginald Owen, Marshall Thompson and young Dean Stockwell.

Of particular interest are two excellent supporting performances. MGM stalwart Marsha Hunt brings some bite and complexity to the role of Peck's sister, a selfish, superficial woman who is nevertheless decent and loving. And though Jessica Tandy spends most of the film in a thankless role as a brittle society girl hoping to snag Peck, by the end of the film she is allowed to give a vivid performance of bravura shrewishness, the kind of thing Agnes Moorehead usually did so well.

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