| Videos (see all 3) |
| Dwight D. Eisenhower | ... | Himself | |
| Robert Harris | ... | Commentator (voice) | |
| Peter Ustinov | ... | Himself |
Directed by | |||
| Garson Kanin | |||
| Carol Reed | (uncredited) | ||
Writing credits(in alphabetical order) | ||
| Harry Brown | uncredited | |
| Paddy Chayefsky | ||
| Frank Harvey | uncredited | |
| Gerald Kersh | uncredited | |
| Saul Levitt | uncredited | |
| Arthur Macrae | uncredited | |
| Eric Maschwitz | uncredited | |
| Jenny Nicholson | uncredited | |
| Guy Trosper | uncredited | |
| Peter Ustinov | uncredited | |
Original Music by | |||
| William Alwyn | |||
Film Editing by | |||
| Robert Carrick | (uncredited) | ||
| Bob Clarke | (uncredited) | ||
| Jerry Cowan | (uncredited) | ||
| Robert Verrell | (uncredited) | ||
Art Direction by | |||
| Roger K. Furse | (uncredited) | ||
Production Management | |||
| Patrick M. Jenkins | .... | production manager (uncredited) | |
Sound Department | |||
| D. Field | .... | sound (uncredited) | |
| G. Gardiner | .... | sound (uncredited) | |
Camera and Electrical Department | |||
| Gerry Massy-Collier | .... | assistant camera (uncredited) | |
Editorial Department | |||
| John Krish | .... | assistant editor | |
Music Department | |||
| Muir Mathieson | .... | conductor | |
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| The Longest Day | A Bridge Too Far | The Desert Fox: The Story of Rommel | Days of Glory | Downfall |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb UK section |
This fantastic documentary released by the United States Government and co-directed by the great and smart writer-director Garson Kanin and Michael Powell opens with DDE telling us that we are going to see the events as occurred as told by the men and women who were involved and there. This is no talking heads documentary. It essentially covers the journey from the moment the allies land on Normandy till they take Berlin. All the while, a series of voice-overs obviously scripted details the action as they talk. Be it English, American, Canadian, Czech, Russian, female paramedics, black soldiers we are given the whole she-bang. The voices change as randomly as the scene changes. There is a problem though. The dialog is scripted and can sound corny and a bit rah-rah and flag-waving. Everything is optimistic in this cinematic dairy so to speak. Scenes of allies being killed end with voice-over lines "We lost 3,000 but we moved on" and the editors will jump away to scenes of the army defeating or bombing Berlin. They do not linger or failure or tragedy except when it matters at the concentration when we see the dead bodies and survivors. That said, all sides of the human behavior are covered. We see soldiers who would rather shoot the Germans than capture them. You can feel the anger behind the voices of the soldiers as he chants racist mantras at the POWS. Anger, happiness, futility, fear, and foremost of all optimism is covered and the ending tells us that we can together and be one. The sea of flags ending might seem corny but it was made after the Great War. It has a right to be.