In the Salinas Valley, in and around World War I, Cal Trask feels he must compete against overwhelming odds with his brother Aron for the love of their father Adam. Cal is frustrated at ... See full summary »
A young field administrator for the TVA comes to rural Tennessee to oversee the building of a dam on the Tennessee River. He encounters opposition from the local people, in particular a ... See full summary »
Bill, Martha and their little child Hal are spending a quiet winter Sunday in their cosy house when they get an unexpected visit from Mike Nickerson and Tony Rodriguez. Mike and Tony are ... See full summary »
In Brooklyn circa 1900, the Nolans manage to enjoy life on pennies despite great poverty and Papa's alcoholism. We come to know these people well through big and little troubles: Aunt Sissy's scandalous succession of "husbands"; the removal of the one tree visible from their tenement; and young Francie's desire to transfer to a better school...if irresponsible Papa can get his act together. Written by
Rod Crawford <firstname.lastname@example.org>
Nicholas Ray came out from New York with Elia Kazan for Kazan's directorial debut. Besides his brief appearance in the cast as a bakery clerk, various sources have Ray working as assistant director and assisting Alfred Newman with the score, but studio records officially list him as dialogue director. See more »
Dorothy McGuire gives the best performance I have ever seen from a lead actress. Period. And the rest of the cast from top to bottom is just about as perfect. Betty Smith's classic American novel not only comes to life, but adds dimension and poignancy, and it all revolves around McGuire's completely vulnerable yet incredibly strong performance. James Dunn deservedly won best actor for the best performance of his career. Other standouts include Blondell, Garner, Gleason, Nolan, Donaldson, and Alexander. The direction is impeccable and the photography makes you feel like you are living right there in turn-of-the-century Brooklyn with them. Not a single mundane detail is omitted or glorified, and none of the difficulties and embarrassments are whitewashed. This may well be the best purely American movie ever made.
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