Bill, Martha and their little child Hal are spending a quiet winter Sunday in their cosy house when they get an unexpected visit from Mike Nickerson and Tony Rodriguez. Mike and Tony are ... See full summary »
In Brooklyn circa 1900, the Nolans manage to enjoy life on pennies despite great poverty and Papa's alcoholism. We come to know these people well through big and little troubles: Aunt Sissy's scandalous succession of "husbands"; the removal of the one tree visible from their tenement; and young Francie's desire to transfer to a better school...if irresponsible Papa can get his act together. Written by
Rod Crawford <firstname.lastname@example.org>
According to the Sunset Garden Book, the tree that grew in Brooklyn was an Ailanthus tree, or Tree of Heaven. It has naturalized itself over much of the U.S., to the point of being considered a weed tree, but it is still invaluable as an attractive windbreak and shade tree, adaptable under the harshest conditions. See more »
When the girl is ironing, she never gets a hot iron off the stove; back then, said irons had to be heated from some heat source, usually the stove top. One was used while another was being heated, and then the person would switch when the one ironing got too cool to press the wrinkles out. See more »
People will still be enjoying this movie 100 years from now
I was not around in 1945 so I have no idea what was going on in the minds of the people who voted for what would be the five nominees for best picture of that year. Maybe this was just one of those movies that somehow didn't register right at first. Or maybe a movie about people living in poverty was not considered proper Oscar material. Anyway, I am sure there are millions today who agree with me that this is one of the great and beautiful movies of all time. The characters are so down to earth real and believable. Except maybe for the aforementioned poverty, you can identify with them and their situation and, therefore, you care about them. There are several very good and solid performances and then there is, of course, Peggy Ann Garner's performance; maybe the best ever by a juvenile in movie history. The most memorable scene for me is near the end, when the audience has just about forgotten about Papa, the director reminds us of him with the flowers and card found by Francie. I tell people who have not seen this movie that near the end there is a scene that will grab them around the throat. At least the voters saw fit to award Oscars to Peggy Ann and James Dunn.
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