This western begins with St. Louis resident Lutie Cameron (Katharine Hepburn) marrying New Mexico cattleman Col. James B. 'Jim' Brewton (Spencer Tracy) after a short courtship. When she ... See full summary »
Adam Lemp, the Dean of the Briarwood Music Foundation, has passed on his love of music to his four early adult daughters - Thea, Emma, Kay and Ann - who live with him and his sister, the ... See full summary »
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In Brooklyn circa 1900, the Nolans manage to enjoy life on pennies despite great poverty and Papa's alcoholism. We come to know these people well through big and little troubles: Aunt Sissy's scandalous succession of "husbands"; the removal of the one tree visible from their tenement; and young Francie's desire to transfer to a better school...if irresponsible Papa can get his act together. Written by
Rod Crawford <firstname.lastname@example.org>
In the June 1945 issue of Screenland Magazine costume designer Bonnie Cashin, in her column "Notes from a Designer's Diary" comments "If the average American girl could be the heroine of her own life story, and dress accordingly! This thought struck me more forcibly than it ever had before while I was fitting Dorothy McGuire for the part of Katie in "A Tree Grows in Brooklyn." Most of the girls want to look a little glamorous on screen (and off) whether the story calls for rags or riches. Not Dorothy. A stickler for characterization, she stood for hours in her old rags and ravels, suggesting a patch here, a droop there, deliberately deglamorizing herself in order to make sure that not a single bright thread should give the lie to Katie's threadbare life. Dorothy was playing a heroine of poverty and she dressed accordingly. So should we all, in the parts we play, in make believe, or in life. Joan Blondell didn't complain, either, when as Aunt Sissy, she had to wear the sort of ugly-period-of-1914 clothes, the high-topped shoes, the blousy blouses, the too-tight corset. "Oh, Bonnie," little Peggy Ann Garner said to me when we were making Francie's clothes, "oh, Bonnie, every picture they put me in I have to wear poor girls' clothes. Can't I have one good dress?" So we gave her the white graduation dress and the red roses and Peggy Ann accepted poverty and trouped through the picture, patiently ironing her one faded cotton (and she did iron it) and well content. See more »
When the girl is ironing, she never gets a hot iron off the stove; back then, said irons had to be heated from some heat source, usually the stove top. One was used while another was being heated, and then the person would switch when the one ironing got too cool to press the wrinkles out. See more »
I watched this movie for the first time on TNT last night and was totally blown away. Peggy Ann Garner who plays Francie is a brilliant actress...and at such an early age. I remember we had to read the book in school in the 1960's (!) but I never saw the movie until now. The characters were so convincing, I was transported to Brooklyn, circa early 1900's and never left for 2 hours and 20 minutes. I went to bed thinking about this movie and woke up this morning with it's after affect still lingering in my mind. A "must see" for everyone of all ages. This one's a gem.
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