A photographer for Life magazine comes to London to do a story on a local theater troupe which never missed a performance during World War II. Flashbacks also reveal the backstage love ...
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Upset about a new Broadway musical's mockery of Greek mythology, the goddess Terpsichore comes down to earth and lands a part in the show. She works her charms on the show's producer and he... See full summary »
In Buenos Aires, a man who has decreed that his daughters must marry in order of age allows an American dancer to perform at his club under the condition that he play suitor to his second-oldest daughter.
William A. Seiter
In order to cover up his philandering ways, a married Broadway producer sets one of his dancers up on a date with a chorus girl for whom he had bought a gift, but the two dancers fall in love for real.
Chronicles the early life of gay nineties-era songwriter Paul Dresser as he outgrows his job as carnival entertainer and moves up into New York society, writing one hit song after another. ... See full summary »
Joey Evans is charming, handsome, funny, talented, and a first class, A-number-one heel. When Joey meets the former chorus girl ("She used to be 'Vera...with the Vanishing Veils'") and now ... See full summary »
A photographer for Life magazine comes to London to do a story on a local theater troupe which never missed a performance during World War II. Flashbacks also reveal the backstage love affair between star Rosalind Bruce and a British flyer. Written by
Daniel Bubbeo <email@example.com>
Rita Hayworth was pregnant during production. As a result, the musical numbers were filmed first, before the pregnancy began to show. As filming progressed, great care was taken to hide her growing belly with muffs, furniture and purses. See more »
When Rita is putting on the silver dress, the part in her hair jumps from the side to the middle and back again. See more »
I'm floored, I 'm devastated, I could never imagine I would enjoy this film as immensely as I just did.
Yesterday I saw "The Lady is Willing" -1942- with Marlene Dietrich, and although both films belong to the same era and in both there is froth and the morality of the time, they are worlds apart; Marlene looks like an embalmed corpse while Rita Hayworth is Mother Earth personified, all beauty, glamour and warmth, plus an excellent actress and a superb dancer, maybe the best dancer of all times for this kind of vehicle.
"Tonight and Every Night" is so very well put together that it's almost a miracle, incredible how professional those people were!! Top drawer each one in whatever they were doing: The scriptwriters, the technical film crew, the dancers, the choreographers, wow, everybody and everything!! Let aside the war propaganda very understandable for those years, I was so impressed by the camaraderie, the human bondage between the company members, the warmth the whole movie is wrapped in...
Rita Hayworth is so lovely that seems to be unreal, but not unreal the way Marlene was unreal, Marlene could freeze you on the spot with just a look, Rita doesn't look fake, she is just adorable and human. Maybe the rouge on her cheeks and the eye shadow are a bit too much, but the whole movie being a fantasy, who cares!
The costumes are gorgeous, the color combinations are superb, all the dancers, male and female, have the most slender figures anyone can imagine, they look like Barbie dolls, but human --I don't know how to put it-- we talk so much nowadays about that controversial subject, anorexia, well, already in those years they have these slim figures we have nowadays, but inexplicably, they don't look emaciated, they look incredibly healthy!!
An interesting detail was that all these chorus girls were...virgins... well, according to their behavior in this movie they were. Enough, I think I made it clear that I liked this movie, didn't I?
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