A Thousand and One Nights (1945)

Director:

Alfred E. Green

Writers:

Richard English (screenplay)
Jack Henley (screenplay)

Release Date:

20 July 1945 (USA)

Genre:

Adventure

Tagline:

THE TECHNICOLOR STORY OF ALADDIN and his wonderful VAMP! (original ad - many caps)

Plot:

On the run after being found sweet-talking the Sultan's daughter, Aladdin comes upon a lamp which, when rubbed...

Plot Keywords:

Lamp | Genie | Beautiful Woman | Arabian

Awards:

Nominated for 2 Oscars.

Cast

Evelyn Keyes	...	The Genie
Phil Silvers	...	Abdullah
Adele Jergens	...	Princess Armina
Cornel Wilde	...	Aladdin
Dusty Anderson	...	Novira
Dennis Hoey	...	Sultan Kamar Al-Kir
Philip Van Zandt	...	Grand Wazir AbuHassan
Gus Schilling	...	Jafar
Nestor Paiva	...	Kahim
Rex Ingram	...	Giant
Richard Hale	...	Kofir
John Abbott	...	Ali

Also Known As:

1001 Nights

Runtime:

USA:93 min

Country:

USA

Language:

English

Color:

Color (Technicolor)

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (Western Electric Microphonic Recording)

Certification:

USA:Approved (PCA #10641) | Finland:S | Sweden:Btl

Filming Locations:

Iverson Ranch, Chatsworth, Los Angeles, California, USA

Company:

Columbia Pictures Corporation

Trivia:

This film is notable for documenting the use of the word "groovy" as a recognized slang term in American society as early as the mid-1940s.

Movie Connections:

Referenced in Kanya Ya Ma Kan, Beyrouth (1995)

Soundtrack:

No More Women

Enjoyable light-hearted Arabian nonsense

Columbia Pictures may not have had the stars to populate this film like MGM or Warners would have, but they knew how to have some fun with what they had. Sure, it's splashed with expensive Technicolor and has lots of costumes and effects (the effects winning an Academy Award for Lawrence W. Butler), but its feeble cast features Evelyn Keyes, Cornel Wilde and Phil Silvers. Not exactly box-office, although Wilde was one of the hot new stars of 1945. But it's Keyes and Silvers who make this film enjoyable, even if their lack of star value keeps this film from being noticed today.

It's the umpteenth variation of the 'Aladdin and the Lamp' story, but this one is hoked up with plenty of anachronisms, chiefly in the form of Phil Silvers who plays Aladdin's thief buddy as an All-American wiseguy complete with the latest 40's slang and a pair of modern eyeglasses. And when Aladdin gets hold of the famous lamp (after a scene wherein he and Silvers dodge a giant played by Rex Ingram, who virtually reprises his character from 1940's 'Thief of Baghdad') out pops the genie played by Evelyn Keyes. And she's a sassy sprite who likes to be called "Babs." Since she's invisible to all but the owner of the lamp, she gets to mess around with others and sling wisecracks and warnings at Aladdin, to his discomfort. Between Silvers and Keyes, poor Wilde is left with playing a handsome grinning prop. At least his fencing skills come into play in a climactic duel.

The story includes the requisite villain, in this case played by Dennis Hoey (most famous as Inspector Lestrade in the Sherlock Homes series) in a duel role as a Sultan and his scheming twin-brother Prince. Adele Jergens plays the Sultan's daughter who naturally falls for Aladdin because he's so gorgeous and sings love songs to her (Wilde's singing voice dubbed). Jergens is not very interesting (looking like a pale imitation of Virginia Mayo) and to be honest, in my estimation, is strangely overshadowed by the striking looks of her chief maid played by Dusty Anderson. Neither of them became movie stars, but Anderson so clearly looks and sounds more attractive than Jergens that it distracts from Wilde's pursuit of the Princess. In my view, why take a chance on being executed for trying to possess a moderately pretty Princess when the maid is a knockout, and likable too? (One small note: Shelley Winters plays a fellow handmaiden in this film, but good luck finding her. I think I spotted her in the back row of a group of maidens in a scene near the end of the film).

Interesting line: Phil Silvers looks into a sorcerer's crystal ball and sees himself robbing someone. He quips to Wilde re: the Sorceror: "This guy has run into television and don't know it." Since no pretense is made that this is anything other than a silly romp, Silvers gets to gag it up with plenty of other current references, including the absurd ending wherein he croons a Sinatra tune ("All or Nothing at All" and using the actual Sinatra recording) to handmaidens in bobbysoxer footwear. Needless to say, this a fun movie, easy to like.