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The Monkeys Have No Tails In Pago Pago
Official march of the Ohillipine Constabulary
Lyrics added by G, Savoca (c.1900)
Intregrated into the indtrumental score on numerous occasion. See more »
Rather than re-hash Tom Martin's excellent review of the film, I would rather provide some personal reflections.
This really is the most human of all the late-era WWII films, minus much of the blatantly propagandistic speeches that mar so many movies from that era. Rather, the dialogue is beautifully understated. Robert Montgomery's "looking for the Arizona too" comment to Wayne sums up the feelings of its time much more than a five minute speech on how important it is to win the war could ever do.
The cinematography is top notch, as it is in most of Ford's films. Watching this I believe we can definately see how Orson Welles would be influenced by his work over the years.
Robert Montgomery's work here is fantastic; again, as Martin states in his review, probably his best work in front of the camera. He seems war-weary (and in one of the Duke's biographies this is probably how Montgomery really was at this time, as he had seen quite a bit of action during the war before the film was made). John Wayne's character provides us with proof that he truly was a great actor. Watch the scene where he sits in a bar listening to a broadcast from San Francisco about the fall of Coregidor; his emotions are completely shown by the camera; no "let's get them dirty so-and-so's" speeches here, this is pure, wordless acting.
All in all, a great film; the best of the WWII era, and certainly one of the best of the 1940's. No hesitations here on my score: 10* out of 10.
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