The US Army's defense of its Philippines colony and the allied Malay countries/colonies behind it counted on its island fortress of Corregidor on Luzon -and a few others- but loses it in ... See full summary »
Construction workers in World War II in the Pacific are needed to build military sites, but the work is dangerous and they doubt the ability of the Navy to protect them. After a series of ... See full summary »
After Custer and the 7th Cavalry are wiped out by Indians, everyone expects the worst. Capt. Nathan Brittles is ordered out on patrol but he's also required to take along Abby Allshard, ... See full summary »
A Union Cavalry outfit is sent behind confederate lines in strength to destroy a rail/supply centre. Along with them is sent a doctor who causes instant antipathy between him and the ... See full summary »
Shortly after Pearl Harbor, a squadron of PT-boat crews in the Philipines must battle the Navy brass between skirmishes with the Japanese. The title says it all about the Navy's attitude towards the PT-boats and their crews. Written by
In a scene on the docks, a ship named the Lucien P. Libby is in the background. In the biography "John Ford: A Bio-bibliography" by Bill Levy, there is a reference to John Ford being influenced by two teachers during his four years at Portland High School. One was an English teacher, Lucien Libby, who "helped the boy with his writing, encouraged Ford's reading, and stimulated thinking with witty comic teaching." See more »
A frame at the end of the movie said, "We shall return - General Douglas MacArthur". In fact, the White House tried to get the general to change his famous quote to "we" but he refused, saying he failed to see the purpose. It should read, "I shall return." See more »
Lt. 'Rusty' Ryan:
Listen Brick, for years I've been taking your fatherly advice, and it's never been any good. So from now on, I'm strictly a one man band!
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You're in the Army Now
Lyrics by Tell Taylor and Ole Olson
Music by Isham Jones (1917)
Heard when the nboat crews march off to be secunded into the army.
Music composed by Isham Jones See more »
Rather than re-hash Tom Martin's excellent review of the film, I would rather provide some personal reflections.
This really is the most human of all the late-era WWII films, minus much of the blatantly propagandistic speeches that mar so many movies from that era. Rather, the dialogue is beautifully understated. Robert Montgomery's "looking for the Arizona too" comment to Wayne sums up the feelings of its time much more than a five minute speech on how important it is to win the war could ever do.
The cinematography is top notch, as it is in most of Ford's films. Watching this I believe we can definately see how Orson Welles would be influenced by his work over the years.
Robert Montgomery's work here is fantastic; again, as Martin states in his review, probably his best work in front of the camera. He seems war-weary (and in one of the Duke's biographies this is probably how Montgomery really was at this time, as he had seen quite a bit of action during the war before the film was made). John Wayne's character provides us with proof that he truly was a great actor. Watch the scene where he sits in a bar listening to a broadcast from San Francisco about the fall of Coregidor; his emotions are completely shown by the camera; no "let's get them dirty so-and-so's" speeches here, this is pure, wordless acting.
All in all, a great film; the best of the WWII era, and certainly one of the best of the 1940's. No hesitations here on my score: 10* out of 10.
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