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They Were Expendable (1945)

Approved  |   |  Drama, War  |  20 December 1945 (USA)
7.3
Your rating:
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Ratings: 7.3/10 from 5,309 users  
Reviews: 78 user | 26 critic

A dramatized account of the role of the American PT Boats in the defense of the Philippines in World War II.

Directors:

(as John Ford Captain U.S.N.R.) , (uncredited)

Writers:

(book), (screenplay) (as Frank Wead Comdr. U.S.N. {Ret}) , 3 more credits »
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Nominated for 2 Oscars. See more awards »

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Edit

Cast

Cast overview, first billed only:
...
Lt. John Brickley (as Robert Montgomery Comdr. U.S.N.R.)
...
Lt. (J.G.) 'Rusty' Ryan
...
...
...
...
Ens. 'Snake' Gardner
...
Ens. 'Andy' Andrews
...
Major James Morton
Arthur Walsh ...
Seaman Jones
...
Lt. (J.G.) 'Shorty' Long / Radio Announcer
...
Ens. George Cross
Jeff York ...
Ens. Tony Aiken
Murray Alper ...
'Slug' Mahan T.M. 1c
Harry Tenbrook ...
'Squarehead' Larsen SC 2c
Jack Pennick ...
'Doc'
Edit

Storyline

Shortly after Pearl Harbor, a squadron of PT-boat crews in the Philipines must battle the Navy brass between skirmishes with the Japanese. The title says it all about the Navy's attitude towards the PT-boats and their crews. Written by Anonymous

Plot Summary | Add Synopsis

Taglines:

M-G-M Presents one of the Greatest Pictures of all Time See more »

Genres:

Drama | War

Certificate:

Approved | See all certifications »
Edit

Details

Country:

Language:

Release Date:

20 December 1945 (USA)  »

Also Known As:

Fuimos los sacrificados  »

Filming Locations:

 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (cut)

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
See  »
Edit

Did You Know?

Trivia

Since John Ford had surrounded himself with so many fellow Navy personnel during the filming, John Wayne, being a civilian, felt out of place at times. In particular, he perceived a favouritism occurring on the set regarding his co-star. As he later said, "Bob Montgomery was [Ford's] pet on that picture. He could do no wrong. ...Jack picked on me all the way through it. He kept calling me a 'clumsy bastard' and a 'big oaf' and kept telling me that I 'moved like an ox'." See more »

Goofs

Sandy Davyss is a Second Lieutenant. When the corporal comes to pick up the field phone after she talks with Rusty, he refers to her as "Miss." In actuality, he would have referred to her as lieutenant or ma'am, but certainly not as "Miss." See more »

Quotes

Lt. 'Rusty' Ryan: Listen sister, I don't dance!
See more »

Crazy Credits

Closing quote: "We Shall Return" Douglas MacArthur, General of the Army See more »

Connections

Featured in John Ford (1993) See more »

Soundtracks

The Battle Hymn of the Republic
(uncredited)
Written by William Steffe (lyrics) & Julia Ward Howe (lyrics)
[Heard under last shot of airplane leaving.]
See more »

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User Reviews

 
Probably the greatest WWII film of its era.
27 May 2003 | by (Tulsa) – See all my reviews

Rather than re-hash Tom Martin's excellent review of the film, I would rather provide some personal reflections.

This really is the most human of all the late-era WWII films, minus much of the blatantly propagandistic speeches that mar so many movies from that era. Rather, the dialogue is beautifully understated. Robert Montgomery's "looking for the Arizona too" comment to Wayne sums up the feelings of its time much more than a five minute speech on how important it is to win the war could ever do.

The cinematography is top notch, as it is in most of Ford's films. Watching this I believe we can definately see how Orson Welles would be influenced by his work over the years.

Robert Montgomery's work here is fantastic; again, as Martin states in his review, probably his best work in front of the camera. He seems war-weary (and in one of the Duke's biographies this is probably how Montgomery really was at this time, as he had seen quite a bit of action during the war before the film was made). John Wayne's character provides us with proof that he truly was a great actor. Watch the scene where he sits in a bar listening to a broadcast from San Francisco about the fall of Coregidor; his emotions are completely shown by the camera; no "let's get them dirty so-and-so's" speeches here, this is pure, wordless acting.

All in all, a great film; the best of the WWII era, and certainly one of the best of the 1940's. No hesitations here on my score: 10* out of 10.


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