A number of swamp land men have died by strangulation and the inhabitants believe that an innocent man they hanged is seeking revenge on all of the male descendants of those responsible for...
See full summary »
Bill and Robin, helped by their childhood friend, Lena, develop a "reproducer" which can exactly duplicate any object. Bill, crushed when Lena marries Robin, convinces her to allow him to ... See full summary »
Three stories of murder and the supernatural. In the first, a museum worker is introduced to a world behind the pictures he sees every day. Second, when two lifelong friends fall in love ... See full summary »
When the villagers of Klineschloss start dying of blood loss, the town fathers suspect a resurgence of vampirism. While police inspector Karl remains skeptical, scientist Dr. von Niemann ... See full summary »
A number of swamp land men have died by strangulation and the inhabitants believe that an innocent man they hanged is seeking revenge on all of the male descendants of those responsible for his death. Maria, granddaughter of the guilty ferryman, decides to operate the ferry service. Chris Sanders, a son of one of the men who did the hanging, and Maria fall in love. The "strangler" seizes Chris and Maria offers her life if Chris is spared. Written by
Les Adams <email@example.com>
Based on the German film "Fahrmann Maria" ("Ferryman Maria") directed also by Frank Wisbar, one of the rare times that the same director helmed both the American and foreign language version of the same film. See more »
It's really a pity more people haven't seen this little number from PRC
it has a tight story, good acting, amazing atmosphere, just
everything so many of their features lack. The joke was, and in some cases remains, that PRC stood for Pretty Rank Crap (actually Producers Releasing Corporation). They kept Bela Lugosi from going hungry and delivered quite a list of entertainingly awful crud - I mean, they made Monogram look like MGM! Generally considered the studio where name actors went to pick up enough cash to pay off their bar tabs (which explains the presence of otherwise outstanding actors like J. Carroll Naish, John Carradine and George Zucco), by the law of averages, they were bound to hit the mark, once in a great while.
And here, they do. Despite, or perhaps because of the obvious sound-stage set, the film has an atmosphere of unreality, a similar effect attained in "City of the Dead" (1960) by the same means. Both films have an almost Lovecraftian sense of foreboding. The core of the film's success can be attributed to the "Strangler" himself, character actor Charles Middleton, perhaps most known for his turns as Ming the Merciless in the "Flash Gordon" serials and his menace of Laurel & Hardy in several of their shorts and features.
Please understand - "Strangler from the Swamp" is never going to give Hitchcock or the Val Lewton horror pictures a run for their money, but all in all, it is still a very satisfying film.
And yes, that Blake Edwards is THAT Blake Edwards!
7 of 8 people found this review helpful.
Was this review helpful to you?