War correspondent Ernie Pyle joins Company C, 18th Infantry as this American army unit fights its way across North Africa in World War II. He comes to know the soldiers and finds much human... See full summary »
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War correspondent Ernie Pyle joins Company C, 18th Infantry as this American army unit fights its way across North Africa in World War II. He comes to know the soldiers and finds much human interest material for his readers back in the States. Later, he catches up with the unit in Italy and accompanies it through the battles of San Vittorio and Cassino. He learns from its commanding officer, Lt. (later Capt.) Bill Walker of the loneliness of command, and from the individual G.I.'s of the human capacity to survive drudgery, discomfort, and the terror of combat. Written by
Jim Beaver <firstname.lastname@example.org>
William A. Wellman, nicknamed "Wild Bill", was a fighter pilot in World War I and hated the infantry, and therefore had no interest in making a film about them. Producer Lester Cowan tried several times to convince Wellman to direct the film, including showing up uninvited at Christmas with gifts for Wellman's children. Wellman finally agreed to take the job only after meeting and spending several days with Ernie Pyle at Pyle's home in New Mexico, where he saw how much former infantrymen revered him. See more »
After 34 minutes a camouflaged M4 Sherman is seen firing. Moments later when the tank is hit and burns it has transformed into a non camouflaged M3 Lee.
flagged M3 Lee. See more »
I rank this film with "The Paths of Glory", "All Quiet on the Western Front", and "A Walk in the Sun"; which I consider to be the most poignant and best acted war or anti-war films. The direction, dialogue, and acting in this film differ in the respect that the bloodshed and action are not graphic but obviously evident. It is certainly better than "Saving Pvt. Ryan", which is too long, pretentious, and relies on gory special effects to entice the younger audience.
The acting in "The Story of G.I. Joe" is realistic (not to be confused with the "method style") and understated.
Burgess Meredith and Robert Mitchum give two of their best performances and I really felt as though this was a portrayal of the every day conditions of the infantryman and not an exercise in false heroics.
I would rate this film a 9 out of 10. And I thank Turner Classic Movies for showing it. It is truly a CLASSIC.
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