The story of men at war and that of the esteemed Pulitzer prize winning war correspondent Ernie Pyle. Soon after the U.S. entry into World War II, Pyle joined C Company, 18th Infantry in ... See full summary »
Sergeant Joe Gunn and his tank crew pick up five British soldiers, a Frenchman and a Sudanese man with an Italian prisoner crossing the Libyan Desert to rejoin their command after the fall ... See full summary »
J. Carrol Naish
A family saga: In a stunning mountain valley ranch setting near Aspen, complex and dangerous family dynamics play out against the backdrop of the first big snowstorm of winter and an ... See full summary »
The story of men at war and that of the esteemed Pulitzer prize winning war correspondent Ernie Pyle. Soon after the U.S. entry into World War II, Pyle joined C Company, 18th Infantry in North Africa. There he got to know the men and often wrote about them in his columns mentioning them by name, something both the soldiers and their families back home appreciated. Pyle moved to other units but as C Company is the first he went into combat with, he considers them "his" company and rejoins them in Italy. Many will die but his reporting brings a human face to war. Written by
Sgt. Warnicke starts out carrying an M1A1 model Thompson submachine gun in North Africa at the beginning of the film, but ends up carrying - and firing - an earlier-model M1928A1 Thompson for most of the movie. See more »
In a night battle scene of US soldiers advancing, it is lit only by artillery explosions, a cameraman in visible in the middle distance pointing a hand=held camera back towards the men. See more »
The new kids that come up, that's what gets you. The new ones, some of them have just got a little fuzz on their faces. They don't know what its all about. Scared to death. You know, Ernie, I know it ain't my fault that they get killed, but it makes me feel like a murderer. I hate to look at 'em, the new kids.
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There are absolutely no credits at the end of the film, not even the words "The End". See more »
I rank this film with "The Paths of Glory", "All Quiet on the Western Front", and "A Walk in the Sun"; which I consider to be the most poignant and best acted war or anti-war films. The direction, dialogue, and acting in this film differ in the respect that the bloodshed and action are not graphic but obviously evident. It is certainly better than "Saving Pvt. Ryan", which is too long, pretentious, and relies on gory special effects to entice the younger audience.
The acting in "The Story of G.I. Joe" is realistic (not to be confused with the "method style") and understated.
Burgess Meredith and Robert Mitchum give two of their best performances and I really felt as though this was a portrayal of the every day conditions of the infantryman and not an exercise in false heroics.
I would rate this film a 9 out of 10. And I thank Turner Classic Movies for showing it. It is truly a CLASSIC.
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