The head of the Green Manors mental asylum Dr. Murchison is retiring to be replaced by Dr. Edwardes, a famous psychiatrist. Edwardes arrives and is immediately attracted to the beautiful but cold Dr. Constance Petersen. However, it soon becomes apparent that Dr. Edwardes is in fact a paranoid amnesiac impostor. He goes on the run with Constance who tries to help his condition and solve the mystery of what happened to the real Dr. Edwardes. Written by
Col Needham <firstname.lastname@example.org>
Alfred Hitchcock was a big admirer of Salvador Dalí's work and realized that no one understood dream imagery better. David O. Selznick was opposed to using Dalí from an expense point of view, until he realized the marketing mileage that could be gained from such a hiring. See more »
Peterson's position behind Edwardes while in line to buy train tickets changes. See more »
Miss Carmichael, please. Dr. Petersen is ready for you.
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Opening credits: The fault.....is not in our stars, but in ourselves..... - Shakespeare Our story deals with psychoanalysis, the method by which modern science treats the emotional problems of the sane. The analyst seeks only to induce the patient to talk about his hidden problems, to open the locked doors of his mind. Once the complexes that have been disturbing the patient are uncovered and interpreted, the illness and confusion disappear.....and the devils of unreason are driven from the human soul. See more »
This is one of my favorite movies, despite what I must reluctantly admit is a preposterous plot. But what a great cast -- Gregory Peck, the beautiful Ingrid Bergman, and various familiar character actors. Wallace Ford has an entertaining scene as an obnoxious hotel guest trying to pick up Ingrid Bergman, but who gets chased off twice by the house detective. Even though the plot elements are often unbelievable, it doesn't matter, as far as I'm concerned; the pacing is just right, the script is literate, and the dramatic tension sustains the viewer's interest to the end.
And for my money, this movie contains one of the most, if not THE most, romantic scenes ever put on film: Gregory Peck and Ingrid Bergman, having met only a day or two before, admit to each other that they've fallen in love. He walks slowly toward her and she lifts her face to him and closes her eyes. The scene dissolves to a series of lovely doors opening slowly down a hall, to the accompaniment of Miklos Rosza's incomparably beautiful "Spellbound Theme". Now THAT'S romantic! I highly recommend "Spellbound" to any classic movie fan.
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