A man in London tries to help a counterespionage agent. But when the agent is killed and the man stands accused, he must go on the run to both save himself and also stop a spy ring which is trying to steal top secret information.
The head of the Green Manors mental asylum Dr. Murchison is retiring to be replaced by Dr. Edwardes, a famous psychiatrist. Edwardes arrives and is immediately attracted to the beautiful but cold Dr. Constance Petersen. However, it soon becomes apparent that Dr. Edwardes is in fact a paranoid amnesiac impostor. He goes on the run with Constance who tries to help his condition and solve the mystery of what happened to the real Dr. Edwardes. Written by
Col Needham <email@example.com>
David O. Selznick wanted much of the film to be based on his experiences in psychotherapy. He even brought his psychotherapist in on the set to be a technical advisor. Once when she disputed a point of fact with Alfred Hitchcock on how therapy works, Hitchcock said, "My dear, it's only a movie." See more »
The envelope which John Ballantine slips under the door of Dr. Peterson's room remains close to the door and with its border parallel to the door bottom line. Later it appears a little distant from the door and skewed. See more »
Miss Carmichael, please. Dr. Petersen is ready for you.
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Just before the opening credits, an overture is played. See more »
Wonderful mystery/romance from the master of suspense!
While I wouldn't include 'Spellbound' in my top five favourite Alfred Hitchcock movies it's still wonderfully entertaining. Of course it had dated badly in some ways, but not enough to spoil a modern viewer's enjoyment. Psychoanalysis was still quite a cinematic novelty at the time, but this means that we have to put up with an awkward opening sequence, complete with "explanations" on the screen, and a few pretty hokey moments throughout, but hey, I can live with that, and the amateurish filmed skiing scene. These few flaws, quite a rarity for Hitchcock, are still small potatoes. The legendary Salvador Dali designed dream sequence allegedly used very little of the great surrealists outlandish ideas, but even so it's striking and memorable. I also really enjoyed the inventive score by Miklos Rozsa, which utilized the eerie sound of the theremin, later used in the science fiction classic 'The Day The Earth Stood Still', and The Beach Boys psychedelic pop masterpiece 'Good Vibrations'. Now the best thing about 'Spellbound' and what really makes it into a wonderfully entertaining mystery/romance is Ingrid Bergman and Gregory Peck. These two Golden Age superstars are both absolutely wonderful individually, but together they are magical, and one of THE great romantic couples in movie history. 'Spellbound' may not be Hitchcock's very best work, but I still highly recommended it. I can't see how anyone could not enjoy it.
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