The head of the Green Manors mental asylum Dr. Murchison is retiring to be replaced by Dr. Edwardes, a famous psychiatrist. Edwardes arrives and is immediately attracted to the beautiful but cold Dr. Constance Petersen. However, it soon becomes apparent that Dr. Edwardes is in fact a paranoid amnesiac impostor. He goes on the run with Constance who tries to help his condition and solve the mystery of what happened to the real Dr. Edwardes. Written by
Col Needham <firstname.lastname@example.org>
The first preview took place on 27 September 1944, after which David O. Selznick deleted an opening montage showing treatment of mental cases. After principal photography was completed, Selznick was involved with sound re-recording of the dialogue and the editing, eliminating about 14 minutes of the film. See more »
When Dr. Brulov wakes J.B. to ask about his dreams, J.B.'s hair is very messed up. However, when Dr. Peterson enters the room with coffee a couple of minutes later, J.B.'s hair is neat, even though he hasn't combed it. See more »
Miss Carmichael, please. Dr. Petersen is ready for you.
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Opening credits: The fault.....is not in our stars, but in ourselves..... - Shakespeare Our story deals with psychoanalysis, the method by which modern science treats the emotional problems of the sane. The analyst seeks only to induce the patient to talk about his hidden problems, to open the locked doors of his mind. Once the complexes that have been disturbing the patient are uncovered and interpreted, the illness and confusion disappear.....and the devils of unreason are driven from the human soul. See more »
A Fine, Distinctive Film Despite Its Implausible Aspects
"Spellbound" is one of Hitchcock's hardest films to evaluate, because its plot and credibility are so heavily dependent on theories of psychoanalysis that are usually considered to be implausible, at the very best. But if you can accept, for the sake of entertainment, the more dubious plot devices, what remains is a fine film dominated by the great director's usual creativity and technical mastery. Although it's hard to get away from the implausibilities, it's a fine movie in all other respects.
Gregory Peck stars as an amnesia case, and Ingrid Bergman as a psychoanalyst trying to unravel his mysterious - and possibly murderous - past. Most of the other characters are also psychoanalysts or patients, and the plot revolves around the ways that Bergman's character uses Freudian theories to solve the mystery. Whether you can enjoy the story depends on how willing you are to suspend disbelief concerning the wilder aspects of these theories, but if you are willing to do so, it's quite nicely done in most parts, with some fine scenes and a couple of good plot twists. It is also worth watching for the famous Salvador Dali dream sequence, which is very creatively done and fascinating to watch. Peck and Bergman also create interesting and sympathetic characters, who make the viewer want to know what will happen to them.
Overall, this is a distinctive film, and well worth seeing for any Hitchcock fan.
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