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Spellbound (1945)

7.7
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Ratings: 7.7/10 from 26,466 users  
Reviews: 145 user | 91 critic

A psychiatrist protects the identity of an amnesia patient accused of murder while attempting to recover his memory.

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Writers:

(screen play), (suggested by novel: "The House of Dr. Edwardes"), 5 more credits »
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Title: Spellbound (1945)

Spellbound (1945) on IMDb 7.7/10

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Won 1 Oscar. Another 1 win & 5 nominations. See more awards »
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Cast

Complete credited cast:
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Michael Chekhov ...
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John Emery ...
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Bill Goodwin ...
Steven Geray ...
Donald Curtis ...
Wallace Ford ...
Art Baker ...
...
Paul Harvey ...
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Storyline

The head of the Green Manors mental asylum Dr. Murchison is retiring to be replaced by Dr. Edwardes, a famous psychiatrist. Edwardes arrives and is immediately attracted to the beautiful but cold Dr. Constance Petersen. However, it soon becomes apparent that Dr. Edwardes is in fact a paranoid amnesiac impostor. He goes on the run with Constance who tries to help his condition and solve the mystery of what happened to the real Dr. Edwardes. Written by Col Needham <col@imdb.com>

Plot Summary | Plot Synopsis

Taglines:

Strange . . . Strange . . . Their Irresistible Love! Dark . . . Dark . . . Their Inescapable Fears ! See more »


Certificate:

Unrated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

28 December 1945 (USA)  »

Also Known As:

Alfred Hitchcock's Spellbound  »

Box Office

Budget:

$1,696,377 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (Ontario)

Sound Mix:

(Western Electric Recording)

Color:

(Two frames tinted)|

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Miklós Rózsa hated working with David O. Selznick. See more »

Goofs

In his first scene Michael Chekov's hair changes. See more »

Quotes

[first lines]
Nurse: [offscreen] Miss Carmichael, please. Dr. Petersen is ready for you.
See more »

Crazy Credits

Opening credits: The fault.....is not in our stars, but in ourselves..... - Shakespeare Our story deals with psychoanalysis, the method by which modern science treats the emotional problems of the sane. The analyst seeks only to induce the patient to talk about his hidden problems, to open the locked doors of his mind. Once the complexes that have been disturbing the patient are uncovered and interpreted, the illness and confusion disappear.....and the devils of unreason are driven from the human soul. See more »

Connections

Featured in Arena: Salvador Dali (1986) See more »

Soundtracks

Spellbound Concerto
(uncredited)
Composed by Miklós Rózsa
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Very good- the music certainly is outstanding!
27 October 2009 | by (United Kingdom) – See all my reviews

I watched Spellbound for the first time this morning, and overall I was very impressed. While Spellbound is far from his best film, it is in general very well done, and I would definitely watch it again for a number of reasons. Hitchcock's direction is noteworthy, maybe not as tight as it usually is, but still noteworthy. The film is shot with breathtaking black and white cinematography, particularly the scene in the countryside, in fact the only scene where it didn't quite work was in the skiing scene, it looked rushed and a tad too amateurish. On a more positive note, the music score by Miklos Rosza was absolutely outstanding; it is without a doubt one of the best film scores I have ever heard, and in my opinion one of the more memorable scores in any Hitchcock film. From the beautiful sweeping title theme, to some truly haunting parts in especially the scene with the sleepwalking. The final solution is exceedingly clever and unpredictable, and the dream sequence by Salvador Dali while short was essential to the plot and very effective. Speaking of the plot, mixed with psychological nuances and a young doctor's struggles to help her patient/ lover and prove his innocence, has its usual twists and turns and is pretty suspenseful. I will admit some of it is implausible, and the script may just lack the sophistication of the scripts of Hitchcocks like Vertigo or Rebecca, but on the whole it was cleverly crafted. The performances are in general very good; Gregory Peck is disappointingly one-note, but as the beautiful but cold Constance Peterson Sweedish beauty Ingrid Bergman is a revelation. The standout supporting turns come from Michael Chekov as Alex and Leo G. Carroll as Murchison, both add a lot to the film and do very well, and Hitchcock himself makes a cameo. All in all, has its flaws, and is definitely not Hitchcock's best, but I do recommend it. And I do think that along with StageFright it is one of the more undervalued Hitchcock movies. 8/10 Bethany Cox


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