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Spellbound (1945)

7.7
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Ratings: 7.7/10 from 28,131 users  
Reviews: 147 user | 95 critic

A psychiatrist protects the identity of an amnesia patient accused of murder while attempting to recover his memory.

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(screen play), (suggested by novel: "The House of Dr. Edwardes"), 4 more credits »
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Title: Spellbound (1945)

Spellbound (1945) on IMDb 7.7/10

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Won 1 Oscar. Another 1 win & 6 nominations. See more awards »
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Cast

Complete credited cast:
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Michael Chekhov ...
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John Emery ...
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Bill Goodwin ...
Steven Geray ...
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Wallace Ford ...
Art Baker ...
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Paul Harvey ...
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Storyline

The head of the Green Manors mental asylum Dr. Murchison is retiring to be replaced by Dr. Edwardes, a famous psychiatrist. Edwardes arrives and is immediately attracted to the beautiful but cold Dr. Constance Petersen. However, it soon becomes apparent that Dr. Edwardes is in fact a paranoid amnesiac impostor. He goes on the run with Constance who tries to help his condition and solve the mystery of what happened to the real Dr. Edwardes. Written by Col Needham <col@imdb.com>

Plot Summary | Plot Synopsis

Taglines:

Will he Kiss me or Kill me? See more »


Certificate:

Unrated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

28 December 1945 (USA)  »

Also Known As:

Alfred Hitchcock's Spellbound  »

Box Office

Budget:

$1,696,377 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (Ontario)

Sound Mix:

(Western Electric Recording)

Color:

(Two frames tinted)|

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Miklós Rózsa's score in this film inspired the career of film composer Jerry Goldsmith. Peck liked the score so much that in his last years he used it in his one-man touring lecture show, "An Evening with Gregory Peck." See more »

Goofs

Right before Dr. Peterson gets a letter from Dr. Edwardes, she cleans her glasses on her coat and the position of her hands varies between shots. See more »

Quotes

[first lines]
Nurse: [offscreen] Miss Carmichael, please. Dr. Petersen is ready for you.
See more »

Crazy Credits

Just before the opening credits, an overture is played. See more »

Connections

Referenced in Full House: Spellbound (1992) See more »

Soundtracks

Spellbound Concerto
(uncredited)
Composed by Miklós Rózsa
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Freudian fantasy
7 August 1999 | by (Canberra, Australia) – See all my reviews

A world in which Freudian psycho-analysis works as it's supposed to is rather like a world in which magic works - so call this film a fantasy. There's nothing whatever wrong with fantasy. Indeed, there's nothing better. Hitchcock announces at the very beginning that the story takes place in a Freudian world; thereafter he plays perfectly fair with us.

He even chose the right collaborators for a fantasy. The dream sequences were designed by Salvador Dali. (Anyone whose dreams really do look like Dali paintings maybe COULD do with some psycho-analysis.) They're not frightening - dream sequences rarely are - but they are at any rate more interesting than the usual dreams we might have or hear about. The music was by Miklós Rózsa, maybe the best of the composers who settled in Hollywood, certainly the most vividly overpowering. He was exactly the right choice for this film - however much Hitchcock disliked the score, or said that he did.

The story follows a confused Gregory Peck, who cannot remember key episodes of his recent (and not so recent) past, and who may, just possibly, be a dangerous criminal. Ingrid Bergman is a second-generation disciple of Freud who despite her professional caution finds herself falling in love with him. Perhaps it sounds cardboard already, but the performances invest the characters with more life than my descriptions did. Peck in particular is highly sympathetic. He comes across as not at all mad, not even mentally disturbed - just a man who can't remember one or two things and has an odd aversion to things like parallel lines. (That?s right - parallel lines.) Anyway, as I said, it's a fantasy: the forces of psychoanalysis must unravel the mystery before it's too late. (Why there's a "too late" is too complicated to go into.) The usual kind of Hitchcock suspense isn't there but the man WAS capable of moving outside his home genre now and then. Remember, his other fantasy was "The Birds".


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