7.3/10
1,802
32 user 18 critic

The Southerner (1945)

The life of the poor Tucker family, that worked as cotton pluggers and decided to get their own ground, but nature is against them.

Director:

Writers:

(novel), (adaptation) | 1 more credit »
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Nominated for 3 Oscars. Another 3 wins. See more awards »
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Cast

Cast overview, first billed only:
Zachary Scott ...
Betty Field ...
Nona Tucker
...
Devers
...
Granny Tucker
Percy Kilbride ...
Harmie
Charles Kemper ...
Tim
Blanche Yurka ...
Mama Tucker
...
Finlay
...
Lizzie
Paul Harvey ...
Ruston
Noreen Nash ...
Becky Devers
Jack Norworth ...
Dr. White
...
Bartender
Paul E. Burns ...
Uncle Pete Tucker (as Paul Burns)
Jay Gilpin ...
Jot Tucker
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Storyline

Sam Tucker, a cotton picker, in search of a better future for his family, decides to grow his own cotton crop. In the first year, the Tuckers battle disease, a flood, and a jealous neighbor. Can they make it as farmers? Written by George S. Davis

Plot Summary | Add Synopsis

Plot Keywords:

cotton | farm | well | neighbor | nature | See All (108) »

Genres:

Drama

Certificate:

See all certifications »
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Details

Country:

Language:

Release Date:

30 April 1945 (USA)  »

Also Known As:

Hold Autumn in Your Heart  »

Filming Locations:

 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Originally intended for Joel McCrea, but when the studio couldn't get him they gave it to Zachary Scott. See more »

Quotes

Sam Tucker: Every time I get plumb wore out, I think about you and Jotty and Daisy, and I ain't quite so tired anymore.
Nona Tucker: Aw Sam... I just never could get along without you.
Sam Tucker: Me too, honey. I couldn't live without you.
See more »

Connections

Referenced in Tomorrow, Yesterday, and Today (2010) See more »

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User Reviews

A kind of ideal
16 July 2002 | by (Canberra, Australia) – See all my reviews

Life in Renoir films is always one damned thing - or one absorbing incident

  • after another, which is why the ideal Renoir film (a) sticks to the one


subject, or the one place ("Grand Illusion" WOULD be as great as everyone says it is, if only it didn't wander about so), and (b) doesn't even purport to have a plot. (Not that the second requirement matters so much as the first.) In any case, the material Renoir had here suited him down to the ground. The fact that the central character is tied to the land, the fact that he has a clear goal (to survive by means of farming) without having any particular quest, allows Renoir to let whatever will happen, happen, without there being any danger of the film falling apart.

A delightfully warm film, but one with a real bite. It carries a real charge when the established farmer, after treating the newcomer with such unjustified coldness you start to feel he must be positively evil, begins to reveal his humanity and open up a little - only to describe, in detail, why he's so bitter - and determined to remain bitter. But this is just one perfectly realised scene among many. There's so MUCH to this film, not one segment of which could profitably be lost - except, of course, the minute-long spoken prologue, which contributes about as much to the overall effect as Cecil B. DeMille's anti-communist rant contributes to "The Ten Commandments". But ignore that last nit-pick.


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