Own the rights?
*** This comment may contain spoilers ***
There were so many, MANY detective movie series during the '30s and '40s, and of such varying quality. One wonders, then, why Joan Davis, Leon Errol (both very popular in their day) and company weren't pushed for a series of their own. Granted we have only SHE GETS HER MAN to judge from, but it remains a real winner. Davis and Errol play beautifully off each other, and the denouement is actually a bit of a surprise! Too often in these comedy-thrillers, the hero or heroine are too brassy to elicit much sympathy from the audience; even comedy relief can get in the way, if the role is not properly written or cast - for instance, Lee Tracy, in DOCTOR X (1932) is so annoying, you almost hope the bogeyman will get him. On the other hand, in THE MAD GHOUL (1943) for instance, when Rbert Armstrong, as the wisecracking reporter, gets his, it's not only a surprise, but a real bummer! In SHE GETS HER MAN, a perfect balance of humor and thrills is maintained, much in the spirit (no pun intended) of HOLD THAT GHOST, and leave you wanting to see more of them doing what they do best. Bravo - well done!
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