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Scarlet Street (1945)

Approved  |   |  Drama, Film-Noir  |  28 December 1945 (USA)
7.9
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Ratings: 7.9/10 from 8,743 users  
Reviews: 118 user | 70 critic

When a man in mid-life crisis befriends a young woman, her venal fiancé persuades her to con him out of some of the fortune she thinks he has.

Director:

Writers:

(novel) (as Georges De La Fouchardiere) , (novel) (as Mouezy-Eon) , 1 more credit »
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Cast

Complete credited cast:
...
...
Dan Duryea ...
...
Rosalind Ivan ...
Jess Barker ...
Charles Kemper ...
Anita Sharp-Bolster ...
Mrs. Michaels (as Anita Bolster)
Samuel S. Hinds ...
Charles Pringle
Vladimir Sokoloff ...
Pop LeJon
Arthur Loft ...
Dellarowe
Russell Hicks ...
J.J. Hogarth
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Storyline

Chris Cross, 25 years a cashier, has a gold watch and little else. That rainy night, he rescues delectable Kitty from her abusive boyfriend Johnny. Smitten, amateur painter Chris lets Kitty think he's a wealthy artist. At Johnny's urging, she lets Chris establish her in an apartment (with his shrewish wife's money). There, Chris paints masterpieces; but Johnny sells them under Kitty's name, with disastrous and ironic results. Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Plot Synopsis

Taglines:

The things she does to men can end only one way - in murder! See more »

Genres:

Drama | Film-Noir

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

28 December 1945 (USA)  »

Also Known As:

Almas Perversas  »

Box Office

Budget:

$1,202,007 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Director Fritz Lang and the three of the stars (Edward G. Robinson Joan Bennett and Dan Duryea) also made the similarly themed The Woman in the Window (1944). See more »

Goofs

When Kitty poses for the self portrait, she is standing; the finished portrait shows her sitting. However, perhaps the portrait was not completed in one sitting. See more »

Quotes

[first lines]
Bank Employees: [singing] For he's a jolly good fellow. For he's a jolly good fellow. For he's a jolly good fellow... which nobody can deny. Which nobody can deny. Which nobody can deny. Which nobody can deny.
[repeat chorus]
See more »

Connections

Referenced in The Man Who Wasn't There (2001) See more »

Soundtracks

For He's a Jolly Good Fellow
Folk song, sung by J. J. Hogarth employees at celebratory banquet
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Late Expressionism, Early Noir--incredible plot, amazing movie
5 May 2010 | by (United States) – See all my reviews

Scarlet Street (1945)

It starts slowly, with little bits of intrigue and a lot of empathy for Edward G. Robinson's character, Chris Cross, a lonely cashier with dreams of being in love. And then he sees a man hitting a young woman on the street, and he rushes to help her. Things start a torturous, complicated, fabulous decline from there. The woman sees how Cross finds her beautiful, but Cross, it turns out, is unhappily married. And petty, selfish cruelty turns to many worse things.

Fritz Lang, the Austrian director now firmly settled into Hollywood, is not known for cheerful movies (he directed M, for one), and this one draws on so much empathy, and heartbreak, and finally downright shock and surprise, it's breathtaking. Great film-making, beautiful and relentless. The woman, Joan Bennett, comes alive on the screen, duplicitous and raw. Her boyfriend, Dan Duryea, is perfect Duryea, clever and annoying and as usual, coming out less than rosy.

The cinematographer, Milton Krasner, has so many richly brooding and dramatic films to his credit, it's almost a given that we will be invisibly swept into every scene (and much of the action takes place in an apartment almost tailor made for great filming, with glass doors, and two levels to look up or down from). The story is key, based on a novel by Georges de La Fouchardière, little known here, but he wrote "La Chienne," the basis for Jean Renoir's second film (1931), where the film announces to the audience that it is about, "He, she, and the other guy . . . as usual." And that describes Scarlet Street just as well, for starters.

Lang is credited as one of the key shapers of the film noir style, and that certainly applies visually. It lacks that film noir key of a young man at odds with post-War America, but it does have a man, alone, at odds with the world. Chris Cross is a pathetic creature, far more naive than most of us could ever be, but yet we identify with him because he represents innocence swept up in a world more sinister than we expect. He's a victim, in a way, but also the cause of his own troubles.

And troubles they are. What a story, what a film. Dark, wrenching, and unpredictable. Very Fritz Lang.


13 of 14 people found this review helpful.  Was this review helpful to you?

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