Charlie discovers a scheme for the theft of government radar plans while investigating several murders.

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Cast

Complete credited cast:
...
...
Ben Carter ...
Ben Carter
...
Virginia Brissac ...
Robert Homans ...
Capt. Flynn (as Robert E. Homans)
Jack Norton ...
Willie Rand
Janet Shaw ...
Gloria Bayne
Helen Deverell ...
Diane Hall (as Helen Devereaux)
Victoria Faust ...
Hulda Swenson
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Storyline

Charlie Chan investigates the theft of government radar papers (the laboratory is located in the same building as a radio station!) with the help of Number Three Son Tommy and comic sidekick Birmingham Brown. Written by Marty McKee <mmckee@wkio.com>

Plot Summary | Add Synopsis


Certificate:

Approved | See all certifications »
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Details

Official Sites:

Country:

Language:

Release Date:

11 May 1945 (USA)  »

Also Known As:

Charlie Chan in the Scarlet Clue  »

Box Office

Budget:

$75,000 (estimated)
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Company Credits

Production Co:

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Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Mirrophonic Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Leonard Mudie plays a horror actor called Horace Karlos. Ironically, when Boris Karloff was at Monogram doing his Mr. Wong series, he used a plot device similar to the method of murder utilized here. See more »

Quotes

Charlie Chan: Someone would have us believe victim fall eight stories up.
See more »

Connections

Followed by The Golden Eye (1948) See more »

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User Reviews

 
I Got a LIFT Out of This Chan Film

Famed detective and government agent Charlie Chan is back again for this Monogram film where Charlie is trailing a suspect who may be involved with plans to steal radar equipment/secrets from our government for foreign spies and who has just killed aboard a ship. Chan and detective friend trace suspect back to a radio show and from there on Charlie helps at least three more people get killed with his investigation. This is an interesting Chan vehicle and gives Sidney Toler plenty of screen time to hone his Chan skills. Benson Fong and Mantan Moreland are back once again and lift the mundane to the amusing with their comic routines. Moreland, again, steals his scenes and gives the film a lot of vitality it would otherwise not have. I particularly like a couple of routines he does in the film with a guy he knows and neither one lets the other finish the sentence. The comic timing was first-rate! As for the mystery, it is not too terribly confusing though when the end is told no real explanation as to why and who did crimes is revealed fully. I enjoyed many of the characterizations of the show people. I thought the means of death were very inventive, and I loved the whole thing with the elevator. Very clever.


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