A nightclub singer marries the rich owner of a rubber plantation. When she returns with him to his estate in Malaysia, she finds out that he is cruel, vicious and insanely jealous. She and ... See full summary »
It is Venice, 1900, and Fenella is engaged to composer Caryl Dubrok until she hears that an unmarried woman named Gemma and child is staying with a composer named Dubrok. So the engagement ... See full summary »
Unjustly booted out of the cavalry, Mike McComb strikes out for Nevada, and deciding never to be used again, ruthlessly works his way up to becoming one of the most powerful silver magnates... See full summary »
Rich kid Danny Churchill (Rooney) has a taste for wine, women and song, but not for higher education. So his father ships him to an all-male college out West where there's not supposed to ... See full summary »
Boisterous nightclub entertainer Buzzy Bellew was the witness to a murder committed by gangster Ten Grand Jackson. One night, two of Jackson's thugs kill Buzzy and dump his body in the lake... See full summary »
More fictional than factual biography of Stephen Foster. Songwriter from Pittsburgh falls in love with the South, marries a Southern gal (Leeds), then is accused of sympathizing when the ... See full summary »
Always the diplomat, Alex Hazen is slow to take sides in Europe of the 1920s and 1930s. Cassie Bowwman wants him to be more decisive and leaves him in Rome just as Mussolini is coming to ... See full summary »
Composer George Gershwin is driven by his need to succeed. Unfortunately his drive destroys his romantic relationships with singer Julie Adams, who is desperately in love with him, and aloof socialite Christine Gilbert. Written by
Daniel Bubbeo <firstname.lastname@example.org>
Gershwin received a posthumous Oscar nomination for his 1936 song, "They Can't take That Away from Me" written for the RKO film "Shall We Dance" with Fred Astaire in collaboration with brother Ira. See more »
When Gershwin and Professor Franck are discussing whether George should go to Europe to study, Franck makes fun of George's necktie and pulls it out of George's jacket. However, when they turn to look at the busts of classical composers, the tie is neatly tucked back inside the jacket. See more »
This film presents many Gershwin tunes in great fashion with several great settings and great production numbers. Yes, it's unfortunate that the story line is so heavily fictionalized and even misleading. But, the sets are honest to the periods covered, several sequences are very tastefully done and fun, the show excerpts are good, and did I mention the music? As several other commentators have indicated, the music is faithfully recreated in long segments that bring you much or all of the tune.
If you come to this film to hear some wonderful Gershwin performed by some great artists staged with a lot of character and splash (my favorite set is Hazel Scott's Paris show), you won't be disappointed. The story line is simply a convenient string to tie together the thread of music.
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