Fan dancer Alabam Lee is convicted of breaching the morals code with her racy shows. Her agent has her adopt a "mother" from an old ladies home as a publicity ploy to improve her image. ... See full summary »
Fourteen-year-old Tessa is hopelessly in love with handsome composer Lewis Dodd, a family friend. Lewis adores Tessa, but has never shown any romantic feelings toward her. When Tessa's ... See full summary »
This comedy-drama is partially a gentle satire on America's drive to change the world in the post-war years. One year after World War II, Captain Fisby is sent to the village of Tobiki in ... See full summary »
While out riding in the country, wealthy New Yorker Alec Walker meets young widow Julie Eden, and a relationship quickly develops. However, Alec has not told her that he is already locked ... See full summary »
Falling asleep during the Paradise Coffee ("The Coffee that Makes You Sleep") Program, the band's third trumpeter dreams he's Athanael, an angel deputized to blow the Last Trumpet at ... See full summary »
Shiftless playboy Tom Collier lives to jump from party to party--until he meets photographer Christie Sage. Through Christie, Tom takes over the ownership of The Bantam, a liberal magazine ... See full summary »
Composer George Gershwin is driven by his need to succeed. Unfortunately his drive destroys his romantic relationships with singer Julie Adams, who is desperately in love with him, and aloof socialite Christine Gilbert. Written by
Daniel Bubbeo <firstname.lastname@example.org>
Gershwin received a posthumous Oscar nomination for his 1936 song, "They Can't take That Away from Me" written for the RKO film "Shall We Dance" with Fred Astaire in collaboration with brother Ira. See more »
The aria, "Summertime", from "Porgy and Bess", is performed first by the character Clara, and later, in a tragic scene, by Bess. But not only by Bess, as the film seems to depict. The film also gives the impression that the first verse is performed by chorus, which is not the case. The chorus only hums an accompaniment. See more »
Less a bio-pic, more a great tribute to the great Gershwin.
Thank God the film-makers trusted in the power of Gershwin's music to allow almost complete versions of the title composition, and "An American in Paris" to be included in the film - as well as many complete songs. All the music is superbly orchestrated and the songs sung beautifully by a wide variety of artists, many of whom were really the first artists to sing them. The film is excellently directed and photographed, with musical scenes well realised visually. The montage of Gershwin wandering about Paris as we hear "An American In Paris" is excellent - and the use of lights and shadows to film the orchestra playing "Rhapsody in Blue" is magnificent - would that contemporary films of orchestras were this imaginative.
Yes I know it is largely fiction - but so what? This is a tribute, not a documentary. And Alda is fine in the lead, backed by an excellent supporting cast. I loved this film from start to finish.
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