The events that culminated with the Passion of Christ seen from the perspective of Pontius Pilate, the Procurator of Judea who unwillingly condemned Christ to death. Based on the biblical Gospel of John.
Charles Colson was involved in the infamous Watergate scandal that brought down the administration of former President Richard Nixon. Colson was sentenced to prison for the crimes he ... See full summary »
In 1845 Vienna, Johann Strauß II - Schani to his friends - would rather write and perform waltzes than anything else, this at a time when a waltz is not considered proper society music. ... See full summary »
Constance Shaw is a dance star on Broadway, Joseph Rivington Reynolds is a keen fan of her. After she is fed up with her friend, she meets Joseph and marries him, because she thinks he is ... See full summary »
Composer George Gershwin is driven by his need to succeed. Unfortunately his drive destroys his romantic relationships with singer Julie Adams, who is desperately in love with him, and aloof socialite Christine Gilbert. Written by
Daniel Bubbeo <email@example.com>
Filmed between July 19 and October 12 of 1943, the movie's release was delayed until the Manhattan premiere at the Hollywood Theatre on June 27, 1945. Nearly three months later, the picture opened nationally on September 22, 1945. See more »
In Max Dreyfus' office, Oscar Levant while looking at Georges' score of "Swanee" hums a perfect forth (D down to A) and says, "A diminished 9th." In the next scene Max Dreyfus also refers to the uniqueness of a diminished 9th. In Swanee there is no diminished 9th. There are enharmonic equivalents ie. a C# melody against a Db bass which sounds like a diminished 9th. It is acually a sharped major 7th. The interval of a diminished 9th ie. (C up to Dbb or C# up to Db)does not happen in Swanee. Both a diminished 9th and an enharmonic equivalent will sound like a perfect octave when played eight notes apart. See more »
[occurs at about 1:49:45, after success 'Of Thee I Sing', George wants to write an opera, pushing people to continue working at 4 a.m]
Well, George, what is it you're trying to forget?
Don't tell me you've turned yourself into a dynamo just for the fun of grinding out one hit after another. Success is coming out of your ears. Why don't you relax and just be a human being again?
I don't know what you're talking about.
I'm talking about you. I can see a boy way down in those streets who ...
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This film presents many Gershwin tunes in great fashion with several great settings and great production numbers. Yes, it's unfortunate that the story line is so heavily fictionalized and even misleading. But, the sets are honest to the periods covered, several sequences are very tastefully done and fun, the show excerpts are good, and did I mention the music? As several other commentators have indicated, the music is faithfully recreated in long segments that bring you much or all of the tune.
If you come to this film to hear some wonderful Gershwin performed by some great artists staged with a lot of character and splash (my favorite set is Hazel Scott's Paris show), you won't be disappointed. The story line is simply a convenient string to tie together the thread of music.
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