In WWI dancer Jerry Jones stages an all-soldier show on Broadway, called Yip Yip Yaphank. Wounded in the war, he becomes a producer. In WWII his son Johnny Jones, who was before his ... See full summary »
Two soldiers on sick leave spend three nights at the Hollywood Canteen before going back to active duty. With a little friendly help from John Garfield, Slim gets to kiss Joan Leslie, whom ... See full summary »
The Andrews Sisters
When David's father dies, his mother remarries. His new stepfather Murdstone has a mean and cruel view on how to raise a child. When David's mother dies from grief, Murdstone sends David to... See full summary »
Edna May Oliver
At breakfast, Jane announces that she and Ralph are getting married the next week. All Jane and Ralph want is a small wedding with the immediate family and no reception. This is because ... See full summary »
Mae Doyle comes back to her hometown a cynical woman. Her brother Joe fears that his love, fish cannery worker Peggy, may wind up like Mae. Mae marries Jerry and has a baby; she is happy but restless, drawn to Jerry's friend Earl.
Composer George Gershwin is driven by his need to succeed. Unfortunately his drive destroys his romantic relationships with singer Julie Adams, who is desperately in love with him, and aloof socialite Christine Gilbert. Written by
Daniel Bubbeo <firstname.lastname@example.org>
Oscar Levant had three functions in this film: he provided George Gershwin's piano playing as Robert Alda's double, he portrayed himself on screen and he was heard playing piano on the soundtrack as himself, Oscar Levant, in the commemorative performance of "Rhapsody in Blue" which ends the film. See more »
The aria, "Summertime", from "Porgy and Bess", is performed first by the character Clara, and later, in a tragic scene, by Bess. But not only by Bess, as the film seems to depict. The film also gives the impression that the first verse is performed by chorus, which is not the case. The chorus only hums an accompaniment. See more »
Tell me, if you had it to do all over again, would you still fall in love with yourself?
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This film presents many Gershwin tunes in great fashion with several great settings and great production numbers. Yes, it's unfortunate that the story line is so heavily fictionalized and even misleading. But, the sets are honest to the periods covered, several sequences are very tastefully done and fun, the show excerpts are good, and did I mention the music? As several other commentators have indicated, the music is faithfully recreated in long segments that bring you much or all of the tune.
If you come to this film to hear some wonderful Gershwin performed by some great artists staged with a lot of character and splash (my favorite set is Hazel Scott's Paris show), you won't be disappointed. The story line is simply a convenient string to tie together the thread of music.
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