George Gershwin is a driven composer whose need to succeed destroys his relationship with singer Julie Adams and socialite Christine Gilbert.

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(original story), (screenplay) | 3 more credits »
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Nominated for 2 Oscars. Another 1 nomination. See more awards »
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Cast

Cast overview, first billed only:
Robert Alda ...
...
...
Christine Gilbert
...
Max Dreyfus
Julie Bishop ...
Lee Gershwin
Albert Bassermann ...
Prof. Franck
Morris Carnovsky ...
Morris Gershwin
Rosemary DeCamp ...
Rose Gershwin
...
Oscar Levant
Paul Whiteman ...
...
Al Jolson
George White ...
George White
Hazel Scott ...
Hazel Scott
Anne Brown ...
Herbert Rudley ...
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Storyline

Composer George Gershwin is driven by his need to succeed. Unfortunately his drive destroys his romantic relationships with singer Julie Adams, who is desperately in love with him, and aloof socialite Christine Gilbert. Written by Daniel Bubbeo <dbubbeo@cmp.com>

Plot Summary | Add Synopsis

Taglines:

The jubilant story of George Gershwin.


Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

22 September 1945 (USA)  »

Also Known As:

Rapsodia en azul  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

| (with overture)

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Al Jolson's appearance singing "Swanee" is his final credited performance in a film, but not his last appearance on screen. In The Jolson Story (1946) he appears as himself, unbilled, in one scene, again singing "Swanee". See more »

Goofs

While Max is making drinks at George's welcome home party he has his cigar in his right hand and puts it down. Switch to a behind shot and he has the cigar in his left hand on the soda bottle. Switch to a front shot and the cigar is now in his mouth. See more »

Quotes

Oscar Levant: If I had your talent, I'd be a pretty obnoxious fella. What do you call yourself?
George Gershwin: George Gershwin, it's my real name.
Oscar Levant: Mine's Oscar Levant. I'm thinking of changing it.
See more »

Connections

Featured in Midnight Cowboy (1969) See more »

Soundtracks

Some Sunday Morning
(uncredited)
Music by Richard A. Whiting
Lyrics by Ray Egan and Gus Kahn
Sung by a male vocal group at the Remick publishing house
See more »

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User Reviews

 
Great Music
31 December 2005 | by (United States) – See all my reviews

This film presents many Gershwin tunes in great fashion with several great settings and great production numbers. Yes, it's unfortunate that the story line is so heavily fictionalized and even misleading. But, the sets are honest to the periods covered, several sequences are very tastefully done and fun, the show excerpts are good, and did I mention the music? As several other commentators have indicated, the music is faithfully recreated in long segments that bring you much or all of the tune.

If you come to this film to hear some wonderful Gershwin performed by some great artists staged with a lot of character and splash (my favorite set is Hazel Scott's Paris show), you won't be disappointed. The story line is simply a convenient string to tie together the thread of music.


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