Two soldiers on sick leave spend three nights at the Hollywood Canteen before going back to active duty. With a little friendly help from John Garfield, Slim gets to kiss Joan Leslie, whom ... See full summary »
The Andrews Sisters
Snooty opera singer meets a rough-and-tumble fisherman in the Louisiana bayous, but this fisherman can sing! Her agent lures him away to New Orleans to teach him to sing opera, but comes to... See full summary »
Sailor Ted meets at the Lonely Hearts Club of his friend Gunny's wife, Jenny, a girl, Nora Paige, and falls in love. Nora wants to become a dancer on Broadway. Ted rescues the Pekinese of ... See full summary »
Roy Del Ruth
Loosely traces the life of tenor Enrico Caruso (1873-1921). He loves Musetta, in his home town of Naples, and then Dorothy, the daughter of one of the Metropolitan Opera's patrons. Caruso ... See full summary »
In the waning days of World War II, the United States Navy cargo ship Reluctant and her crew are stationed in the "backwater" areas of the Pacific Ocean. Trouble ensues when the crew members are granted liberty.
Composer George Gershwin is driven by his need to succeed. Unfortunately his drive destroys his romantic relationships with singer Julie Adams, who is desperately in love with him, and aloof socialite Christine Gilbert. Written by
Daniel Bubbeo <firstname.lastname@example.org>
The characters played respectively by Alexis Smith, Joan Leslie, and Albert Bassermann are fictional. There was no love triangle between Gershwin and the two women, and Gershwin's music teacher did not die the night that "Rhapsody in Blue" premiered. The scene in which Gershwin is fired by the music publisher for playing his own music is also fictional. However, most of the other characters in the film did exist, including Max Dreyfus, and Anne Brown, who played Bess in the original "Porgy and Bess" is still alive ca. early 2009. See more »
After Christine brings the terrier Tinker for George, when the camera angle is on George, Tinker's head is pointing up and his mouth is open. When the camera angle is on Christine, Tinker's head is level and his mouth is closed. See more »
I don't want to be just a concert pianist. I want to use the piano as a stepping stone!
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This film presents many Gershwin tunes in great fashion with several great settings and great production numbers. Yes, it's unfortunate that the story line is so heavily fictionalized and even misleading. But, the sets are honest to the periods covered, several sequences are very tastefully done and fun, the show excerpts are good, and did I mention the music? As several other commentators have indicated, the music is faithfully recreated in long segments that bring you much or all of the tune.
If you come to this film to hear some wonderful Gershwin performed by some great artists staged with a lot of character and splash (my favorite set is Hazel Scott's Paris show), you won't be disappointed. The story line is simply a convenient string to tie together the thread of music.
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