Youngblood Hawke is a truck driver from Kentucky who comes to New York City to become a hot-shot writer. Almost immediately, he meets editor Jeanne Green. She sees great promise in Hawke's ... See full summary »
Sardonic detective Shane, thrown out of one town for bringing trouble, heads for home and his ex-partner's detective agency. The business is in a sad way, and Shane, who has had the ... See full summary »
Before Ruth Vincent, daughter of a state governor, and state attorney general Robert Sheldon can announce their marriage, the governor is accused of bribe-taking. To avoid the appearance of... See full summary »
William Powell plays William Foster, a slick attorney who stays within the law, but specializes in representing crooks and shady characters. He's adept at keeping them out of jail, winning ... See full summary »
Composer George Gershwin is driven by his need to succeed. Unfortunately his drive destroys his romantic relationships with singer Julie Adams, who is desperately in love with him, and aloof socialite Christine Gilbert. Written by
Daniel Bubbeo <email@example.com>
Director Irving Rapper wanted Tyrone Power to play George Gershwin, but he was serving in the U.S. military during World War II and was therefore unavailable. See more »
The opening credits say "Music and Lyrics by George Gershwin and Ira Gershwin", when in fact George wrote the music and Ira wrote the lyrics. DuBose Heyward, who wrote the lyrics to "Summertime", is not credited. See more »
Tell me, if you had it to do all over again, would you still fall in love with yourself?
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Less a bio-pic, more a great tribute to the great Gershwin.
Thank God the film-makers trusted in the power of Gershwin's music to allow almost complete versions of the title composition, and "An American in Paris" to be included in the film - as well as many complete songs. All the music is superbly orchestrated and the songs sung beautifully by a wide variety of artists, many of whom were really the first artists to sing them. The film is excellently directed and photographed, with musical scenes well realised visually. The montage of Gershwin wandering about Paris as we hear "An American In Paris" is excellent - and the use of lights and shadows to film the orchestra playing "Rhapsody in Blue" is magnificent - would that contemporary films of orchestras were this imaginative.
Yes I know it is largely fiction - but so what? This is a tribute, not a documentary. And Alda is fine in the lead, backed by an excellent supporting cast. I loved this film from start to finish.
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