7.4/10
886
28 user 14 critic

Pride of the Marines (1945)

Marine hero Al Schmid is blinded in battle and returns home to be rehabilitated. He readjusts to his civilian life with the help of his soon to be wife.

Director:

Writers:

(screen play), (adaptation) | 1 more credit »
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Nominated for 1 Oscar. See more awards »
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Cast

Complete credited cast:
...
...
...
Lee Diamond
John Ridgely ...
Jim Merchant
Rosemary DeCamp ...
Virginia Pfeiffer
...
Ella Mae Merchant
...
Loretta Merchant (as Ann Todd)
Warren Douglas ...
Kebabian
...
Bill aka Irish
Tom D'Andrea ...
Tom
...
Doctor
...
Ainslee (as Stephen Richards)
...
Johnny Rivers
...
Capt. Burroughs
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Details

Country:

Language:

|

Release Date:

24 August 1945 (USA)  »

Also Known As:

El orgullo de los marines  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

On the train to Philadelphia, Al (John Garfield) talks to Lee (Dane Clark) about the difficulty he anticipates in getting a job for a blind man. Lee responds that because he, Lee, is Jewish, he has trouble finding a job as well and then waxes philosophic about a day when people are discriminated against for any reason. But in real life, it was Garfield who was Jewish. See more »

Goofs

When Al and the Merchants are gathered around the radio listening to the news flash about Pearl Harbor, none of the tubes in the radio are lit up - the radio is obviously not turned on and nothing would be heard. See more »

Quotes

Al Schmid: You know, I bet it would be more fun to shoot Japs than bears.
See more »

Connections

Referenced in Legacy of the Hollywood Blacklist (1987) See more »

Soundtracks

Old Black Joe
(uncredited)
Composed by Stephen Foster (1853)
Sung offscreen by patients at rehab
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User Reviews

Superb technical accuracy
11 November 2000 | by (arizona) – See all my reviews

Though not central to the story of Al Schmid's difficult rehabilitation, the short segment depicting his combat on Guadalcanal is superbly done. It is so technically accurate that it might serve as an instructional film on use of the Browning M1917 heavy machine gun. This level of authenticity was extremely rare in the 1940s and bespeaks a serious commitment by the director and (presumably) the marine corps. Apart from that, however, the tension and terror of nocturnal combat is extraordinarily well depicted. Such realism was rare in the decades before "Saving Private Ryan."


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