Adam Lemp, the Dean of the Briarwood Music Foundation, has passed on his love of music to his four early adult daughters - Thea, Emma, Kay and Ann - who live with him and his sister, the ... See full summary »
In the Post-World War II, the British Susanne Mallison travels to Berlin to visit her older brother Martin Mallison, a military that has married the German Bettina Mallison. The naive ... See full summary »
Show promoter Cartwright has stolen the songs that Frank wrote while he was in the big house. The boys go to Cartwright to get Frank credit for his work, and Cartwright has them arrested ... See full summary »
War correspondent Ernie Pyle joins Company C, 18th Infantry as this American army unit fights its way across North Africa in World War II. He comes to know the soldiers and finds much human... See full summary »
William A. Wellman
A young woman (Stanley Timberlake) dumps her fiancée (Craig Fleming) and runs off with her sister's (Roy Timberlake) husband (Peter Kingsmill). They marry, settle in Baltimore, and Stanley ... See full summary »
Olivia de Havilland,
Dick is watching the fleet come in when he sees June. Dick has no intention of joining the Navy, which is a family tradition, and June, having lost her father and brother in the Navy, does ... See full summary »
A vaudeville star has to leave her daughter with her dead husband's stuffy Boston parents while she makes a living. But when the daughter shows some talent, the mother become a stage mother... See full summary »
Married couple Jim & Ella Merchant set up their single friend Al Schmid on a blind date with Ruth Hartley. The two hit it off and begin dating. A welder, one day at the workplace, Al learns of a friend's enlistment in the Marine Corps and decides to join himself. Al and Ruth have a last date, with Al insisting that she forget about him as he is about to go into combat. However, when Ruth goes to meet his departure train, he is overjoyed and gives her an engagement ring. Assigned to Guadalcanal, Al and his squad are tasked with preventing the Japanese from breaching their line. During a night attack, many of his fellow Marines are slain, but Al ends up single-handedly saving the day, killing scores of Japanese. However, he is wounded by a suicide bomber near the end of the the battle. At the hospital, Al learns that he is blind, a condition that persists even after surgery. Feeling sorry for himself, he dictates a letter to a nurse, informing Ruth that he is relieving her of any ... Written by
Jon C. Hopwood
"Academy Award Theater" broadcast a 30 minute radio adaptation of the movie on June 15, 1946 with John Garfield reprising his film role. See more »
When Al and the Merchants are gathered around the radio listening to the news flash about Pearl Harbor, none of the tubes in the radio are lit up - the radio is obviously not turned on and nothing would be heard. See more »
This former Leatherneck appreciates more and more through the years John Garfield's gut-wrenching performance in the docu-drama PRIDE OF THE MARINES (1945), the true story of war hero Al Schmid who was blinded in combat on Guadalcanal by a Jap grenade. The picture, released a year before BEST YEARS OF OUR LIVES, was the first movie to deal in depth with the problems faced by returning vets. Scripted by Albert Maltz, who would eventually be jailed as one of the Hollywood 10, the film would catch major flack from Red-baiters at decade's end because of its politically-charged dialogue in one scene set in a veterans hospital, during which embittered soldiers forcefully voice both their hopes in and suspicions of a post-war society.
The three layers of plotline dramatize an accurate microcosm of American life during a pivotal time period. PRIDE explores in its pre-war first part Garfield's lower-class, working-man roots as only he could portray urban struggles and dreams during the Great Depression. The harrowing middle portion, claustrophobically confined to a cramped and stinking Pacific island foxhole (shared with Dane Clark and Anthony Caruso to form a 3-man machine gun team), graphically captures the fears and horrors of war as few films have.
But it is this citizen/soldier's readjustment in the final sequences, aided by compassionate nurse Rosemary deCamp and home-town fiancee Eleanor Parker (in a performance worthy of a Supporting Oscar nomination) that really packs an emotional wallop. Doubting his self-worth, lost in a sightless world (his post-operative cry of "Why don't God strike me dead!" is chilling), and struggling to comprehend the difference between love and pity, Garfield's perfectly modulated performance combines all the elements of his unique persona (rebellious icon, tough guy, romantic leading man, idealistic spokesman).
Given his devotion throughout the war years to the Hollywood Canteen that he and Bette Davis created, the story must have been very close to his heart. This may be his finest screen role in a career filled with meaningful performances.
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