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19 user 3 critic

The Power of the Whistler (1945)

Approved | | Film-Noir, Thriller | 19 April 1945 (USA)
A woman uses a deck of cards to predict death within 24 hours for a stranger sitting at a bar, then tries to help him remember who he is based on items in his pockets.

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Cast

Cast overview:
...
William Everest
...
Jean Lang
Jeff Donnell ...
Francie
Loren Tindall ...
Charlie Kent
...
Constantina Ivaneska
...
Kasper Andropolos, Bookshop Owner
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Storyline

A woman uses a deck of cards to predict death within 24 hours for a stranger sitting at a bar, then tries to help him remember who he is based on items in his pockets.

Plot Summary | Add Synopsis

Taglines:

Radio's Mystery Man Will Hold YOU Spellbound!


Certificate:

Approved | See all certifications »
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Details

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Release Date:

19 April 1945 (USA)  »

Also Known As:

Alma Satânica  »

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Technical Specs

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Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The signature whistling at the beginning of each of the Whistler movies was provided by Dorothy Roberts, backed by the theme's composer Wilbur Hatch and his orchestra. See more »

Goofs

Everest tells Jean that the train to Woodville leaves at 6:00 and arrives at 8:10. But later in the film, The Whistler says it leaves at 6:10 and arrives at 8:00. See more »

Connections

Followed by Voice of the Whistler (1945) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
It's All in the Cards
12 November 2007 | by (Claremont,USA) – See all my reviews

Far from the best of the series. The first twenty minutes or so are intriguing, after which the film trails off into a conventional suspenser. Dix plays a mysterious man who's suffered memory loss following an accident. Lovely Janis Carter steps in to assist after a prophetic portent from an ordinary deck of cards. Dix appears a decent sort eager to uncover his lost identity, but as events unfold the situation becomes darker, with an ending that would warm feminist hearts of decades later.

Some nice touches that build ambiguity, such as the frilly apron as Dix prepares breakfast for the girls, or his saying grace before the chatty sisters can dig in. On the other hand, there are the mysterious deaths trailing behind. The Whistler makes several shadowy commentaries, a neat carry-over from the radio series of the same name. Nonetheless, the material cries out for a stylish director who can lift the last half beyond the merely familiar, and create the kind urban nightmare of the original (William Castle).

Dix is again effective as the mystery man. However, Carter's high-energy smile and bubbly personality seem better suited to a Betty Grable musical than this slice of psychic noir. I just wish the imagination of the first half had carried over to the second. Still, worth a look-see from an outstanding series.


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