7.6/10
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The Picture of Dorian Gray (1945)

Not Rated | | Drama, Fantasy, Horror | 3 March 1945 (USA)
A corrupt young man somehow keeps his youthful beauty, but a special painting gradually reveals his inner ugliness to all.

Director:

Writers:

(screen play), (based upon the novel by)
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Won 1 Oscar. Another 2 wins & 3 nominations. See more awards »
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Cast

Cast overview, first billed only:
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Richard Fraser ...
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Morton Lowry ...
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Sir Robert Bentley
Lydia Bilbrook ...
Mary Forbes ...
Robert Greig ...
Sir Thomas
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Malvolio Jones - Chairman
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Storyline

In 1886, in the Victorian London, the corrupt Lord Henry Wotton meets the pure Dorian Gray posing for talented painter Basil Hallward. Basil paints Dorian's portrait and gives the beautiful painting and an Egyptian sculpture of a cat to him while Henry corrupts his mind and soul telling that Dorian should seek pleasure in life. Dorian wishes that his portrait could age instead of him. Dorian goes to a side show in the Two Turtles in the poor neighborhood of London and he falls in love with the singer Sibyl Vane. Dorian decides to get married with her and tells to Lord Henry that convinces him to test the honor of Sibyl. Dorian Gray leaves Sibyl and travels abroad and when he returns to London, Lord Henry tells him that Sibyl committed suicide for love. Along the years, Dorian's friends age while he is still the same, but his picture discloses his evilness and corruptive life. Can he still have salvation or is his soul trapped in the doomed painting? Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Taglines:

The most unusual story to ever reach the screen. See more »


Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

3 March 1945 (USA)  »

Also Known As:

Das Bildnis des Dorian Gray  »

Box Office

Budget:

$3,500,000 (estimated)
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Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Color:

| (Technicolor) (some sequences)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The character of Gladys Hallward does not appear in the novel. See more »

Goofs

When Dorian is riding the train early on, the scenery of the rear projection outside the train window changes from passing trees to open fields. See more »

Quotes

Sir Thomas: You must admit that women give men the very gold of their lives.
Lord Henry Wotton: But they invariably want it back in such small change. Women, as a witty Frenchman put it, inspire us with the desire to do masterpieces and always prevent us from carrying them out.
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Connections

Referenced in Daymaker (2007) See more »

Soundtracks

Youth
(uncredited)
by Herbert Stothart
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Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Surprisingly Good
6 February 2002 | by (New York City) – See all my reviews

It's hard to say what it is about "The Picture of Dorian Gray" that I enjoyed so much, but I did like it. Hurd Hatfield at first seems miscast and ineffective as the titular character, but somewhere around the one hour mark, his one and only expression begins to grow on you until you feel just as unnerved by his presence as those who come in contact with him in the story. George Sanders--from what I've seen--played one character his enter career but played it so well, and his performance in this film is no exception. Angela Lansbury is surprisingly sympathetic as the sad and timid singer. The only one in the cast who really doesn't work is Donna Reed. Her character feels tacked on, and she isn't allowed to do much but look faithful and beautiful.

The film is shot wonderfully, and Harry Stradling's cinematography gives the East End scenes a dark, atmospheric counter balance to the rather plain and flat interiors of Dorian's home. The swinging lamp was a nice touch and reminded me of "Psycho"'s finale.

I suppose my only criticism is toward the end, the story introduced one or two characters without giving them proper context or background (I'm thinking of the Allen Campbell character). I'm assuming Dorian "convinces" him to take part in his plans because of some sort past homosexual tryst, but it seemed unfair to bring him in they way he was, have him serve the role he does, and then disappear so quickly without explanation. And speaking of suggested themes: Is it just me, or could you make an argument that Dorian is Jack the Ripper? Maybe it's actually pretty obvious or maybe I'm just interpreting too much into the story, but that's what I got out of it.

P.S. I had the opportunity to see the actual painting from the film during an Ivan Albright exhibit at the Metropolitan Museum of Art in 1997. It's even more gruesome in person.


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