Madame Pimpernel
(1945)
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Madame Pimpernel
(1945)
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| Credited cast: | |||
| Constance Bennett | ... |
Kitty de Mornay
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Gracie Fields | ... |
Emmeline Quayle
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George Rigaud | ... |
Andre de Mornay
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Kurt Kreuger | ... |
Capt. Kurt von Weber
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Leslie Vincent | ... |
Lt. William Gray
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Charles Andre | ... |
Father Dominique
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Eily Malyon | ... |
Madame Martin
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Vladimir Sokoloff | ... |
Undertaker
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| Richard Ryen | ... |
Mons. Renard
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Gregory Gaye | ... |
Tissier
(as Gregory Gay)
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Maurice Cass | ... |
Patriot
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Adrienne D'Ambricourt | ... |
Margot
(as Adrienne d'Ambricourt)
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Andrew V. McLaglen | ... |
Sgt. McNair
(as Andrew McLaglen)
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| Rest of cast listed alphabetically: | |||
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Hans von Morhart | ... |
German Officer
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Among the terrified refugees jamming the roads out of Paris in 1940 are Kitty de Mornay, a rich American divorced from her French husband, and her companion Emmyline (Emmy) Quayle. A German patrol orders their car back to Paris and, en-route, they stop at an inn where they find a wounded RAF flyer, Lieutenant Gray. They hide him in the luggage compartment of their car. While attempting to repair a flat tire, they are accosted by Gestapo Captain Kurt von Webber. He drives them to Emmy's apartment. Later, with the help of Kitty's estranged husband, Andre de Mornay, a member of the FRench underground movement, Kitty and Emmy smuggle Lt. Gray out of Paris to safety. Since they now have means of getting to unoccupied France they contact a priest who is harboring many RAF fliers. Funeral processions are allowed across the border unchallenged by the German sentries, and Kitty and Emmy stage one in which their RAF men pose as mourners. Von Weber suspects the women, and he plants a spy in ... Written by Les Adams {longhorn1939@suddenlink.net}
In a late example of a fading Hollywood star going to England for a career boost, delectable Constance Bennett plays a madcap, irresponsible Yankee stuck in occupied France. She's uses her glam appeal to aid the resistance & help Allied troops escape with the help of co-hort Gracie Fields, the Brit Music Hall star in her final screen perf. The whole unlikely enterprise is done with reasonable flair under surprisingly lively direction from Gregory Ratoff and stellar lighting from lenser Lee Garmes. Too bad no one was able to turn the corner for the last act when the film tries for a darker, more serious tone, but it's well worth a gander. As is the still jolie Mme Bennett.