A woman screenwriter lives in a shabby bungalow in order to be near her husband, a 39-year-old newspaper editor who has just joined the army.

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Cast

Cast overview:
...
...
...
Robert Drexel Gow
...
Jan Lupton
Loren Tindall ...
Lt. Roy Lupton
...
Mrs. Foley
Phil Brown ...
Frank MacDougal
...
Mrs. Gates
Charles Evans ...
Colonel Foley
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Storyline

Max Wharton, 39, is the editor of the New York Bulletin -- or he was, until he announces that he's quitting to join the army. Robert Gow, who owns the paper, is furious. But Wharton wants more than anything to be close to the war. And his wife, Polly, wants to be close to him. And so she finishes up her latest movie script, and follows her husband to live near the barracks. She lives in a bungalow with no shower, lights that you have to turn on and off from the outside, a refrigerator that makes a hideous noise when she's lucky (that means it's working), moths and other niceties. Meanwhile, Max, studying hard for his exams, is starting to believe the saw that you can't teach an old dog new tricks. Written by J. Spurlin

Plot Summary | Plot Synopsis

Genres:

Comedy

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Details

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Language:

Release Date:

8 August 1945 (USA)  »

Also Known As:

Addio vent'anni  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Mirrophonic Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

"The Screen Guild Theater" broadcast a 60 minute radio adaptation of the movie on June 29, 1952 with Irene Dunne reprising her film role. See more »

Goofs

When Polly (Irene Dunne) is writing columns for Max (Alexander Knox) while he's busy attending classes and studying, one of the columns has a typo in the title - "Victory is What You You Make It." See more »

Quotes

[first lines]
Robert Drexel Gow: My editor! My paper! And this is how he tells me!
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User Reviews

 
great film
1 April 2005 | by (United States) – See all my reviews

This little-known comedy from the hit play by Ruth Gordon is a delight. The script, based on the play, is spicy, rich, and completely undated. Ditto the cast but I must underline the work of the leading lady,Irene Dunne. Irene is simply superb - as usual - and lights up the screen with every frame she's in (and she's in it a lot, thank heaven). In addition, director Vidor has given her some unusual close-ups that are mesmerizing. What a gal! I know of no other Hollywood actress from any era who has her versatility and is so convincing in every film. Why she remains so little known is a mystery. I have seen most of her films and this one was a surprise, even for a solid ID fan like myself. See it, everyone!


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