In a cheap hotel-room in New York City Jelke shoots gangster Joe Wells, takes a package from his pocket and flees.Wells staggers into an alley. On her way to her apartment above a wax ...
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The City of Chicago is gripped by an Axe Murderer. The streets are empty at night as there has been six murders and six people have been caught, but they are lunatics. Only one person has ... See full summary »
In a cheap hotel-room in New York City Jelke shoots gangster Joe Wells, takes a package from his pocket and flees.Wells staggers into an alley. On her way to her apartment above a wax museum, Sue Gallagher, a reporter for the Chronicle, finds Wells' body and hides his corpse among the wax-figures in the museum and calls her paper to send a photographer so she can get a scoop on the killing of Wells, who had a $5,000 reward for his capture, dead or alive. Meanwhile, Henry Miggs, the museum owner find the body and is ready to call the police but his handyman, Clutch Tracy tells him to conceal it and avoid suspicion. From this point on it is a game of where-is-the-body....and the stolen South American diamonds Wells was carrying. Written by
Les Adams <email@example.com>
The failure of the original copyright holder to renew the film's copyright resulted in it falling into public domain, meaning that virtually anyone could duplicate and sell a VHS/DVD copy of the film. Therefore, many of the versions of this film available on the market are either severely (and usually badly) edited and/or of extremely poor quality, having been duped from second- or third-generation (or more) copies of the film. See more »
When Gallagher removes the 'wax' figure to replace it with Joe Wells, one hand flops around too supple to be a wax figure. See more »
Made in 1945 by Paramount's reliable Pine-Thomas "B" production company, MIDNIGHT MANHUNT is a model of what a bottom-of-the-bill programmer should be. It reminds me of the best PRC productions of the 1940s, with a mix of comedy, mysterious atmosphere, clever plot twists, and a colorful supporting cast. Leo Gorcey is given the same kind of malapropism-laden dialogue he had as a Bowery Boy; George Zucco is menacing and mysterious as only he can be; Ann Savage, of DETOUR fame, is perfect as the brash newspaperwoman; familiar faces such as Ben Welden, Don Beddoe, and Charles Halton pop up; and leading man William Gargan has always been reliable as a square-jawed, tough leading man, both in film and on radio. There's as much comedy as mystery, and both work successfully. The result is an hour of clever entertainment that represents the best 1940s "B-movie" entertainment. The plot involves a missing corpse of a mobster, but it's just something on which to hang a series of comic and mysterious elements. A great way to kill an hour on a rainy day.
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