A writer meets a young socialite on board a train. The two fall in love and are married soon after, but her obsessive love for him threatens to be the undoing of both them and everyone else around them.
A private eye escapes his past to run a gas station in a small town, but his past catches up with him. Now he must return to the big city world of danger, corruption, double crosses and duplicitous dames.
Years after her aunt was murdered in her home, a young woman moves back into the house with her new husband. However, he has a secret that he will do anything to protect, even if it means driving his wife insane.
Mildred Pierce dotes on her daughters while husband Bert looks to Maggie Binderhof for affection. They separate leaving Mildred to raise the girls on her own. Elder daughter Veda goads her mother about their lack of money and in response Mildred proposes opening a small restaurant. Realtor Wally Fay advises her while making numerous rebuffed passes and introduces her to Monte Baragon whose property becomes the first of a chain of restaurants. Mildred has an affair with Monte. Meanwhile, money-hungry Veda pretends to be pregnant by wealthy Ted Forrester in order to bilk his family of $10,000. Mildred tears up the check, is slapped by Veda, and orders her daughter to leave. After time away, Mildred returns to find Veda singing in a cheap club. Veda will return only if Mildred promises her desired (Monte's) lifestyle, so Mildred agrees to marry Monte in exchange for a third of her businesses. It soon becomes clear that something is going on between Veda and Monte. Mildred learns of this ... Written by
Ed Stephan <firstname.lastname@example.org>
Shot on stage 14 at Warner Bros. studios. See more »
The placement of the hat-stand after Bert arrives home. See more »
You know, this is a pretty big night for you.
Yeah, lots of excitement. There's a stiff in there!
Is that so? Oh and I suppose you were running right down to the station to report it?
Say, he say's there's a dead guy in the house.
You never saw a deader.
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The opening credits are presented with a background ocean scene that "washes" the credits on the screen. See more »
I saw this film on a college campus in an auditorium built in the 1930's. It was over twenty years ago, yet I can still feel the emotion and experience of seeing a Joan Crawford movie for the first time. This film was, and still is, one of the best on many levels. The film noir connection is evident. The supporting players, Jack Carson, Eve Arden, and Ann Blyth, among others, were perfect. Joan's portrayal of the mother who had to work in a restaurant was real. Blyth was the ultimate bitchy daughter and deserved the Oscar as supporting actress.I learned later of Crawfords huge comeback with this film, and not knowing her successes previously, it made perfect sense. She really had it. It's a shame that Faye Dunaway couldn't project this part of Crawford's life and career.
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