A dazed woman walks the streets of Los Angeles looking for a man named David. After collapsing in a diner, she's taken to the psychiatric ward of a nearby hospital. Flashbacks reveal her ... See full summary »
Johnny Farrell is a gambling cheat who turns straight to work for an unsettling casino owner Ballin Mundson. But things take a turn for Johnny as his alluring ex-lover appears as Mundson's wife, and Mundson's machinations begin to unravel.
Mildred Pierce dotes on her daughters while husband Bert looks to Maggie Binderhof for affection. They separate leaving Mildred to raise the girls on her own. Elder daughter Veda goads her mother about their lack of money and in response Mildred proposes opening a small restaurant. Realtor Wally Fay advises her while making numerous rebuffed passes and introduces her to Monte Baragon whose property becomes the first of a chain of restaurants. Mildred has an affair with Monte. Meanwhile, money-hungry Veda pretends to be pregnant by wealthy Ted Forrester in order to bilk his family of $10,000. Mildred tears up the check, is slapped by Veda, and orders her daughter to leave. After time away, Mildred returns to find Veda singing in a cheap club. Veda will return only if Mildred promises luxury, so Mildred agrees to marry Monte in exchange for a third of her businesses. It soon becomes clear that something is going on between Veda and Monte. Mildred learns of this only after Monte has sold... Written by
Ed Stephan <email@example.com>
When Monty is pouring Mildred a drink, he asks her to say "when" for when she wants him to stop pouring, but then gives her the drink he poured for himself. See more »
You think just because you made a little money you can get a new hairdo and some expensive clothes and turn yourself into a lady. But you can't, because you'll never be anything but a common frump whose father lived over a grocery store and whose mother took in washing.
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The opening credits are presented with a background ocean scene that "washes" the credits on the screen. See more »
I saw this film on a college campus in an auditorium built in the 1930's. It was over twenty years ago, yet I can still feel the emotion and experience of seeing a Joan Crawford movie for the first time. This film was, and still is, one of the best on many levels. The film noir connection is evident. The supporting players, Jack Carson, Eve Arden, and Ann Blyth, among others, were perfect. Joan's portrayal of the mother who had to work in a restaurant was real. Blyth was the ultimate bitchy daughter and deserved the Oscar as supporting actress.I learned later of Crawfords huge comeback with this film, and not knowing her successes previously, it made perfect sense. She really had it. It's a shame that Faye Dunaway couldn't project this part of Crawford's life and career.
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