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An industrialist (Joseph Cotton) and a pianist (Joan Fontaine) meet on a trip and fall in love. Through a quirk of fate, they are reported dead in a crash though they weren't on the plane. ... See full summary »
An ambitious U.S. Senator reflects back on his life after the death of a woman whom he loved and kept in contact with only through correspondence. The movie is told in flashbacks as the two... See full summary »
A story of love and obsession. A young radio personality who, after her mother dies, discovers she had been having a love affair for 15 years. Now she finds herself recreating her mother's ... See full summary »
Amy Holden Jones
Jamie Lee Curtis,
The time is the Russian Revolution. The place is a country burdened with fear - the midnight knock at the door, the bread hidden against famine, the haunted eyes of the fleeing, the ... See full summary »
Marco, a young, arrogant art student, is friendly with Timothy, a medical student, and Sarah, his girl friend. Timothy is dominated by his beautiful mother, Carol, who is divorcing her ... See full summary »
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William A. Seiter
When a man asks another man more facile with words to do his wooing for him, there are always complications. The man with no talent for writing marries the girl, confesses one night he didn't write the letters and ends up with a knife in his back. The writer of the letters fell in love with the woman he wrote to and wants to become her second husband even if she did murder husband number one. Singleton doesn't remember the murder or anything about the first 22 years of her life as Victoria Remington. Then at her second wedding she wonders why she said "I take you, Roger," instead of "I take you, Allen." Written by
Dale O'Connor <email@example.com>
"Lux Radio Theater" broadcast a 60 minute radio adaptation of the movie on April 22, 1946 with Joseph Cotten reprising his film role. See more »
Dilly Carson relates to Allan Quinnton that she found Singleton sitting by the fireplace with a bloody knife and a letter from which Dilly quotes the signature line, "I think of you my dearest as the distance promise of beauty". But during the climactic flashback, we see the letter with that very line burning in the fireplace. See more »
"Love Letters" is one of the most interesting films of 1945, yet it's seldom seen these days. We watched an excellent copy of it courtesy of a cable channel. The picture has kept well throughout the years. Directed by an old pro of that period, William Dieterle, and with an excellent cinematography by Lee Garmes, it was a joy to watch again. Victor Young's haunting musical score plays softly in the background.
Some comments seem to indicate that Ayn Rand wrote the original work in which the movie is based. Contrary to those opinions, the fact is it was based on a Christopher Massie's novel, "Pity my Simplicity", and adapted by the author and Ms. Rand into the finished product. Ms. Rand was an obvious admirer of the French playwright Edmund Rostand's Cyrano de Bergerac, which plays in the action without making it too obvious.
The best thing in "Love Letters" was the casting of the main roles. Jennifer Jones and Joseph Cotten played with their characters with conviction. Ms. Jones was at a great moment of her movie career; her dual role of Victoria Morland/Singleton proved she was the right choice for it. Mr. Cotten was an actor that always delivered, as it's the case with his character, Allen Quinton, the man who has loved Victoria from a distance.
The marvelous cast is enhanced by Gladys Cooper, who is seen as Beatrice Remington, the woman who brought up Victoria as her own daughter and who holds the key to solving the mystery of the tragedy that involves Victoria. Ann Richards and Cecil Kellaway are also seen in minor roles.
"Love Letters" will delight fans of the genre as it is one of the better exponent of the Hollywood of the 40s.
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