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The Lost Weekend (1945)

Not Rated | | Drama, Film-Noir | 16 November 1945 (USA)
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The desperate life of a chronic alcoholic is followed through a four day drinking bout.

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(from the novel by), (screen play) | 1 more credit »
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Won 4 Oscars. Another 12 wins & 3 nominations. See more awards »

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Cast

Complete credited cast:
...
...
Phillip Terry ...
...
Nat
...
...
Mary Young ...
Mrs. Deveridge
Anita Sharp-Bolster ...
Mrs. Foley (as Anita Bolster)
Lilian Fontaine ...
Mrs. St. James
Frank Orth ...
Opera Cloak Room Attendant
Lewis L. Russell ...
Mr. St. James
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Storyline

Don Birnam, long-time alcoholic, has been "on the wagon" for ten days and seems to be over the worst; but his craving has just become more insidious. Evading a country weekend planned by his brother Wick and girlfriend Helen, he begins a four-day bender. In flashbacks we see past events, all gone wrong because of the bottle. But this bout looks like being his last...one way or the other. Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Add Synopsis

Taglines:

How daring can the screen dare to be? No adult man or woman can risk missing the startling frankness of The Lost Weekend! See more »

Genres:

Drama | Film-Noir

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

16 November 1945 (USA)  »

Also Known As:

Días sin huella  »

Box Office

Budget:

$1,250,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

On March 10, 1946 - three days after winning the Academy Award - Ray Milland appeared as a guest on a radio broadcast of "The Jack Benny Show." In a spoof of The Lost Weekend (1945), Ray and Jack Benny played alcoholic twin brothers. Phil Harris - who normally played Jack Benny's hard-drinking bandleader on the show - played the brother who tried to convince Ray and Jack to give up liquor. ("Ladies and gentlemen," said an announcer, "the opinions expressed by Mr. Harris are written in the script and are not necessarily his own.") In the alcoholic ward scene, smart-aleck Frank Nelson played the ward attendant who promised Ray and Jack that they would soon start seeing DT visions of strange animals. When the DT visions appeared (with Mel Blanc providing pig squeals, monkey chatters, and other animal sound effects), Ray chased them off. "Ray, they're gone!" Benny shouted. "What did you do?" Milland replied, "I threw my Oscar at them!" See more »

Goofs

When Ben is in Nat's bar taking shots of rye, the number of shots are depicted by the increasing number of wet rings left on the bar each time the shot glass was refilled. Several rings collect on the bar, each remaining as wet as the last. In actuality, being that they were from alcohol, over time the rings left by the first shots would be dried or mostly dried by the time later shots were taken. See more »

Quotes

Wick Birnem: If it happens, it happens and I hope it does. I've had six years of this. I've had my bellyfull... Who are we fooling? We've tried everything, haven't we? We've reasoned with him. We've baited him. We've watched him like a hawk. We've tried trusting him. How often have you cried? How often have I beaten him up? Scrape him out of a gutter and pump some kind of self-respect into him and back he falls, back in every time.
Helen St. James: He's a sick person. It's as though there was something wrong with his heart ...
[...]
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Connections

Featured in The 75th Annual Academy Awards (2003) See more »

Soundtracks

La Traviata
(1853) (uncredited)
Music by Giuseppe Verdi
Libretto by Francesco Maria Piave
Libiamo ne' lieti calici (Drinking Song) Performed by John Garris and Theodora Lynch with The San Francisco Opera Company
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Frequently Asked Questions

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User Reviews

 
Feeling thirsty? Then have a cup of tea.
4 January 1999 | by (London, England) – See all my reviews

Seedy bars, pawnshops, and an array of elaborate hiding places are the overriding images from this film. The Lost Weekend is a grimly realistic account of four days in the life of a chronic alcoholic, played by Ray Milland. In films of this quality one always takes away unforgettable images. The most striking is Milland's drunken efforts to remember where in his apartment the last hiding place he used is. Degraded and thoroughly beaten by his addiction, his last refuge is to try and keep it a secret from those who still love him. Billy Wilder's direction and script is brilliant - sympathetic, but unpatronising in his handling of a delicate and rarely dealt with affliction. Not until Nicolas Cage's portrayal of a man determined to drink himself to death in Leaving Las Vegas, has alcoholism been dealt with so well. Milland's performance is first rate - no hammy shlurring of words - and the atmosphere is dark and seedy like the bars he frequents. The scene where he spends several hours trying to find an open pawnshop on a public holiday is both harrowing and dazzling - it is remeniscent of the filmic image of a parched man trying to cross the desert.


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Does it REALLY get this bad?? learyblaine
Birnam's reaction to the pawn shops being shut? trist962
The ending. Johnny____
I found this movie ridiculous... russ453
I'm drunk right now erika-58
the mouse and bat scene teejay6682
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