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The Lost Weekend (1945)

Not Rated | | Drama, Film-Noir | 16 November 1945 (USA)
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The desperate life of a chronic alcoholic is followed through a four day drinking bout.

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(from the novel by), (screen play) | 1 more credit »
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Won 4 Oscars. Another 12 wins & 3 nominations. See more awards »

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Cast

Complete credited cast:
...
...
Phillip Terry ...
Howard Da Silva ...
Nat
...
...
Mary Young ...
Mrs. Deveridge
Anita Sharp-Bolster ...
Mrs. Foley (as Anita Bolster)
Lilian Fontaine ...
Mrs. St. James
Frank Orth ...
Opera Cloak Room Attendant
Lewis L. Russell ...
Mr. St. James
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Storyline

Don Birnam, long-time alcoholic, has been "on the wagon" for ten days and seems to be over the worst; but his craving has just become more insidious. Evading a country weekend planned by his brother Wick and girlfriend Helen, he begins a four-day bender. In flashbacks we see past events, all gone wrong because of the bottle. But this bout looks like being his last...one way or the other. Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Add Synopsis

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How daring can the screen dare to be? No adult man or woman can risk missing the startling frankness of The Lost Weekend! See more »

Genres:

Drama | Film-Noir

Certificate:

Not Rated | See all certifications »

Parents Guide:

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Details

Country:

Language:

Release Date:

16 November 1945 (USA)  »

Also Known As:

Días sin huella  »

Box Office

Budget:

$1,250,000 (estimated)
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Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Ray Milland doubted he had the acting chops to pull it off, but his wife encouraged him to take a chance. Additionally, Milland was tempted to star in the film because Billy Wilder and Charles Brackett were currently riding high from previous successes. So the actor finally agreed to appear in what would become his most famous role. See more »

Goofs

When Helen pours whiskey for Don near the end then divides it into two glasses, it is nowhere near a quarter of the way up the glass. When Don chooses not to drink it moments later, and drops his cigarette in the glass, it is more than half-way full. See more »

Quotes

Wick Birnem: If it happens, it happens and I hope it does. I've had six years of this. I've had my bellyfull... Who are we fooling? We've tried everything, haven't we? We've reasoned with him. We've baited him. We've watched him like a hawk. We've tried trusting him. How often have you cried? How often have I beaten him up? Scrape him out of a gutter and pump some kind of self-respect into him and back he falls, back in every time.
Helen St. James: He's a sick person. It's as though there was something wrong with his heart ...
[...]
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Connections

Spoofed in King-Size Canary (1947) See more »

Soundtracks

Louise
(1929) (uncredited)
Music by Richard A. Whiting
Lyrics by Leo Robin
Played on piano and sung by Harry Barris at Harry and Joe's
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Frequently Asked Questions

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User Reviews

"Before 'Weekend', alcoholism was treated as something funny. There were character actors who only played drunks, and always for laughs.There's nothing funny about a drunk."
21 April 2006 | by (Vienna, Austria) – See all my reviews

The often stated belief that alcoholism is a mere bodily addiction does not do the truth any justice. Alcoholism is more. It's a state of mind. It's addictive escapism for those who feel cheated by life, a way of avoiding fears and unhappiness, an illusionary method to make up for ones failures. Maybe that's why most therapies do not succeed. They solely concentrate on the illness, rather than on the cause of it. Of course, in many cases the cause cannot be helped...

In The Lost Weekend we accompany the failed writer Don Birnam (Ray Milland) surrendering to the self-destructive nature of his addiction. Despite being good-looking and intelligent, Don is a hopeless alcoholic filled with self-loathing ("The reason is me. What I am. Or rather what I am not.") The brand doesn't matter, the cheaper the better – to him it's all the same. Drinking seems to be his only way to escape from his misery and low self-esteem. "Suddenly I'm above the ordinary. I'm competent. I'm walking a tightrope over Niagara Falls. I'm one of the great ones. I'm Michaelangelo, molding the beard of Moses. I'm Van Gogh painting pure sunlight. [...]" That's what a drunk Don tells his favourite barkeeper Nat (Howard Da Silva).

Yet, in one aspect he is lucky. Unlike many of his fellow sufferers he is not alone. After years of abuse, his faithful girlfriend Helen (Jane Wyman) and his brother Wick (Phillip Terry) have still not deserted him. Compassionately they do their utmost to protect Don from himself by keeping him under close observation. With great effort they determined the most inventive hiding-places of his bottles and they even visited nearby liquor stores and bars, begging not to accept Don as a customer. There is nothing they haven't tried, but Don appears to be beyond salvation ("I am not a drinker. I'm a drunk." he tells them.). Just before the three of them are about to go on a weekend trip, Don devises a cunning plan to temporarily get rid of the two persons who care about him, giving him time to acquire the liquid he treasures the most. Soon he is stone drunk, staggering through the streets, always on the lookout for the next drink. For Don there will be no weekend trip. Only the bottle and the desperate humiliations connected with attaining it.

The Lost Weekend is a a drama of great emotional vehemence, lacking the light heartedness of Billy Wilder's later works. It gives unclouded insight into the darkest corners of alcoholism and depicts the powerlessness of the alcoholic over himself. Wilder created great controversy at that time by letting the lead actor succumb to his addiction. He didn't shy away from showing the addict's humiliations when begging for money or booze. Neither did he hesitate to point out the addict's loss of all self-respect when stealing and lying to pay for his one need. The horrifying hallucination scene only adds up to the disturbing decline of Don Birnam's humanity, proving that the greatest horrors lie within our imagination.

This is an excellent film of lasting relevance. It is technically brilliant and shines with great dialogue (which is typical for Wilder). Its storytelling (flashbacks) is superior. Furthermore Ray Millard (Dial M for Murder) gives a terrific and equally courageous performance as the the self-destructive alcoholic. You can see the desperate self-loathing and calculating slyness of a true addict written on his face.

In the end it comes down to two choices. Don can give in to alcoholism and thereby give up on life. Or he can try to overcome his addiction and face his fears and discontentment. Although sheer will-power may not be enough to achieve the latter, it is essential for succeeding. And the cause isn't lost, for there is Helen to help and care for him. Don is not alone. May someone have mercy on those who are...


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Does it REALLY get this bad?? learyblaine
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