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The Lost Weekend (1945)

Not Rated  |   |  Drama  |  16 November 1945 (USA)
8.1
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Ratings: 8.1/10 from 22,284 users  
Reviews: 130 user | 89 critic

The desperate life of a chronic alcoholic is followed through a four day drinking bout.

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(from the novel by), (screen play), 1 more credit »
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Title: The Lost Weekend (1945)

The Lost Weekend (1945) on IMDb 8.1/10

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Won 4 Oscars. Another 12 wins & 3 nominations. See more awards »

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Cast

Complete credited cast:
...
...
Phillip Terry ...
Howard Da Silva ...
Nat
...
...
Mary Young ...
Mrs. Deveridge
Anita Sharp-Bolster ...
Mrs. Foley (as Anita Bolster)
Lilian Fontaine ...
Mrs. St. James
Frank Orth ...
Opera Cloak Room Attendant
Lewis L. Russell ...
Mr. St. James
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Storyline

Don Birnam, long-time alcoholic, has been "on the wagon" for ten days and seems to be over the worst; but his craving has just become more insidious. Evading a country weekend planned by his brother Wick and girlfriend Helen, he begins a four-day bender. In flashbacks we see past events, all gone wrong because of the bottle. But this bout looks like being his last...one way or the other. Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Add Synopsis

Taglines:

The screen dares to open the strange and savage pages of a shocking bestseller! See more »

Genres:

Drama

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

16 November 1945 (USA)  »

Also Known As:

Días sin huella  »

Box Office

Budget:

$1,250,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

When the film was given its first public showing at a sneak preview in Santa Barbara, California, the audience reaction to the intense film was not good. The audience laughed. Billy Wilder recalled, "The people laughed from the beginning. They laughed when Birnam's brother found the bottle outside the window, they laughed when he emptied the whiskey into the sink." The theater lost viewers like a broken sieve. Preview cards were handed out, and the opinions of the flick ranged from "disgusting" to "boring." Wilder even claimed that one patron left the theater proclaiming, "I've sworn off. Never again." "You'll never drink again?" he was asked. "No, I'll never see another picture again." Another preview card said that the movie was great, but that all the "stuff about drinking and alcoholism" should be omitted. See more »

Goofs

During one of Milland's scenes in Nat's, he grasps and shakes the bar vigorously. In a real saloon, the bar would be so heavy and/or solidly attached to the floor that no one would be able to do such a thing. See more »

Quotes

Nat: One's too many an' a hundred's not enough.
See more »

Connections

Referenced in Backstory: The Seven Year Itch (2000) See more »

Soundtracks

It Was So Beautiful (and You Were Mine)
(1932) (uncredited)
Music by Harry Barris
Lyrics by Arthur Freed
Played on piano and sung by Harry Barris at Harry and Joe's
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Textbook drama about addiction powerfully told...
2 March 1999 | by (Philadelphia, PA) – See all my reviews

From the first shot of a bottle hanging from a drunk's apartment, we realize we are about to see a clever addict and a weekend of his demented exploits. Ray Milland has an honest face, not unlike Jimmy Stewart's, however, with this character it is only skin-deep. The great thing about his performance and the film as a whole, is that his face will gradually change, becoming dark and chilly, just like Stewart's in IT'S A WONDERFUL LIFE. Stewart had lost his life momentarily. Milland has lost his soul to the bottle and he will stop at nothing to quench his thirst.

This really is a textbook example of the alcoholic's lies and schemes, a precursor to LEAVING LAS VEGAS, although there are people in this film who care about the drinker from the beginning. He just can't stop and we start to lose whatever sympathy we had for him because of how he treats other people. This is a drunk with a sober man wanting to come out, but Wilder's script dives deeply into the unpredictable outcomes of most alcoholics.

LOST WEEKEND was innovative and was almost never released because test audiences could not take the film's realism. The hospital sequence retains its horror, and Milland's withdrawal-induced hallucination of a rat in the wall was like him looking in the mirror. See this movie and you will come away with a completely informed and scary anthology of the antics of a hopeless alcoholic. This is amazing considering it came out of the old Hollywood system.


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