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The Lost Weekend (1945)

 -  Drama  -  16 November 1945 (USA)
8.1
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Ratings: 8.1/10 from 21,200 users  
Reviews: 127 user | 86 critic

The desperate life of a chronic alcoholic is followed through a four day drinking bout.

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(from the novel by), (screen play), 1 more credit »
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Title: The Lost Weekend (1945)

The Lost Weekend (1945) on IMDb 8.1/10

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Won 4 Oscars. Another 12 wins & 3 nominations. See more awards »

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Cast

Complete credited cast:
...
...
Phillip Terry ...
Howard Da Silva ...
Nat
...
...
'Bim' Nolan
Mary Young ...
Mrs. Deveridge
Anita Sharp-Bolster ...
Mrs. Foley (as Anita Bolster)
Lilian Fontaine ...
Mrs. St. James
Frank Orth ...
Opera Cloak Room Attendant
Lewis L. Russell ...
Mr. St. James
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Storyline

Don Birnam, long-time alcoholic, has been "on the wagon" for ten days and seems to be over the worst; but his craving has just become more insidious. Evading a country weekend planned by his brother Wick and girlfriend Helen, he begins a four-day bender. In flashbacks we see past events, all gone wrong because of the bottle. But this bout looks like being his last...one way or the other. Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Add Synopsis

Taglines:

The screen dares to open the strange and savage pages of a shocking bestseller! See more »

Genres:

Drama

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

16 November 1945 (USA)  »

Also Known As:

Días sin huella  »

Box Office

Budget:

$1,250,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

On March 10, 1946 - three days after winning the Academy Award - Ray Milland appeared as a guest on a radio broadcast of "The Jack Benny Show." In a spoof of The Lost Weekend (1945), Ray and Jack Benny played alcoholic twin brothers. Phil Harris - who normally played Jack Benny's hard-drinking bandleader on the show - played the brother who tried to convince Ray and Jack to give up liquor. ("Ladies and gentlemen," said an announcer, "the opinions expressed by Mr. Harris are written in the script and are not necessarily his own.") In the alcoholic ward scene, smart-aleck Frank Nelson played the ward attendant who promised Ray and Jack that they would soon start seeing DT visions of strange animals. When the DT visions appeared (with Mel Blanc providing pig squeals, monkey chatters, and other animal sound effects), Ray chased them off. "Ray, they're gone!" Benny shouted. "What did you do?" Milland replied, "I threw my Oscar at them!" See more »

Goofs

During one of Milland's scenes in Nat's, he grasps and shakes the bar vigorously. In a real saloon, the bar would be so heavy and/or solidly attached to the floor that no one would be able to do such a thing. See more »

Quotes

[Nat moves to wipe away the circle of whisky from Don Birnam's glass]
Don Birnam: Don't wipe it away, Nat. Let me have my little vicious circle. You know, the circle is the perfect geometric figure. No end, no beginning.
See more »

Connections

Referenced in Children Shouldn't Play with Dead Things (1973) See more »

Soundtracks

La Traviata
(1853) (uncredited)
Music by Giuseppe Verdi
Libretto by Francesco Maria Piave
Libiamo ne' lieti calici (Drinking Song) Performed by John Garris and Theodora Lynch with The San Francisco Opera Company
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Once Upon A Time There Was A Bat And A Mouse
29 July 2006 | by (Buffalo, New York) – See all my reviews

The Lost Weekend for 1945 was a pretty grim and realistic look at the problem of alcoholism. We've seen some pretty good films since like I'll Cry Tomorrow right up to Barfly, but The Lost Weekend still has the power to hold the audiences attention 61 years after it came out.

It was a breakthrough film for its star Ray Milland. Previously someone who had done light leading man roles, Milland plumbed some real hidden demons in the role of Don Birnam. A guy much like the characters Ray Milland played on screen, Birnam is a charming fellow and would be writer who can't leave the alcohol alone.

Billy Wilder was going to originally cast an unknown character actor in the lead role. However Paramount producer Buddy DeSylva said that in this part you wanted a likable leading man so the audiences had a rooting interest. Wilder who usually did not suffer interference from the front office with any grace, took DeSylva's advice and got Ray Milland with whom he'd worked with in The Major and the Minor.

Milland prepared for this part by spending a couple of nights in an alcoholic ward. Certainly showed in his performance. You will not forget Milland and his reaction to seeing the bat and the mouse while in delirium tremors.

Jane Wyman was Wilder's third choice after not getting Katharine Hepburn or Jean Arthur. She came over to Paramount from Warner Brothers on a loan out and got her first really good notices for a serious acting role as Milland's long suffering girl friend.

A recent biography of Billy Wilder said that The Lost Weekend was timed perfectly for an audience that swelled up with returning servicemen some of whom developed alcoholic problems after being through the horror of a World War. After being panned in previews with a little editing it opened to rave reviews on release.

It did good at the box office too and it won Oscars for Best Picture, Best Actor for Milland, Best Screenplay for Billy Wilder and Charles Brackett and Best Director for Wilder. After this triumph Wilder and Brackett both had their pick of good film properties.

I'm surprised that someone like Robert DeNiro, Dustin Hoffman or Al Pacino has never tried to remake this one. Seems like just the kind of film for them.

Milland's character is a writer and a key sequence is when he attempts to pawn his typewriter for a bottle of booze. Can you imagine doing that today with a laptop computer which is not only the tool he uses, but also has a memory of all the attempts the protagonist has made to write.

Might even be more powerful today.


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