8.0/10
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The Lost Weekend (1945)

Not Rated | | Drama, Film-Noir | 16 November 1945 (USA)
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Airs Sun. Feb. 21, 10:00 AM on TCM

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The desperate life of a chronic alcoholic is followed through a four day drinking bout.

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Writers:

(from the novel by), (screen play) | 1 more credit »
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Popularity
2,429 ( 6,776)
Won 4 Oscars. Another 12 wins & 3 nominations. See more awards »

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Cast

Complete credited cast:
...
...
Phillip Terry ...
Howard Da Silva ...
Nat
...
...
Mary Young ...
Mrs. Deveridge
Anita Sharp-Bolster ...
Mrs. Foley (as Anita Bolster)
Lilian Fontaine ...
Mrs. St. James
Frank Orth ...
Opera Cloak Room Attendant
Lewis L. Russell ...
Mr. St. James
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Storyline

Don Birnam, long-time alcoholic, has been "on the wagon" for ten days and seems to be over the worst; but his craving has just become more insidious. Evading a country weekend planned by his brother Wick and girlfriend Helen, he begins a four-day bender. In flashbacks we see past events, all gone wrong because of the bottle. But this bout looks like being his last...one way or the other. Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Add Synopsis

Taglines:

The screen dares to open the strange and savage pages of a shocking bestseller! See more »

Genres:

Drama | Film-Noir

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

16 November 1945 (USA)  »

Also Known As:

Días sin huella  »

Box Office

Budget:

$1,250,000 (estimated)
 »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Miklós Rózsa was nominated for his scores for both Spellbound (1945) and this film the same year. A theremin was used in both scores. David O. Selznick threatened legal action against the use of the instrument in "The Lost Weekend" until it was pointed out that the mere use of a particular instrument could not be copyrighted. "Spellbound" won the Oscar although Rozsa considered "Weekend" the stronger score. See more »

Goofs

Don places the bottle on the right side of the ceiling lamp and later retrieves it from the left side. See more »

Quotes

Helen St. James: We're both trying, Don. You're trying not to drink, and I'm trying not to love you.
See more »

Connections

Featured in Shadows of Suspense (2006) See more »

Soundtracks

Louise
(1929) (uncredited)
Music by Richard A. Whiting
Lyrics by Leo Robin
Played on piano and sung by Harry Barris at Harry and Joe's
See more »

Frequently Asked Questions

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User Reviews

Powerful landmark film on alcoholism has lost none of its status...Ray Milland deserved his Oscar...
16 April 2001 | by (U.S.A.) – See all my reviews

I take exception to previous comments that call the film "daring for its time" or "dated". It's still a very powerful film and there is nothing dated about the theme of a man who loses his soul to the bottle. It was a landmark film in its time and still is--there is no question about its holding power and the excellence of writing, acting and direction. Yes, even by today's standards! It outclasses more recent films dealing with alcoholism as it focuses on one man's problem with the bottle--a problem that affects all of the people whose lives he touches--particularly his loyal girlfriend (Jane Wyman in one of her best roles) and Philip Terry as his more conventional brother. The emotions are stark and real. The pity we feel for Milland's character is also mixed with disgust for his weakness. It's an accurate depiction of an alcoholic's struggle for the next fix--a never ending search for the next bottle. The pseudo-babble of a previous commentator attempts to inject disdain for the film as outdated and outclassed by more serious works. Nonsense! This was a stark and powerful film in 1945 and I have news for you--it is just as powerful and timely today! No other American film comes close to it. It is as searing an indictment of alcoholism as you are ever likely to see and Milland fully deserved his Oscar.


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