A frustrated former big-city journalist now stuck working for an Albuquerque newspaper exploits a story about a man trapped in a cave to re-jump start his career, but the situation quickly escalates into an out-of-control circus.
Youthful Father Chuck O'Malley led a colorful life of sports, song, and romance before joining the Roman Catholic clergy, but his level gaze and twinkling eyes make it clear that he knows ... See full summary »
Don Birnam, long-time alcoholic, has been "on the wagon" for ten days and seems to be over the worst; but his craving has just become more insidious. Evading a country weekend planned by his brother Wick and girlfriend Helen, he begins a four-day bender. In flashbacks we see past events, all gone wrong because of the bottle. But this bout looks like being his last...one way or the other. Written by
Rod Crawford <firstname.lastname@example.org>
When Don Birnam searches for a pawn shop to hock his typewriter, the Third Ave Elevated is in the background. The last train on the "el" ran May 12,1955 and the structure was torn down later that year. See more »
Amount of rye in shot glass changes. When bartender Nat pours Don Birnam's first drink, the shot glass is approximately 75% full as seen over bartender's left shoulder. Birnam lifts glass, but does not drink. Cut to camera over Birnam's right shoulder looking at bartender. As Birnam leans away from bar, glass is now filled almost to brim. See more »
Love is the hardest thing in the world to write about. It's so simple. You've gotta catch it through details, like the early morning sunlight hitting the gray tin of the rain spout in front of her house, the ringing of a telephone that sounds like Beethoven's Pastorale, a letter scribbled on her office stationary that you carry around in your pocket because it smells like all the lilacs in Ohio.
Pour it, Nat!
See more »
Powerful landmark film on alcoholism has lost none of its status...Ray Milland deserved his Oscar...
I take exception to previous comments that call the film "daring for its time" or "dated". It's still a very powerful film and there is nothing dated about the theme of a man who loses his soul to the bottle. It was a landmark film in its time and still is--there is no question about its holding power and the excellence of writing, acting and direction. Yes, even by today's standards! It outclasses more recent films dealing with alcoholism as it focuses on one man's problem with the bottle--a problem that affects all of the people whose lives he touches--particularly his loyal girlfriend (Jane Wyman in one of her best roles) and Philip Terry as his more conventional brother. The emotions are stark and real. The pity we feel for Milland's character is also mixed with disgust for his weakness. It's an accurate depiction of an alcoholic's struggle for the next fix--a never ending search for the next bottle. The pseudo-babble of a previous commentator attempts to inject disdain for the film as outdated and outclassed by more serious works. Nonsense! This was a stark and powerful film in 1945 and I have news for you--it is just as powerful and timely today! No other American film comes close to it. It is as searing an indictment of alcoholism as you are ever likely to see and Milland fully deserved his Oscar.
75 of 84 people found this review helpful.
Was this review helpful to you?