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The Lost Weekend (1945)

Not Rated  |   |  Drama  |  16 November 1945 (USA)
8.1
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Ratings: 8.1/10 from 22,595 users  
Reviews: 130 user | 90 critic

The desperate life of a chronic alcoholic is followed through a four day drinking bout.

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(from the novel by), (screen play), 1 more credit »
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Title: The Lost Weekend (1945)

The Lost Weekend (1945) on IMDb 8.1/10

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Won 4 Oscars. Another 12 wins & 3 nominations. See more awards »

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Cast

Complete credited cast:
...
...
Phillip Terry ...
Howard Da Silva ...
Nat
...
...
Mary Young ...
Mrs. Deveridge
Anita Sharp-Bolster ...
Mrs. Foley (as Anita Bolster)
Lilian Fontaine ...
Mrs. St. James
Frank Orth ...
Opera Cloak Room Attendant
Lewis L. Russell ...
Mr. St. James
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Storyline

Don Birnam, long-time alcoholic, has been "on the wagon" for ten days and seems to be over the worst; but his craving has just become more insidious. Evading a country weekend planned by his brother Wick and girlfriend Helen, he begins a four-day bender. In flashbacks we see past events, all gone wrong because of the bottle. But this bout looks like being his last...one way or the other. Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Add Synopsis

Taglines:

How daring can the screen dare to be? No adult man or woman can risk missing the startling frankness of The Lost Weekend! See more »

Genres:

Drama

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

16 November 1945 (USA)  »

Also Known As:

Días sin huella  »

Box Office

Budget:

$1,250,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Some temperance unions incorrectly accused the film of promoting or publicizing drinking. The Ohio temperance board objected to a line in the script attributed to the sadistic orderly, Bim. He says, "Prohibition-that is what started most of these guys off." Bim also makes a slam against "narrow-minded, small-town teetotalers." Paramount refused to remove the line, but Ohio won in the end. Paramount was also warned that the delicate sensibilities of the British might be offended by the film. The studio nixed any potential trouble by adding a subtitle for the British release, The Lost Weekend: Diary of a Dipsomaniac, and producing a special trailer alerting Britons of the film's harsh subject matter. The disclaimer read: "Ladies and gentlemen, as this is a most unusual subject for screen presentation, we have been requested to warn you of the grim and realistic sequences contained in this unique diary carrying such a powerful moral." See more »

Goofs

Don places the bottle on the right side of the ceiling lamp and later retrieves it from the left side. See more »

Quotes

Don Birnam: Love is the hardest thing in the world to write about. It's so simple. You've gotta catch it through details, like the early morning sunlight hitting the gray tin of the rain spout in front of her house, the ringing of a telephone that sounds like Beethoven's Pastorale, a letter scribbled on her office stationary that you carry around in your pocket because it smells like all the lilacs in Ohio.
Don Birnam: Pour it, Nat!
See more »

Connections

Referenced in Cinemania (2002) See more »

Soundtracks

Somebody Stole My Gal
(1918) (uncredited)
Written by Leo Wood
Played on piano and sung by Harry Barris at Harry and Joe's, with modified lyrics ("Somebody Stole the Purse")
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Powerful landmark film on alcoholism has lost none of its status...Ray Milland deserved his Oscar...
16 April 2001 | by (U.S.A.) – See all my reviews

I take exception to previous comments that call the film "daring for its time" or "dated". It's still a very powerful film and there is nothing dated about the theme of a man who loses his soul to the bottle. It was a landmark film in its time and still is--there is no question about its holding power and the excellence of writing, acting and direction. Yes, even by today's standards! It outclasses more recent films dealing with alcoholism as it focuses on one man's problem with the bottle--a problem that affects all of the people whose lives he touches--particularly his loyal girlfriend (Jane Wyman in one of her best roles) and Philip Terry as his more conventional brother. The emotions are stark and real. The pity we feel for Milland's character is also mixed with disgust for his weakness. It's an accurate depiction of an alcoholic's struggle for the next fix--a never ending search for the next bottle. The pseudo-babble of a previous commentator attempts to inject disdain for the film as outdated and outclassed by more serious works. Nonsense! This was a stark and powerful film in 1945 and I have news for you--it is just as powerful and timely today! No other American film comes close to it. It is as searing an indictment of alcoholism as you are ever likely to see and Milland fully deserved his Oscar.


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