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Prince Wolfram is the betrothed of mad Queen Regina V of Kronberg. Supreme ruler, her word is law and he is a playboy. On maneuvers as punishment for partying with other women, he sees ... See full summary »
After opening a convent in the Himalayas, five nuns encounter conflict and tension - both with the natives and also within their own group - as they attempt to adapt to their remote, exotic surroundings.
A stenographer who works for a lawyer falls in love with and marries a wealthy young man. His family has the marraige annulled, after which she gives birth to a child. Her former boss helps... See full summary »
The saga of Tom Holmes - a man of principles - from the Great War to the Great Depression. Will he ever get a break? His war heroics earn fame and a medal for someone else, and his wounds ... See full summary »
William A. Wellman
At the wedding of Albert and Anna, Karl, the new chauffeur, arrives. Albert is the head butler, second generation to the Baron. Karl soon seems out of place as a servant, and Albert tells ... See full summary »
Don Birnam, long-time alcoholic, has been "on the wagon" for ten days and seems to be over the worst; but his craving has just become more insidious. Evading a country weekend planned by his brother Wick and girlfriend Helen, he begins a four-day bender. In flashbacks we see past events, all gone wrong because of the bottle. But this bout looks like being his last...one way or the other. Written by
Rod Crawford <firstname.lastname@example.org>
The only film to win both an Academy Award for Best Picture and the Cannes Film Festival Grand Prix du Festival International Film. (NOTE: Marty won both the Academy Award for Best Picture and the Cannes Film Festival Palme D'Or (Golden Palm). In 1955, the Palme D'Or replaced the Grand Prix du Festival International Film as the highest award given to films at Cannes.) See more »
Don Birman stops at the "A. Bloom" pawn shop. When it is closed, he walks uptown. He passes another pawn shop with a man standing in front of it and we can see the name "A. Bloom" again See more »
Love is the hardest thing in the world to write about. It's so simple. You've gotta catch it through details, like the early morning sunlight hitting the gray tin of the rain spout in front of her house, the ringing of a telephone that sounds like Beethoven's Pastorale, a letter scribbled on her office stationary that you carry around in your pocket because it smells like all the lilacs in Ohio.
Pour it, Nat!
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Powerful landmark film on alcoholism has lost none of its status...Ray Milland deserved his Oscar...
I take exception to previous comments that call the film "daring for its time" or "dated". It's still a very powerful film and there is nothing dated about the theme of a man who loses his soul to the bottle. It was a landmark film in its time and still is--there is no question about its holding power and the excellence of writing, acting and direction. Yes, even by today's standards! It outclasses more recent films dealing with alcoholism as it focuses on one man's problem with the bottle--a problem that affects all of the people whose lives he touches--particularly his loyal girlfriend (Jane Wyman in one of her best roles) and Philip Terry as his more conventional brother. The emotions are stark and real. The pity we feel for Milland's character is also mixed with disgust for his weakness. It's an accurate depiction of an alcoholic's struggle for the next fix--a never ending search for the next bottle. The pseudo-babble of a previous commentator attempts to inject disdain for the film as outdated and outclassed by more serious works. Nonsense! This was a stark and powerful film in 1945 and I have news for you--it is just as powerful and timely today! No other American film comes close to it. It is as searing an indictment of alcoholism as you are ever likely to see and Milland fully deserved his Oscar.
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