After opening a convent in the Himalayas, five nuns encounter conflict and tension - both with the natives and also within their own group - as they attempt to adapt to their remote, exotic surroundings.
A stenographer who works for a lawyer falls in love with and marries a wealthy young man. His family has the marraige annulled, after which she gives birth to a child. Her former boss helps... See full summary »
The saga of Tom Holmes - a man of principles - from the Great War to the Great Depression. Will he ever get a break? His war heroics earn fame and a medal for someone else, and his wounds ... See full summary »
William A. Wellman
At the wedding of Albert and Anna, Karl, the new chauffeur, arrives. Albert is the head butler, second generation to the Baron. Karl soon seems out of place as a servant, and Albert tells ... See full summary »
Don Birnam, long-time alcoholic, has been "on the wagon" for ten days and seems to be over the worst; but his craving has just become more insidious. Evading a country weekend planned by his brother Wick and girlfriend Helen, he begins a four-day bender. In flashbacks we see past events, all gone wrong because of the bottle. But this bout looks like being his last...one way or the other. Written by
Rod Crawford <email@example.com>
Amount of rye in shot glass changes. When bartender Nat pours Don Birnam's first drink, the shot glass is approximately 75% full as seen over bartender's left shoulder. Birnam lifts glass, but does not drink. Cut to camera over Birnam's right shoulder looking at bartender. As Birnam leans away from bar, glass is now filled almost to brim. See more »
Uncompromising, dark and definitely disturbing Best Picture Oscar winner from 1945 that deals with a writer's (Ray Milland in one of the very best performances ever shown on the silver which deservedly landed him his only Oscar) alcoholism and the effects that his problem has on himself, his work and those closest to him. The love of his life (Jane Wyman) and his very supportive brother (Phillip Terry) try to save Milland from a habit that has gotten terribly out-of-hand. Heart-wrenching flashbacks into Milland's demise are sometimes difficult sequences to get through. In the end it is not a sure thing if Milland can distance himself from his disease and return to a normal life. Billy Wilder's uncompromising direction and screenplay yielded him Oscars in this film that scared many studios away in the early-1940s due to its intense subject matter and the question of whether the film could create interest. Made during a time when patriotic movies and romantic comedic farces dominated the cinema, "The Lost Weekend" was truly unlike anything ever experienced before. A very well-made production that is first class all the way. A real classic in every sense of the term. 5 stars out of 5.
28 of 32 people found this review helpful.
Was this review helpful to you?