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The Lost Weekend (1945)

Not Rated | | Drama, Film-Noir | 16 November 1945 (USA)
The desperate life of a chronic alcoholic is followed through a four-day drinking bout.

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(from the novel by), (screen play) | 1 more credit »
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Won 4 Oscars. Another 12 wins & 3 nominations. See more awards »

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Cast

Complete credited cast:
...
...
...
...
Nat
...
...
Mary Young ...
Mrs. Deveridge
...
Mrs. Foley (as Anita Bolster)
Lilian Fontaine ...
Mrs. St. James
...
Opera Cloak Room Attendant
Lewis L. Russell ...
Mr. St. James
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Storyline

Don Birnam, long-time alcoholic, has been "on the wagon" for ten days and seems to be over the worst; but his craving has just become more insidious. Evading a country weekend planned by his brother Wick and girlfriend Helen, he begins a four-day bender. In flashbacks we see past events, all gone wrong because of the bottle. But this bout looks like being his last...one way or the other. Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Add Synopsis

Taglines:

The screen dares to open the strange and savage pages of a shocking bestseller! See more »

Genres:

Drama | Film-Noir

Certificate:

Not Rated | See all certifications »

Parents Guide:

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Details

Country:

Language:

Release Date:

16 November 1945 (USA)  »

Also Known As:

Días sin huella  »

Box Office

Budget:

$1,250,000 (estimated)
 »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The first film featuring a "theremin" on the soundtrack - a musical instrument which produces a strange "wailing" sound that later became familiar to 1950s science-fiction film audiences. Miklós Rózsa used it in composing the score for the nightmare sequences. See more »

Goofs

Don removes from his typewriter the title page for his novel "The Bottle" and crumples it up. Near the end of the movie, Helen hands it to him as a flat, crisp piece of paper. See more »

Quotes

Wick Birnem: If it happens, it happens and I hope it does. I've had six years of this. I've had my bellyfull... Who are we fooling? We've tried everything, haven't we? We've reasoned with him. We've baited him. We've watched him like a hawk. We've tried trusting him. How often have you cried? How often have I beaten him up? Scrape him out of a gutter and pump some kind of self-respect into him and back he falls, back in every time.
Helen St. James: He's a sick person. It's as though there was something wrong with his heart ...
[...]
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Connections

Referenced in Hollywood Mouth 2 (2014) See more »

Soundtracks

La Traviata
(1853) (uncredited)
Music by Giuseppe Verdi
Libretto by Francesco Maria Piave
Libiamo ne' lieti calici (Drinking Song) Performed by John Garris and Theodora Lynch with The San Francisco Opera Company
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Frequently Asked Questions

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User Reviews

Powerful landmark film on alcoholism has lost none of its status...Ray Milland deserved his Oscar...
16 April 2001 | by (U.S.A.) – See all my reviews

I take exception to previous comments that call the film "daring for its time" or "dated". It's still a very powerful film and there is nothing dated about the theme of a man who loses his soul to the bottle. It was a landmark film in its time and still is--there is no question about its holding power and the excellence of writing, acting and direction. Yes, even by today's standards! It outclasses more recent films dealing with alcoholism as it focuses on one man's problem with the bottle--a problem that affects all of the people whose lives he touches--particularly his loyal girlfriend (Jane Wyman in one of her best roles) and Philip Terry as his more conventional brother. The emotions are stark and real. The pity we feel for Milland's character is also mixed with disgust for his weakness. It's an accurate depiction of an alcoholic's struggle for the next fix--a never ending search for the next bottle. The pseudo-babble of a previous commentator attempts to inject disdain for the film as outdated and outclassed by more serious works. Nonsense! This was a stark and powerful film in 1945 and I have news for you--it is just as powerful and timely today! No other American film comes close to it. It is as searing an indictment of alcoholism as you are ever likely to see and Milland fully deserved his Oscar.


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