Evie's co-workers at the uniform shirt factory, and her almost-fiancée's inability to kiss, inspire her to slip a letter into a size sixteen-and-a-half shirt for some anonymous soldier. ... See full summary »
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Academy Award-winner* Mary Astor (The Maltese Falcon) stars as a widow whose grown children try to break up her romance with a college professor in this charming, offbeat comedy directed by... See full summary »
In the 1600s, cowardly Sir Simon of Canterville flees a duel and seeks solace in the family castle. His ashamed father seals him in the room where he is hiding and dooms him to life as a ... See full summary »
Norman Z. McLeod
Greece, in the 1920's, is occupied by the Turks. The country is in turmoil with entire villages uprooted. The site of the movie is a Greek village that conducts a passion play each year. ... See full summary »
Melina Mercouri plays an actress who is attempting a comeback with a staging of the Greek tragedy "Medea" (about a woman who kills her children) in her native Greece. As a publicity stunt, ... See full summary »
Evie's co-workers at the uniform shirt factory, and her almost-fiancée's inability to kiss, inspire her to slip a letter into a size sixteen-and-a-half shirt for some anonymous soldier. It's received by "Wolf" Larson, who immediately throws it away, but his sensitive, dreaming--and short--buddy John McPherson snags it, and begins a correspondence with Evie, pretending to be Wolf. But things get complicated when Evie wants to meet her tall, handsome soldier. And even more complicated when Wolf sees Evie and likes what he sees. Written by
Why wasn't Marsha Hunt a bigger star? What a sweetie! And what a smile! Really well written take on the mistaken identity romantic comedy. The scene with the great Spring Byington where Johnny's identity was finally revealed went from laugh out loud funny to sad and touching. And the scene with Evie on the bed weeping her confusion when she finally learns the truth was equally well done: both by script writer and Marsha Hunt. Hume Cronyn was perfect. Who would have thought the actor so often cast as a weaselly villain could be such a romantic hero? I loved the last scene where Johnny heroically tries to "Tell her what she wants to hear" ends at last with the romantic resolution. By the way, that scene at the rest home with the friend of the dead soldier added a bit of depth not usually expected in such a generally frothy romance. Another example of how well this was written and played.
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