Pluto is guarding a flock of sheep in the West; a coyote is sneaking up on that flock. The coyote fakes a bad leg; Pluto chases it away, only to have it run back ahead of him and go after ...
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Pluto's dish is empty, so he goes after the bone in the dish of Butch the bulldog, who is sleeping next door. Can he make it home with the bone before Butch wakes up? No. Soon they are ... See full summary »
Pluto chases a kitten through a window and right into Mickey's lap. Mickey scolds him, and goes off to wash the kitten. Pluto falls asleep in front of the fire, and dreams of a hell ruled ... See full summary »
Donald's nephews come to lunch filthy from playing outside. Donald sends them to wash up; when he finds they've done a half-hearted job, he sends them to bed without supper. They scheme to ... See full summary »
It's Pluto's birthday party, but Mickey's dozen or so nephews seem to be having all the fun. Their present is a wagon so Pluto can pull them; the "Pin the Tail on Pluto" game doesn't go ... See full summary »
Donald Duck is Scoutmaster of his nephews on a camping trip at Yellowstone National Park, but his lack of leadership skills results in the Scouts having to help the Scoutmaster out of one predicament after another.
Pluto is guarding a flock of sheep in the West; a coyote is sneaking up on that flock. The coyote fakes a bad leg; Pluto chases it away, only to have it run back ahead of him and go after the sheep. Pluto gets back and finds the coyote chasing the lone black sheep of the flock, after trapping the rest. The chase ends with the coyote buried under a toppling spire of rock, which forms a coyote of rock on the top. Written by
Jon Reeves <email@example.com>
The tremendous battle between sheep dog Pluto & old Bent-Tail the varmint is part of THE LEGEND OF COYOTE ROCK.
The animation & story are both fairly routine in this little film. This was the first of four cartoons to feature Bent-Tail as Pluto's desertland nemesis.
Walt Disney (1901-1966) was always intrigued by drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that simplicity of message and lots of hard work always pay off.
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