A writer meets a young socialite on board a train. The two fall in love and are married soon after, but her obsessive love for him threatens to be the undoing of both them and everyone else around them.
An adventuresome young man goes off to find himself and loses his socialite fiancée in the process. But when he returns 10 years later, she will stop at nothing to get him back, even though she is already married.
A woman secretly suffering from kleptomania is hypnotized in an effort to cure her condition. Soon afterwards, she is found at the scene of a murder with no memory of how she got there and seemingly no way to prove her innocence.
A private eye escapes his past to run a gas station in a small town, but his past catches up with him. Now he must return to the big city world of danger, corruption, double crosses and duplicitous dames.
Novelist Richard Harland and socialite Ellen Berent meet on a train to New Mexico. They are immediately attracted to each other, soon fall in love and decide to get married, about which everyone they know is happy except Ellen's fiancé back home, politician Russell Quinton. However, Richard and Ellen's love for each other is different than that of the other as Ellen demonstrates in the manner which she tells everyone of their impending marriage. Ellen's love for Richard is an obsessive, possessive one, much like the love she had for her now deceased father, who Richard physically resembles. Ellen wants Richard all to herself and resents anyone who even remotely takes a place in his life and heart, even if his love for that person is not a romantic one. These people include most specifically Richard's physically disabled teen-aged brother Danny Harland, Ellen's own adopted sister Ruth Berent, and a young man neither has gotten a chance to really know yet. After time, Richard learns to ... Written by
Movie was featured in M*A*S*H episode "House Arrest". The movie had to be shown in The Swamp because Hawkeye was on house arrest for punching Frank. See more »
Ellen's method of scattering her father's ashes (flinging the urn from side to side during a horseback ride through the desert) would leave both her and the horse covered in her father's remains. See more »
B Movie Acting and Story Draped in A Movie Cinematography, Sets, Costumes
This movie is like the Dickens line about, Best of, Worst of. There are elements that are the peak of 1945 film-making skill: cinematography, set decoration, costumes, use of technicolor, music scoring. And elements that are pure B movie-making: a shallow psycho-drama with mostly wooden glib performances. On the one hand, I imagined really talented, nuanced actors as I watched Gene Tierney and Cornel Wilde - on the calibre of Barbara Stanwyck and Kirk Douglas, who appeared that same year in a Warner Brothers noir film, Loves of Martha Ivers, and imagined it would have deepened the film. But it didn't help that film, and may not have helped a similarly melodramatic, histrionic film. At the same time, the uber- glamor movie-star quality of Tierney and Wilde added a Douglas Sirkian over-the-top quality to the film's gloss which somehow defines 40s glamor, like Lana Turner and John Garfield. I'm not sure it's a guilty pleasure for me, because I am drawn to Tierney's beauty but find her remote, and never quite suspend disbelief when I watch her act.
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