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Leave Her to Heaven (1945)

Not Rated | | Drama, Film-Noir, Romance | 20 December 1945 (USA)
A writer meets a young socialite on board a train. The two fall in love and are married soon after, but her obsessive love for him threatens to be the undoing of both them and everyone else around them.

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(screenplay), (novel)
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Won 1 Oscar. Another 4 nominations. See more awards »

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Cast

Complete credited cast:
...
...
...
...
Russell Quinton
Mary Philips ...
Mrs. Berent
...
...
Dr. Saunders
...
Dr. Mason
...
...
Leick Thome
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Storyline

Novelist Richard Harland and socialite Ellen Berent meet on a train to New Mexico. They are immediately attracted to each other, soon fall in love and decide to get married, about which everyone they know is happy except Ellen's fiancé back home, politician Russell Quinton. However, Richard and Ellen's love for each other is different than that of the other as Ellen demonstrates in the manner which she tells everyone of their impending marriage. Ellen's love for Richard is an obsessive, possessive one, much like the love she had for her now deceased father, who Richard physically resembles. Ellen wants Richard all to herself and resents anyone who even remotely takes a place in his life and heart, even if his love for that person is not a romantic one. These people include most specifically Richard's physically disabled teen-aged brother Danny Harland, Ellen's own adopted sister Ruth Berent, and a young man neither has gotten a chance to really know yet. After time, Richard learns to ... Written by Huggo

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Hers was the deadliest of the seven sins. See more »


Certificate:

Not Rated | See all certifications »

Parents Guide:

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Details

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Release Date:

20 December 1945 (USA)  »

Also Known As:

Que el cielo la juzgue  »

Filming Locations:

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Company Credits

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Mirrophonic Recording)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

"Lux Radio Theater" broadcast a 60 minute radio adaptation of the movie on March 17, 1947 with Gene Tierney and Cornel Wilde reprising their film roles. See more »

Goofs

The car that picks up Harland, the Berents, and Glen Robie at the railroad station in New Mexico also appears in the driveway at the hospital at Warm Springs parked right in front of Harland and Ellen. See more »

Quotes

Ellen Berent Harland: I keep forgetting you can't draw a deep breath without being heard all over the house!
Ellen Berent Harland: Let's change the name of the place from Back Of The Moon to Goldfish Manor.
See more »

Connections

Featured in Sex at 24 Frames Per Second (2003) See more »

Soundtracks

Nocturne, Op. 27, No. 2
(uncredited)
Music by Frédéric Chopin
Played on the piano by Ruth
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User Reviews

Incest through a third party.
14 August 2003 | by See all my reviews

The melodrama of which Stahl was one of the masters throughout the thirties had muted,probably because the importance of the film noir in the following decade."Leave her to heaven' is as much a film noir as a melodrama.What's particularly puzzling is the color.

Like some Lang ,HItchcock or Tourneur works ("secret beyond the door" "spellbound" or "cat people",for instance) ,this is par excellence a Freudian movie.The heroine has never solved her Oedipus complex :she has always been in love with her father -dig the scene when Gene Tierney rides her horse as she throws her father's ashes away.

The love she could not make with her father ,she will make it through a third party: a husband who resembles her dad.

This could be fine.She loves her husband to the exclusion of all others .But there are others ,and they are all living threats.So these intruders will be enemies.The scene when Tierney sees her family coming through binoculars can be compared to an attack of Indians or bandits when the hero is alone in a remote fort in an adventure film ,as Bertrand Tavernier pointed out in "50 ans de cinéma américain".

Had the heroine preserved her intimacy -and how stupid her husband was not to have understood that!-,maybe nothing would have happened.THe color,which might seem irrelevant in a film noir ,is actually necessary because "back of the moon" ,the island in the middle of the lake is a paradise ,soon to become a lost paradise,then a living hell.

A probably never better Gene Tierney outshines every other member of the cast ,which is first-rate though.Little by little,we see her become a monster ,and the actress's performance is so convincing (along with a superb script from which a lot of today's writers could draw inspiration) that it gives her horrible crimes an implacable logic.Like in a Greek tragedy.

"Leave her to heaven " is by no means "romantic trash" .It's the crowning of Stahl 's career in which he transcends both melodrama and film noir.


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