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Leave Her to Heaven (1945)

Not Rated | | Drama, Film-Noir, Romance | 20 December 1945 (USA)
A writer meets a young socialite on board a train. The two fall in love and are married soon after, but her obsessive love for him threatens to be the undoing of both them and everyone else around them.

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(screenplay), (novel)
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Won 1 Oscar. Another 4 nominations. See more awards »

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Cast

Complete credited cast:
...
...
...
...
Russell Quinton
Mary Philips ...
Mrs. Berent
...
...
Dr. Saunders
...
Dr. Mason
...
...
Leick Thome
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Storyline

Novelist Richard Harland and socialite Ellen Berent meet on a train to New Mexico. They are immediately attracted to each other, soon fall in love and decide to get married, about which everyone they know is happy except Ellen's fiancé back home, politician Russell Quinton. However, Richard and Ellen's love for each other is different than that of the other as Ellen demonstrates in the manner which she tells everyone of their impending marriage. Ellen's love for Richard is an obsessive, possessive one, much like the love she had for her now deceased father, who Richard physically resembles. Ellen wants Richard all to herself and resents anyone who even remotely takes a place in his life and heart, even if his love for that person is not a romantic one. These people include most specifically Richard's physically disabled teen-aged brother Danny Harland, Ellen's own adopted sister Ruth Berent, and a young man neither has gotten a chance to really know yet. After time, Richard learns to ... Written by Huggo

Plot Summary | Add Synopsis

Taglines:

The sin she committed in the name of love could not be judged by man...or punished by law! See more »


Certificate:

Not Rated | See all certifications »

Parents Guide:

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Details

Country:

Language:

Release Date:

20 December 1945 (USA)  »

Also Known As:

Que el cielo la juzgue  »

Filming Locations:

 »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Mirrophonic Recording)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

"Lux Radio Theater" broadcast a 60 minute radio adaptation of the movie on March 17, 1947 with Gene Tierney and Cornel Wilde reprising their film roles. See more »

Goofs

When Ellen and Richard are arguing in the bedroom shortly after Ellen's family has arrived for their surprise visit, a crew member's shadow moves over the pair on the bottom half of the screen. See more »

Quotes

Mrs. Berent: There's nothing wrong with Ellen. It's just that she loves too much.
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Soundtracks

Nocturne, Op. 27, No. 2
(uncredited)
Music by Frédéric Chopin
Played on the piano by Ruth
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User Reviews

 
Rainbow noir...
17 October 2008 | by (United Kingdom) – See all my reviews

Can a film noir be effective in glorious colour or is that a contradiction in terms? Anyway I found this lesser-known thriller to be as exciting and involving as any other black-and-white-mean-streets scenario that the 40's threw up. Tightly plotted, well acted and above all, beautifully photographed, I was gripped from first to last. My only caveats might have been the "framing" device of Cornel Wilde's lawyer's top-and-tail introduction and epilogue, which just takes away a little of the dramatic tension, an over-intrusive musical score, particularly at Wilde and Tierney's first "strangers on a train" meeting and also the fact that more wasn't made of the conclusion of the otherwise tautly drawn crucial trial scene. The acting is top-rate, with no discernible weak links. Wilde, as the duped author, shows hidden depths to his handsome exterior, Crain, in a sub De-Havilland part modulates her performance winningly as her character's importance to the plot develops and Vincent Price is absolutely excellent as Tierney's abandoned fiancé, a lawyer on the make who convincingly destroys Wilde and Crain in his vengeful piece-de-resistance as the prosecuting counsel. What a shame he was later reduced to his stereotype cackling mad-man persona of seemingly dozens of horror films. He's a revelation here, almost stealing the movie in said trial scene where he's made to recite long pieces of staccato dialogue which he delivers pitch-perfect. Gene Tierney, of course, is enthralling in the pivotal role of the possessed / possessive Ellen, who uses her obvious beauty and sophistication to ensnare Wilde, before taking off into psychopath territory, which sees her effectively kill Wilde's disabled but adored younger brother and devise an almost perfect beyond-the-grave trap for Wilde and Crain to fall into. Great as all these pluses are, I keep coming back to the cinematography which captures like no other film I've ever seen tones of radiant beauty in almost every shot, both interior and exterior. In fact all I can say to finish is that I could find very little to fault this glorious but unheralded example of the golden age of Hollywood.


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Commentary by Schickel + Hickman freakseed
Tierney , Gardner or Hayworth? jim4146
Why did Harland get two years in prison? Turfseer
How was this not a production code violation? paul-987
'This movie may be the blackest Noir of them all.' wax1802
House in New Mexico location? theladysif
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