A writer meets a young socialite on board a train. The two fall in love and are married soon after, but her obsessive love for him threatens to be the undoing of both them and everyone else around them.
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A religious fanatic marries a gullible widow whose young children are reluctant to tell him where their real daddy hid $10,000 he'd stolen in a robbery.
Director:
Charles Laughton
Stars:
Robert Mitchum,
Shelley Winters,
Lillian Gish
A dazed woman walks the streets of Los Angeles looking for a man named David. After collapsing in a diner, she's taken to the psychiatric ward of a nearby hospital. Flashbacks reveal her ... See full summary »
To avoid the heat of a sweltering summer night a 9 year old Manhattan boy decides to sleep on the fire escape and witnesses a murder, no one will believe him.
"Lux Radio Theater" broadcast a 60 minute radio adaptation of the movie on March 17, 1947 with Gene Tierney and Cornel Wilde reprising their film roles. See more »
Goofs
During Ruth's testimony at the trial, she changes how she holds Richard's book as the camera angle changes. See more »
No one can watch this without remembering Gene Tierney's searing blue eyes, Jeanne Crain's face of innocence, or Cornel Wilde (lightyears from The Naked Prey) here looking like a photo of Pierre & Gilles come to life. It's 110 minutes of color-time-travel basking in the surreally saturated Technicolor palette of the mid 40's.
For those who have been denied the experience of watching the recently restored version with a rapt audience on a big screen as happened April 26, 2008 at San Francisco's Castro Theatre, I can only hope you'll contact a film preservation-minded theater in your area.
Though I've watched this film on DVD, nothing prepared me for the impact of the big screen. The closeups alone will take your breath away.
Is it melodrama or is it noir?--leave that to Heaven!
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No one can watch this without remembering Gene Tierney's searing blue eyes, Jeanne Crain's face of innocence, or Cornel Wilde (lightyears from The Naked Prey) here looking like a photo of Pierre & Gilles come to life. It's 110 minutes of color-time-travel basking in the surreally saturated Technicolor palette of the mid 40's.
For those who have been denied the experience of watching the recently restored version with a rapt audience on a big screen as happened April 26, 2008 at San Francisco's Castro Theatre, I can only hope you'll contact a film preservation-minded theater in your area.
Though I've watched this film on DVD, nothing prepared me for the impact of the big screen. The closeups alone will take your breath away.
Is it melodrama or is it noir?--leave that to Heaven!